Anzukko

is a 1958 Japanese drama film directed by Mikio Naruse. It is based on a novel by Saisei Murō. Plot Kyōko, daughter of successful writer Hirayama, rejects several marriage prospects before taking Ryōkichi, owner of a small used book store, as her husband. A few years into the marriage, Kyōko has to start selling parts of the household, as the manuscripts of Ryōkichi, who is ambitious to become a novelist, keep getting returned by publishers. Yagihara, a magazine editor and acquaintance of Hirayama, outspokenly tells Ryōkichi that his work lacks originality and an elaborate style. Kyōko suggests that Ryōkichi shows his manuscripts to her father, but he declines, arguing that it is Hirayama's overpowering presence which hinders him in his writing. Ryōkichi's behaviour becomes increasingly erratic due to his drinking, and the couple's financial and emotional situation worsens. Kyōko repeatedly leaves her home to stay at her father's place, but insists that a divorce is the final resort. When Kyōko again returns to Ryōkichi, the mother asks Hirayama if they shouldn't split up. Hirayama replies, only when Kyōko comes home exhausted and can't go on anymore, the time to split up has come. Cast Sō Yamamura as Heishiro Hirayama Kyōko Kagawa as Kyōko Isao Kimura as Ryōkichi, Kyōko's husband Shizue Natsukawa as Rieko, Hirayama's wife Hiroshi Tachikawa as Heinosuke, Hirayama's son Chieko Nakakita as Sumiko Urushiyama Mina Mitsui as Risako Yamamoto Nobuo Nakamura as Toshio Yagihara Keiju Kobayashi as Tayama Daisuke Katō as Suga, the poet Natsuko Kahara as Enko Murai Sadako Sawamura as Mrs. Hatoi Kenji Sahara as Mrs. Hatoi's son Hiroshi Hayashi as Dr. Sato Minoru Chiaki as Saburo Yoshida Teruko Mita as Sachiko Yoshida Yoshio Tsuchiya as Ishima Yū Fujiki as Okada Reception In his 2005 review for Slant Magazine, Keith Uhlich called Anzukko "a loving portrait of a woman tragically caught between her wants and her responsibilities, fated to tread a potentially never-ending path between the trials of her marriage and the refuge of her past."