Alan Howard

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1958–1965

Alan Howard made his first stage appearance at the Belgrade Theatre, Coventry, in April 1958, as a footman in Half In Earnest. He remained with the company until 1960, where his roles included Frankie Bryant in Arnold Wesker's Roots in June 1959. The production first transferred to the Royal Court Theatre and then the Duke of York's Theatre in July 1959, where he made his West End debut in the role.

Returning to the Belgrade he played Dave Simmonds in Wesker's I'm Talking About Jerusalem in April 1960. This was followed by Monty Blatt in Chicken Soup with Barley at the Royal Court during June and July 1960, completing the Wesker Trilogy with a revival of Roots and the transfer of I'm Talking About Jerusalem (as 1st Removal Man).

At the Pembroke Theatre in Croydon he played Kenny Baird in A Loss of Roses during January 1961, and the following month a return to the Royal Court as de Piraquo in Tony Richardson's production of Thomas Middleton and William Rowley's Jacobean tragedy The Changeling, then little known.

In 1962 he was cast as the Duke of Ferrara in John Fletcher's The Chances and Nearchus in John Ford's The Broken Heart, both at the Chichester Festival Theatre in its inaugural season. A year later in April 1963 he played Loveless in Virtue in Danger, a musical version of Vanbrugh's The Relapse, first at the Mermaid Theatre before transferring to the Strand Theatre in June 1963. He ended the year playing Fotheringham in Anthony Powell's Afternoon Men at the New Arts Theatre in August 1963.

Engaged by H.M. Tennent Productions, 1964 brought him an international tour of South America and Europe, playing both Bassanio in The Merchant of Venice and Lysander in A Midsummer Night's Dream. Staged by Wendy Toye and starring Ralph Richardson, the productions were first seen at the Theatre Royal, Brighton.

At the Phoenix Theatre in May 1965 he was "boldly playing" Simon Challoner in Julian Mitchell's fine stage adaptation of A Heritage and Its History; ending the year at the Nottingham Playhouse as Angelo in Measure for Measure and Bolingbroke in Richard II, co-starring with Judi Dench and Edward Woodward.

1966–1979

Howard first joined the Royal Shakespeare Company at Stratford-upon-Avon in 1966, cast as Orsino in Twelfth Night, Burgundy in Henry V and Lussurioso in The Revenger's Tragedy. Subsequent RSC roles, all at Stratford unless otherwise stated, included:

Jacques in As You Like It 1967

Young Fashion in The Relapse (Aldwych Theatre) 1967

Edgar in King Lear, Achilles in Troilus and Cressida and Benedick (to Janet Suzman's Beatrice) in Much Ado About Nothing 1968 (these three roles also in Aldwych revivals)

Jacques in As You Like It (Los Angeles) 1968

Bartholomew Cokes in Bartholomew Fair and Lussurioso in The Revenger's Tragedy (both Aldwych) 1969

Benedick in Much Ado About Nothing (Los Angeles) 1969

Mephistophilis in Doctor Faustus, title role in Hamlet, Theseus/Oberon in A Midsummer Night's Dream and Ceres in The Tempest 1970

Theseus/Oberon in A Midsummer Night's Dream (New York debut at the Billy Rose Theatre) January 1971

Theseus/Oberon in A Midsummer Night's Dream, Nikolai in Maxim Gorky's Enemies, Dorimant in The Man of Mode and The Envoy in The Balcony (Aldwych) 1971–72

Cyril Jackson in The Black and White Minstrels by C.P. Taylor (Not RSC – Traverse Theatre, Edinburgh) July 1972

Toured as Theseus/Oberon (visiting Eastern and Western Europe, the US, Japan and Australia) August 1972 – August 1973

Howard then played Eric von Stroheim in The Ride Across Lake Constance at the Hampstead Theatre in November 1973, transferring to the May Fair Theatre in December; and again played Cyril in The Black and White Minstrels, revived at Hampstead in January 1974, before returning to the RSC, where his roles included:

Carlos II in The Bewitched Aldwych, May 1974

Title role in Henry V, and Prince Hal in the two parts of Henry IV Stratford 1975; Aldwych, January 1976

Rover in Wild Oats, co-starring with Jeremy Irons, Aldwych, December 1976

Title role in Henry V, also the title roles in the three parts of Henry VI and Coriolanus Stratford 1977; Newcastle Season, at the Theatre Royal, Newcastle upon Tyne 13 February – 25 March 1978; and Aldwych, summer 1978

Mark Antony in Antony and Cleopatra Stratford, October 1978; Aldwych, July 1979

Chepurnoy in Maxim Gorky's Children of the Sun Aldwych, October 1979

1980–2011

Title roles in Richard II and Richard III, Stratford 1980; Aldwych, November 1981

The Hollow Crown, devised by John Barton, RSC Fortune Theatre July–August 1981

Pleasure and Repentance, devised by Terry Hands, RSC Fortune Theatre July–August 1981

Gennady in The Forest by Alexander Ostrovsky, The Other Place, Stratford 1981; RSC Donmar Warehouse, July 1981; Aldwych February 1982

Halder in Good by C.P. Taylor, music by George Fenton, RSC Donmar Warehouse, September 1981; Aldwych April 1982; Booth Theatre, New York October 1982 (141 NY performances).

Alan Howard then left the Royal Shakespeare Company. Subsequent performances included:

Geoffrey in Winter by David Mowatt (rehearsed reading) Orange Tree Theatre July 1983

War Music by Christopher Logue from Homer's Iliad, Almeida Theatre 1984, followed by a British Council tour of the UK and Greece

Nikolai Pesiakoff in Breaking the Silence by Stephen Poliakoff, revived at the Mermaid Theatre May–November 1985

Johan in Ingmar Bergman's Scenes from a Marriage (with Penny Downie as Marianne), Chichester and Wyndham's Theatre November 1990

Henry Higgins in Bernard Shaw's Pygmalion (with Frances Barber as Eliza) National Theatre, Olivier April 1992

Kings adapted from Homer by Christopher Logue, National Theatre, Cottesloe, September 1992; and Tricycle Theatre, April 1997

Title role in Macbeth (with Anastasia Hille as Lady Macbeth) National Theatre, Olivier, April 1993

George in Jean Cocteau's Les Parents terribles, National Theatre, Lyttelton May 1994

William in Meredith Oakes' The Editing Process, National Theatre Studio at the Royal Court, November 1994

Calogero di Spelta in Eduardo De Filippo's La Grande Magia, National Theatre, Lyttelton, July 1995

The Player King in Tom Stoppard's Rosencrantz and Guildenstern Are Dead, National Theatre, Lyttelton, December 1995

Title role in The Oedipus Plays: Oedipus the King and Oedipus at Colonus adapted from Sophocles by Ranjit Bolt, Athens Festival at Epidaurus and National Theatre of Greece, Olivier, September 1996

Vladimir in Samuel Beckett's Waiting for Godot, Old Vic Theatre, June 1997

Title role in King Lear (with Victoria Hamilton as Cordelia), Old Vic, September 1997

Roman Khludov in Mikhail Bulgakov's Flight, National Theatre, Olivier, February 1998

Man in Edward Albee's The Play About the Baby, Almeida Theatre, September 1998

Dr Austin Sloper in The Heiress, play adapted by Ruth and Augustus Goetz from the novel by Henry James, National Theatre, Lyttelton, June 2000

Dr Schoning in Lulu, adapted by Nicholas Wright from the play by Frank Wedekind, Almeida at King's Cross, March 2001

Teiresias in Sophocles' Oedipus in a 'raw new version' by Frank McGuinness, co-starring Ralph Fiennes and Clare Higgins, directed by Jonathan Kent, National Theatre, Olivier, from 8 October 2008 [1]

Sir Peter Teazle in The School for Scandal (directed by Deborah Warner) at the Barbican Centre, 2011.

A complete listing of Howard's theatre credits, including early work at the Belgrade Theatre, Coventry, appears on his career website, qv.

Howard played all Shakespeare's consecutive eponymous English kings; though the distinction depends on a Henry IV played (as Henry Bolingbroke) in Richard II (at Nottingham) rather than in Henry IV, Part 1.

Alan Howard

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