Brigitte Bardot

Brigitte Bardot — latest news, discussion & facts — IJR

Early life

Brigitte Anne-Marie Bardot was born on 28 September 1934, in the 15th arrondissement of Paris to Louis Bardot (1896–1975) and Anne-Marie Mucel (1912–1978). Bardot's father, who originated from Ligny-en-Barrois, was an engineer and the proprietor of several industrial factories in Paris. Her mother was the daughter of an insurance company director. She grew up in a conservative Catholic family, as had her father. She suffered from amblyopia as a child, which resulted in decreased vision of her left eye. She had one younger sister, Mijanou Bardot.

Bardot's childhood was prosperous; she lived in her family's nine-bedroom apartment at 1 Rue de la Pompe, in the luxurious 16th arrondissement; however, she recalled feeling resentful in her early years. Her father demanded that she follow strict behavioral standards, including good table manners, and wear appropriate clothes. Her mother was highly selective in choosing companions for her, so Bardot had very few childhood friends.

During her childhood, she, her sister, and their parents spent weekends on her paternal grandparents' property, at 17 rue du Général Leclerc in Louveciennes, with a chalet imported from Norway for Exposition Universelle (1889) and large gardens, where she later celebrated her marriage to Jacques Charrier.

Bardot recalled a personal traumatic incident when she and her sister broke their parent’s favourite vase while they were playing in the house. Their father whipped both of them 20 times and subsequently treated the two like "strangers", demanding that they address their parents by the formal second-person pronoun vous, used in French when speaking to unfamiliar or higher-status persons outside the immediate family. The incident led to Bardot decisively resenting her parents and to her future rebellious lifestyle.

During World War II, when Paris was occupied by Nazi Germany, Bardot spent more time at home due to increasingly strict civilian surveillance. She became engrossed in dancing to records, which her mother saw as a potential for a ballet career. Bardot was admitted at the age of seven to the private school Cours Hattemer. She went to school three days a week, which gave her ample time to take dance lessons at a local studio under her mother's arrangements. In 1949, Bardot was accepted at the Conservatoire de Paris. She attended ballet classes held by Russian choreographer Boris Knyazev for three years. She also studied at the Institut de la Tour, a private Catholic high school near her home.

Beginnings: 1949–1955

Hélène Gordon-Lazareff, the director of the magazines Elle and Le Jardin des Modes, hired Bardot in 1949 as a "junior" fashion model. On 8 March 1950, 15-year-old Bardot appeared on the cover of Elle (her first Elle cover was the 2 May 1949 issue), which brought her an acting offer for the film Les Lauriers sont coupés from director Marc Allégret. Her parents opposed her becoming an actress, but her grandfather was supportive, saying that "If this little girl is to become a whore, cinema will not be the cause."

At the audition, Bardot met Roger Vadim, who later notified her that she did not get the role. They subsequently fell in love. Her parents fiercely opposed their relationship; her father announced to her one evening that she would continue her education in England and that he had bought her a train ticket for the following day. Bardot reacted by putting her head into an oven with open fire; her parents stopped her and ultimately accepted the relationship, on condition that she marry Vadim at the age of 18.

When Bardot was 15 years old, she began modeling. She appeared on the cover of Elle in 1950 and 1952, which both brought acting roles, the first, released in 1952, a small part in the comedy film Crazy for Love, directed by Jean Boyer and starring Bourvil. She was paid 200,000 francs (about US$575 in 1952) for the small role portraying a cousin of the main character. Bardot had her second film role in Manina, the Girl in the Bikini (1952), directed by Willy Rozier. She also had roles in the 1953 films, The Long Teeth and His Father's Portrait. Bardot had a small role in a Hollywood-financed film being shot in Paris in 1953, Act of Love, starring Kirk Douglas. She received media attention when she attended the Cannes Film Festival in April 1953.

Bardot had a leading role in 1954 in an Italian melodrama, Concert of Intrigue, and in a French adventure film, Caroline and the Rebels. She had a good part as a flirtatious student in 1955's School for Love, opposite Jean Marais, for director Marc Allégret. Bardot played her first sizable English-language role in 1955 in Doctor at Sea as the love interest of Dirk Bogarde. The film was the third most popular movie in Britain that year. Bardot had a small role in The Grand Maneuver (1955) for director René Clair, supporting Gérard Philipe and Michèle Morgan. Her part was bigger in The Light Across the Street (1956) for director Georges Lacombe. She had another in the Hollywood film Helen of Troy, playing Helen's handmaiden. For the Italian movie Nero's Weekend (1956), brunette Bardot was asked by the director to appear as a blonde. She dyed her hair rather than wear a wig; she was so pleased with the results that she decided to retain the color.

Rise to stardom: 1956–1962

Bardot then appeared in four movies that made her a star. First was a musical, Naughty Girl (1956), where Bardot played a troublesome school girl. Directed by Michel Boisrond and co-written by Roger Vadim, it was also the first time Bardot appeared alongside Alain Delon in a sketch film where they shared a segment. The film was a major success and became the 12th most popular film of the year in France.

It was followed by a comedy, Plucking the Daisy (1956), also written by Vadim. This was succeeded by The Bride Is Much Too Beautiful (1956) with Louis Jourdan. Finally, there was the melodrama And God Created Woman (1956). The movie marks Vadim's debut as director, with Bardot starring opposite Jean-Louis Trintignant and Curt Jurgens. The film, about an immoral teenager in an otherwise respectable small-town setting, was an even larger success, not just in France but also around the world, listed among the ten most popular films in Great Britain in 1957.

In the United States, the film was the highest-grossing foreign film ever released, by grossing $12 million (earning $4 million), which author Peter Lev describes as "an astonishing amount for a foreign film at that time". It turned Bardot into an international star. From at least 1956, she was hailed as the "sex kitten". The film scandalized the United States and some theater managers were even arrested just for screening it. Paul O'Neil of Life (June 1958) in describing Bardot's international popularity, writes:

In gaining her present eminence, Brigitte Bardot has had certain advantages beyond those she was born with. Like the European sports car, she has arrived on the American scene at a time when the American public is ready, even hungry, for something racier and more realistic than the familiar domestic product.

During her early career, professional photographer Sam Lévin's photos contributed to the image of Bardot's sensuality. British photographer Cornel Lucas made images of Bardot in the 1950s and 1960s that have become representative of her public persona. Bardot followed And God Created Woman up with La Parisienne (1957), a comedy co-starring Charles Boyer for director Boisrond. She was reunited with Vadim in another melodrama The Night Heaven Fell (1958), and played a criminal who seduced Jean Gabin in In Case of Adversity (1958). The latter was the 13th most seen movie of the year in France. In 1958, Bardot became the highest-paid actress in the country of France. She was voted among the top ten box office draws in North America based solely on her French films, something that had never happened before. In August 1956 it was announced Preston Sturges would direct her in Long Live the King but the film was never made. In 1958, The New York Times designated Bardot one of France's "Fabulous Five" post-war cultural figures alongside painter Bernard Buffet, novelist Françoise Sagan, director Roger Vadim, and couturier Yves Saint Laurent, framing them as personifications of a gifted, precocious youth culture.

The Female (1959) for director Julien Duvivier was popular, but Babette Goes to War (1959), a comedy set in World War II, was a huge hit, the fourth biggest movie of the year in France. Also widely seen was Come Dance with Me (1959) from Boisrond. Bardot's next film was courtroom drama The Truth (1960), from Henri-Georges Clouzot. It was a highly publicized production, which resulted in Bardot having an affair and attempting suicide. The film was Bardot's biggest commercial success in France, the third biggest hit of the year, and was nominated for the Academy Award for Best Foreign Film. Bardot was awarded a David di Donatello Award for Best Foreign Actress for her role in the film.

International films and singing career: 1962–1968

Bardot made a comedy with Vadim, Please, Not Now! (1961), and had a role in the all-star anthology, Famous Love Affairs (1962). Bardot starred alongside Marcello Mastroianni in a film inspired by her life in A Very Private Affair (Vie privée, 1962), directed by Louis Malle. More popular than that was her role in Love on a Pillow (1962). In the mid-1960s, Bardot made films that seemed to be more aimed at the international market. She starred in Jean-Luc Godard's film Le Mépris (1963), produced by Joseph E. Levine and starring Jack Palance.

The following year, she co-starred with Anthony Perkins in the comedy Une ravissante idiote (1964). Dear Brigitte (1965), Bardot's first Hollywood film, was a comedy starring James Stewart as an academic whose son develops a crush on Bardot. Bardot's appearance was relatively brief in the film, and the movie was not a big success. More successful was the Western buddy comedy Viva Maria! (1965) for director Louis Malle, appearing opposite Jeanne Moreau. It was a big hit in France and many other countries but not in the United States as much as had been hoped.

After a cameo appearance in Godard's Masculin Féminin (1966), Bardot starred in her first outright flop in some years, Two Weeks in September (1968), a French–English co-production. She had a small role in the all-star Spirits of the Dead (1968), acting opposite Alain Delon, then tried a Hollywood film again: Shalako (1968), a Western starring Sean Connery, which was another box-office disappointment.

Bardot participated in several musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury, and Sacha Distel, including "Harley Davidson"; "Je me donne à qui me plaît"; "Bubble gum"; "Contact"; "Je reviendrai toujours vers toi"; "L'Appareil à sous"; "La Madrague"; "On déménage"; "Sidonie"; "Tu veux, ou tu veux pas?"; "Le Soleil de ma vie" (a cover of Stevie Wonder's "You Are the Sunshine of My Life"); and "Je t'aime... moi non plus". Bardot pleaded with Gainsbourg not to release this duet and he complied with her wish; the following year, he rerecorded a version with British-born model and actress Jane Birkin that became a massive hit all over Europe. The version with Bardot was issued in 1986 and became a download hit in 2006 when Universal Music made its back catalog available to purchase online, with this version of the song ranking as the third most popular download.

Animal rights activism

Bardot met Paul Watson in 1977, the same year he founded the Sea Shepherd Conservation Society, during an operation to condemn the massacre of seal pups and seal hunting on the Canadian ice floe. In support of animal protection, Bardot went to the ice floe after being invited by Watson. Bardot posed lying down next to the seal pups; the photos were seen worldwide. Bardot and Watson remained friends.

After appearing in more than 40 motion pictures and recording several music albums, Bardot used her fame to promote animal rights. In 1986, she established the Brigitte Bardot Foundation for the welfare and protection of animals. She became a vegetarian and raised three million francs (about US$430,000 in 1986) to fund the foundation by auctioning off jewelry and personal belongings.

Bardot was a strong animal rights activist and a major opponent of the consumption of horse meat. In 1989, while looking after her neighbor Jean-Pierre Manivet's donkey, it displayed excessive interest in Bardot's older donkey mare, and she subsequently had the neighbor's donkey castrated due to concerns the mating would prove fatal for her mare. The neighbor then sued Bardot, and Bardot later won, with the court ordering Manivet to pay 20,000 francs for creating a "false scandal". Bardot urged French television viewers to boycott horse meat and was soon the target of death threats in January 1994. Not backing off from the threats, she sent a letter to the minister of agriculture, Jean Puech, calling on him to ban the sale of horse meat. Bardot wrote a 1999 letter to People's Republic of China President Jiang Zemin, published in French magazine VSD, in which she accused the PRC of "torturing bears and killing the world's last tigers and rhinos to make aphrodisiacs". She donated more than US$140,000 over two years in 2001 for a mass neutering and adoption program for Bucharest's stray dogs, estimated to number 300,000.

In August 2010, Bardot addressed a letter to Queen Margrethe II of Denmark, appealing for the sovereign to halt the killing of dolphins in the Faroe Islands. In the letter, Bardot described the activity as a "macabre spectacle" that "is a shame for Denmark and the Faroe Islands ... This is not a hunt but a mass slaughter ... an outmoded tradition that has no acceptable justification in today's world". On 22 April 2011, French culture minister Frédéric Mitterrand officially included bullfighting in the country's cultural heritage. Bardot wrote him a highly critical letter of protest. On 25 May 2011, the Sea Shepherd Conservation Society renamed its fast interceptor vessel, MV Gojira, as MV Brigitte Bardot in appreciation of her support.

From 2013, the Brigitte Bardot Foundation, in collaboration with Kagyupa International Monlam Trust of India, operated an annual veterinary care camp. Bardot committed to the cause of animal welfare in Bodhgaya over several years. On 23 July 2015, Bardot condemned Australian politician Greg Hunt's plan to eradicate 2 million cats to save endangered species such as the Warru and night parrot. At the age of 90, Bardot appealed to free activist Paul Watson, who had been detained in Greenland since 21 July 2024, when Japan requested his extradition. Through a request expressed in mid-October 2024 by her lawyers and Sea Shepherd France, Bardot asked French President Emmanuel Macron to grant Watson political asylum. Bardot asked Macron to show "a little bit of courage". During that month, she initiated a demonstration in support of Watson in front of the Hôtel de Ville, Paris. Bardot also wrote a letter to Danish Prime Minister Mette Frederiksen, asking her to "not choose the camp of the oceans' gravediggers".

Relationships and family

Bardot was married four times with her final marriage lasting longer than the previous three combined. By her own count, she had a total of 17 romantic relationships. She often left one partner for another when, in her words, "the present was getting lukewarm"; she explained, "I have always looked for passion. That's why I was often unfaithful. And when the passion was coming to an end, I was packing my suitcase."

Bardot married director Roger Vadim on 20 December 1952, at Notre-Dame-de-Grace de Passy, when she was 18. They separated in 1956 after she became involved with And God Created Woman co-star Jean-Louis Trintignant, and they divorced the following year. Trintignant was at the time married to actress Stéphane Audran. Bardot and Vadim had no children together, but remained in contact for the rest of his life and later collaborated on several projects. Bardot and Trintignant lived together for about two years, spanning the period before and after her divorce from Vadim, although they never married. Their relationship was complicated by Trintignant's frequent absences due to military service and Bardot's affair with musician Gilbert Bécaud.

After recovering from an overdose in 1958, Bardot began a relationship with actor Jacques Charrier, whom she married in Louveciennes, on 18 June 1959. She had an affair with Glenn Ford in the early 1960s. Bardot and Charrier divorced in 1962. Sami Frey was mentioned as the reason for her divorce from Charrier. Bardot was enamoured of Frey, but he quickly left her.

Bardot became pregnant before she and Charrier married. Bardot was extremely dismayed—she had previously stated "I am not a mother, nor do I want to be one"—and sought an abortion; however, abortion was illegal at that time in France. In her book Initiales B. B: Mémoires, she recalled: "I looked at my flat, slender belly in the mirror like a dear friend upon whom I was about to close a coffin lid." Numerous times, she punched herself in the stomach and asked her doctor for morphine in an attempt to abort the baby.

During the final months of her pregnancy, photographers surrounded her house, vying for photos of a pregnant Bardot. Nicolas-Jacques Charrier was born on 11 January 1960, seven months after their wedding. He was Bardot's only child. She had been so wary of the press that she decided to give birth at home. Following his birth, Bardot became depressed and attempted suicide.

She later wrote that her son was a "cancerous tumour" and that she would have "preferred to give birth to a little dog". She also added, "I'm not made to be a mother. I'm not adult enough—I know it's horrible to have to admit that, but I'm not adult enough to take care of a child." She refused to breastfeed Nicolas and whenever she held him, he sensed her agitation and began to cry.

After she and Charrier divorced, the latter gained sole custody of Nicolas. When Nicolas was 12, he asked Bardot if he could stay with her, but she turned him away in favour of party guests. Nicolas was hurt and did not speak to her afterwards. In her memoirs, Bardot wrote that she loved Nicolas "the most in the world", but Nicolas wanted nothing to do with her. When he married Norwegian model Anne-Line Bjerkan in 1984, Bardot was not invited to the wedding.

Bardot became a grandmother when the two had daughters in 1985 and 1990. She tried to make peace with him on multiple occasions, but to no avail. In 1997, Charrier and Nicolas sued her and her publisher, Grasset, for the hurtful remarks she had made in her memoir. She was ordered to pay Charrier £17,000 and Nicolas £11,000. Yet, in 2018, she stated that she and Nicolas, by then a grandfather himself, were on good terms, speaking regularly and visiting each other once a year.

Bardot's third marriage was to German millionaire playboy Gunter Sachs, lasting from 14 July 1966 to 7 October 1969, though they had separated the previous year.

Bardot's fourth and last husband was Bernard d'Ormale, who has been described as a former advisor to the right-wing politician, Jean Marie Le Pen. They were married from 16 August 1992 until her death on 28 December 2025.

Bardot was invited to the birthday party of musician Sacha Distel in 1958, and they had a much-publicized relationship until 1959. From 1963 to 1965, she lived with musician Bob Zagury. While filming Shalako, she rejected Sean Connery's advances; she said, "It didn't last long because I wasn't a James Bond girl! I have never succumbed to his charm!" In 1967, while married to Sachs, she had a relationship with singer-songwriter Serge Gainsbourg; they recorded two songs together: "Je t'aime... moi non plus", which was not released until 1986, and "Bonnie and Clyde". In 1968, she began dating Patrick Gilles, who co-starred with her in The Bear and the Doll (1970); but she ended their relationship in 1971.

Over the next few years, Bardot dated bartender/ski instructor Christian Kalt, nightclub owner Luigi "Gigi" Rizzi, writer John Gilmore, actor Warren Beatty, and Laurent Vergez, her co-star in Don Juan, or If Don Juan Were a Woman. In 1975, she entered a relationship with artist Miroslav Brozek and posed for some of his sculptures. Brozek was also an occasional actor; his stage name is Jean Blaise. The couple lived together for four years, separating in December 1979. From 1980 to 1985, Bardot had a live-in relationship with French TV producer Allain Bougrain-Dubourg. In 2018, in an interview accorded to Le Journal du Dimanche, she denied rumors of relationships with Johnny Hallyday, Jimi Hendrix, and Mick Jagger.

Politics and legal issues

Bardot expressed support for President Charles de Gaulle in the 1960s.

In 1997, Bardot and her publisher, Éditions Grasset, were ordered to pay £28,000 because of "hurtful remarks" in her autobiography about her former husband Jacques Charrier and their son who had originally sued for more than £1 million in damages.

In her 1999 book Le Carré de Pluton (Pluto's Square), Bardot criticized the procedure used in the ritual slaughter of sheep during the Muslim festival of Eid al-Adha. Additionally, in a section in the book entitled "Open Letter to My Lost France", she writes that "my country, France, my homeland, my land" was "again invaded by an overpopulation of foreigners, especially Muslims". She was fined €1,500 (equivalent to €3,000 in 2023) in 1997 for the original publication of this open letter in Le Figaro, fined €2,785 (equivalent to €5,000 in 2023) in 1998 for making similar remarks, and fined €4,500 in June 2000 (equivalent to €7,000 in 2023).

In her 2003 book, Un cri dans le silence (A Scream in the Silence), Bardot contrasted her close gay friends with homosexuals who "jiggle their bottoms, put their little fingers in the air and with their little castrato voices moan about what those ghastly heteros put them through", and said some contemporary homosexuals behave like "fairground freaks". In her defence, Bardot wrote in a letter to a French gay magazine: "Apart from my husband—who maybe will cross over one day as well—I am entirely surrounded by homos. For years, they have been my support, my friends, my adopted children, my confidants."

In the same book, Bardot also criticized interracial marriage, immigration, the role of women in politics, and Islam. The book contained a section attacking what she called the mixing of genes, and praised previous generations which, she said, had given their lives to push out invaders. On 10 June 2004, Bardot was convicted for a fourth time by a French court for inciting racial hatred and fined €5,000 (equivalent to €7,000 in 2023). Bardot denied the racial hatred charge and apologized in court, saying: "I never knowingly wanted to hurt anybody. It is not in my character."

In 2008, Bardot was convicted of inciting racial/religious hatred regarding a letter she wrote, a copy of which she sent to Nicolas Sarkozy when he was minister of the interior. The letter stated her objections to Muslims in France ritually slaughtering sheep by slitting their throats without anesthetizing them first. She also said, in reference to Muslims, that she was "fed up with being under the thumb of this population which is destroying us, destroying our country and imposing its habits". The trial concluded on 3 June 2008, resulting in a conviction and a fine of €15,000 (equivalent to €20,000 in 2023). The prosecutor stated she was wary of charging Bardot with offences related to racial hatred.

During the 2008 United States presidential election, Bardot branded Republican Party vice-presidential candidate Sarah Palin as "stupid" and a "disgrace to women". She criticized the former Alaskan governor for her stance on global warming and gun control. She was further offended by Palin's support for Arctic oil exploration and by her lack of consideration in protecting polar bears.

On 13 August 2010, Bardot criticised American filmmaker Kyle Newman for his plan to produce a biographical film about her, saying that a film should not be made before she died and that "sparks will fly" if it was made without consulting her.

In 2014, Bardot wrote an open letter demanding the ban in France of Jewish ritual slaughter shechita. In response, the European Jewish Congress released a statement saying "Bardot has once again shown her clear insensitivity for minority groups with the substance and style of her letter [...] She may well be concerned for the welfare of animals but her longstanding support for the far-right and for discrimination against minorities in France shows a constant disdain for human rights instead." In 2015, Bardot threatened to sue a Saint-Tropez boutique for selling items featuring her face. In 2018, she expressed support for the yellow vests protests.

In the wake of the MeToo movement (adopted in France as #BalanceTonPorc, or "Squeal on your pig") Bardot called actresses claiming to have been victims of sexual harassment "hypocrital, ridiculous, uninteresting" in an interview with Paris Match. She went on to say that "Many actresses flirt with producers to get a role. Then when they tell the story afterwards, they say they have been harassed [...] in fact, rather than benefit them, it only harms them."

On 19 March 2019, Bardot issued an open letter to Réunion prefect Amaury de Saint-Quentin in which she accused inhabitants of the Indian Ocean situated French overseas territory of animal cruelty and referred to them as "autochtones who have kept the genes of savages". In her letter relating to animal abuse and sent through her foundation, she mentioned the "beheadings of goats and billy goats" during festivals, and associated these practices with "reminiscences of cannibalism from past centuries". The public prosecutor filed a lawsuit the following day.

In June 2021, Bardot was fined €5,000 (equivalent to €6,000 in 2023) by the Arras court for public insults against hunters and the president of the Fédération nationale des chasseurs (National Federation of Hunters) Willy Schraen. She had published a post at the end of 2019 on her foundation's website, calling hunters "sub-men" and "drunkards" and carriers of "genes of cruel barbarism inherited from our primitive ancestors", and which specifically insulted Schraen. At the time of the hearing, she had not removed the comments from the website. Following her letter sent to the prefect of Réunion in 2019, she was convicted on 4 November 2021 by a French court for public insults and fined €20,000 (equivalent to €23,000 in 2023), the largest of her fines.

Bardot's last husband Bernard d'Ormale was at some point an adviser to Jean-Marie Le Pen, former leader of National Front (which became National Rally), the main far-right party in France. Bardot expressed support for Marine Le Pen, leader of the National Front (National Rally), calling her "the Joan of Arc of the 21st century". She endorsed Le Pen in the 2012 and 2017 French presidential elections.

Until her final days, Bardot remained involved in the work of her foundation. She continued to take public positions on animal‑welfare issues, including calling for the abolition of stag hunting.

Legacy

The Guardian named Bardot "one of the most iconic faces, models, and actors of the 1950s and 1960s". She had been called a "style icon" and a "muse for Dior, Balmain, and Pierre Cardin". In fashion, the Bardot neckline (a wide-open neck that exposes both shoulders) is named after her. Bardot popularised this style, which is especially used for knitted sweaters or jumpers, although it is also used for other tops and dresses. Bardot popularized the bikini in her early films such as Manina (1952) (released in France as Manina, la fille sans voiles). The following year, she was also photographed in a bikini on every beach in southern France during the Cannes Film Festival.

Bardot gained additional attention when she filmed ...And God Created Woman (1956) with Jean-Louis Trintignant (released in France as Et Dieu… créa la femme). In it, Bardot portrays an immoral teenager who seduces men in a respectable small-town setting. The film was an international success. Bardot's image was linked to the shoemaker Repetto, who created a pair of ballerinas for her in 1956.

In the 1950s, the bikini was relatively well accepted in France but still considered risqué in the United States. As late as 1959, Anne Cole, one of the United States' largest swimsuit designers, said, "It's nothing more than a G-string. It's at the razor's edge of decency." She also brought into fashion the choucroute (lit. 'sauerkraut') hairstyle (similar to the beehive hair style) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. French philosopher Simone de Beauvoir described Bardot as "a locomotive of women's history".

Isabella Biedenharn of Elle wrote that Bardot "has inspired thousands (millions?) of women to tease their hair or try out winged eyeliner over the past few decades". A well-known evocative pose describes an iconic modeling portrait shot around 1960, in which Bardot is dressed only in a pair of black pantyhose, cross-legged over her front and cross-armed over her breasts; known as the "Bardot Pose". This pose has been emulated numerous times by models and celebrities such as Gisele Bündchen, Lindsay Lohan, Elle Macpherson, and Rihanna.

In the late 1960s, Bardot's silhouette was used as a model for designing and modeling the statue's bust of Marianne, a symbol of the French Republic. In addition to popularizing the bikini swimming suit, Bardot was credited with popularising the city of St. Tropez and the town of Armação dos Búzios in Brazil, which she visited in 1964 with her boyfriend at the time, Brazilian musician Bob Zagury. The town hosts a Bardot statue by Christina Motta.

Bardot was idolized by the young John Lennon and Paul McCartney. They made plans to shoot a film featuring The Beatles and Bardot, similar to A Hard Day's Night, but the plans were never fulfilled. Lennon's first wife, Cynthia Powell, lightened her hair color to more closely resemble Bardot, while George Harrison made comparisons between Bardot and his first wife, Pattie Boyd, as Cynthia wrote later in A Twist of Lennon. Lennon and Bardot met in person once, in 1968 at the May Fair Hotel, introduced by Beatles press agent Derek Taylor; a nervous Lennon took Lysergic acid diethylamide (LSD) before arriving, and neither star impressed the other. Lennon recalled in a memoir: "I was on acid, and she was on her way out."

According to the liner notes of his first (self-titled) album, musician Bob Dylan dedicated the first song he ever wrote to Bardot. He also mentioned her by name in "I Shall Be Free", which appeared on his second album, The Freewheelin' Bob Dylan. The first-ever official exhibition spotlighting Bardot's influence and legacy opened in Boulogne-Billancourt on 29 September 2009 – a day after her 75th birthday.

Bardot was the subject of eight Andy Warhol paintings in 1974. The Australian pop group Bardot was named after her. Kylie Minogue adopted the Bardot "sex kitten look" on the cover of her album Body Language, released in 2003. In addition to Minogue, women who emulated and were inspired by Bardot include Isabelle Adjani, Emmanuelle Béart, Louise Bourgoin, Zahia Dehar, Faith Hill, Paris Hilton, Georgia May Jagger, Scarlett Johansson, Diane Kruger, Kate Moss, Claudia Schiffer, Elke Sommer, Lara Stone, and Amy Winehouse. Bardot said: "None have my personality." Laetitia Casta embodied Bardot in the 2010 French drama film Gainsbourg: A Heroic Life by Joann Sfar. In 2011, Los Angeles Times Magazine's list of "50 Most Beautiful Women in Film" ranked her number two.

A portrait of Bardot by Warhol, commissioned by Sachs in 1974, was sold at Sotheby's in London on 22 and 23 May 2012. The painting, estimated at £4 million, was part of Sachs' art collection put on sale a year after his death. She inspired Nicole Kidman, who had "Bardot-esque" hair in the 2013 campaign by the British brand Jimmy Choo. In 2015, Bardot was ranked number six in "The Top Ten Most Beautiful Women of All Time" according to a survey carried out by Amway's beauty company in the UK involving 2,000 women.

American alternative rock band Brigitte Calls Me Baby was named after her, inspired by pen-pal correspondence between frontman Wes Leavins and Bardot. Bardot is mentioned in Billy Joel's song "We Didn't Start the Fire," released in 1989. In 2020, Vogue named Bardot number one of "The most beautiful French actresses of all time". In a retrospective retracing women throughout the history of cinema, she was listed among "the most accomplished, talented and beautiful actresses of all time" by Glamour.

The French drama television series Bardot was broadcast on France 2 in 2023. It stars Julia de Nunez and is about Bardot's career from her first casting at age 15 and until the filming of La Vérité ten years later. In 2023, she was mentioned in Olivia Rodrigo's song "Lacy" from her album Guts, and Chappell Roan's "Red Wine Supernova" from her album The Rise and Fall of a Midwest Princess.

On 12 May 2025, the 90-year-old Bardot was interviewed at her house in Saint-Tropez for 47 minutes. The interview was broadcast on the French network BFMTV and was her first television appearance in eleven years. During the interview she discussed her acting career, songs, love of nature, life memories, and her good health, again expressing her commitment to animal rights. She also said, "Feminism isn't my thing. I like guys," regarding her criticism of feminism and feminist organizations that she had called "excessive or ideological", and expressed her views on the legal problems of Nicolas Bedos and Gérard Depardieu, saying: "Those who have talent and put their hands on a girl's buttocks are relegated to the bottomless pit. We could at least let them continue to live. They can no longer live." She also revealed that she did not use a mobile phone or computer.