Colours

About Colours

Colours is the second studio album by Mark de Jong and Norman Lenden as Mark Norman under Magik Muzik, a sub-label from Black Hole Recordings. All tracks with the exception of "Talk Like a Stranger" and "One Moon Circling" were produced and composed by Mark Norman To celebrate the release of the album, Mark Norman's management Global Twist Music prepared a world tour, supported by V Media Creative.

Article

Contents

Track listing

Note: The Digital Edition contains two bonus tracks.

Credits

Composer(s), Producer(s), Writer(s): Mark de Jong & Norman Lenden

Artwork and Design By: Jeroen Vos

Mastered By: Pieter De Wagter

Photography: Rick van der Wal

Publishers

"Colour My Eyes" and "Be With U" are published by D.Y.M. Music / Melpar

"Talk Like A Stranger" are published by Tazigirl Music (ASCAP) / Deepsky Music

"One Moon Circling" are published by Tazigirl Music (ASCAP) / Zen Art Music

Other tracks are published by Young Star Music Publishing / N. Star Publishing / Musicallstars

Personnel

"Colour My Eyes"

Additional Bass and Guitar By: Steven Breukel

Vocal Producer: Lucien Foort

Vocals By: Celine Frewer

Written and Composed By: Celine Frewer & Lucien Foort

"Talk Like A Stranger"

Written and Composed By: Jason Blum, Jes Brieden & Jesse Scott Giaquinta

"Be With U"

Vocal Producer: Lucien Foort

Vocals By: Celine Frewer

Written and Composed By: Celine Frewer & Lucien Foort

"One Moon Circling"

Vocal Producer: Jes Brieden

Vocals By: Jes Brieden

Additional Producer: Mike Olsen

Written and Composed By: Jes Brieden & Mike Olsen

Article from Wikipedia (CC BY-SA 4.0), where it is maintained by volunteer editors.

Notable quotes

“[P]ure light, such as that from the sun has no color, but is made colored by its degradation when interacting with objects having specific properties which then produce color.”
— Aristotle (c. 350 BC) as quoted by Kurt Nassau, The Physics and Chemistry of Color: The Fifteen Causes of Color (1983) p. 4.
“When you go out to paint try to forget what object you have before you—a tree, a house, a field or whatever. Merely think, here is a little streak of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it emerges as your own naive impression of the scene before you. I would like to paint the way a bird sings.”
— Claude Monet, as quoted in The Artist (1957) Vol. 53-57, p. 24.
“[L]ight when it reaches the eye may be a blend of many colours, though the sensation produced is not of a blend but of some colour, predominant in the blend. This is why objects under water tend to have the colour of water, and why reflections in mirrors resemble the colour of the mirrors, and we must suppose that the same thing happens in the case of air.”
— 793 b , 27-34.
“Since... the quality of colours becomes known by means of light... where there is most light there the true quality of the colour so illuminated will be most visible, and where there is most shadow there the colour will be most affected by the colour of the shadow. Therefore, O painter, be mindful to show the true quality of the colours in the parts which are in light.”
— Why Beautiful Colours Should be in the Lights (MS. 2038, Bib. Nat. 33 r.) p. 233.
“[L]ight and darkness, brightness and obscurity, or... light and its absence, are necessary to the production of colour.”
— Introduction, p. xlii.
“One cannot be at the Pole and at the Equator at once. One must choose one's way; at least this is what I hope to do, and my way will be the road to colour.”
— Letter to Theo, p. 137.

Quotes via Wikiquote (CC BY-SA), each with its original source.