David Dawson

Education and dance career

Born in London, Dawson began dancing at seven and received his early training at the Rona Hart School of Dance and the Arts Educational School. He went on to train at the Royal Ballet School, in dance and choreography.

In 1991 he received the Alicia Markova Award, won the Prix de Lausanne, and was offered a contract by the Birmingham Royal Ballet. Under the direction of Sir Peter Wright, he performed leading roles in classical repertoire as well as in ballets by Sir Kenneth MacMillan, Sir Frederick Ashton, Sir Peter Wright, and David Bintley. He was nominated as Best Newcomer of the Season by 'Dance & Dancers' magazine in 1992.

In 1994, he joined the English National Ballet under the direction of Derek Deane as a soloist. A year later, he moved to Amsterdam to perform with Wayne Eagling's Dutch National Ballet. Here Dawson was able to continue dancing in classical productions as well as explore more neo-classical and modern repertoire in the works of George Balanchine, Rudi van Dantzig, and Hans van Manen. Dawson worked with choreographers, and created roles, in new ballets by Sir Kenneth MacMillan, Glen Tetley, Twyla Tharp, Christopher Bruce, Wayne Eagling, Ted Brandsen, Mauro Bigonzetti, Itzik Gallili, Redha, and Christopher D'Amboise.

He eventually joined Ballet Frankfurt where he worked with William Forsythe, and performed for two more years before deciding to devote his time to creating new works. Dawson ended his dance career in 2002.

Choreographic career

David Dawson's career in choreography commenced in 1997 when he choreographed his first ballet in collaboration with the Dutch National Ballet. His creative journey was spurred by the then-artistic director, Wayne Eagling, who encouraged him to participate in the company's choreographic workshop. This initial experience laid the foundation for Dawson's inaugural major creation for the company's main stage, "A Million Kisses to my Skin," which premiered in 2000.

Dawson's remarkable talent as a choreographer was soon recognized on the international stage. In 2003, he received the prestigious Prix Benois de la Danse for his outstanding choreographic work. Additionally, he earned a nomination for the UK Critics' Circle National Dance Award in the category of Best Classical Choreographer, thanks to his production titled "The Grey Area." Notably, Dawson became the first British choreographer to craft a ballet, "Reverence," for the Mariinsky (Kirov) Ballet, an achievement that was honored with Russia's highest theater prize for visual art, the Golden Mask Award for Best Choreographer.

Throughout his career, Dawson continued to garner accolades and nominations. He was the recipient of the Choo San Goh Award for Choreography, a testament to his exceptional work in "The Gentle Chapters." Further recognition came with a nomination for the prestigious dance prize of the Netherlands, The Golden Swan Award, as Best Choreographer for "00:00." His reimagining of "Faun(e)" for the English National Ballet's Ballets Russes Festival at Sadler's Wells in London led to nominations for the UK Critics' Circle National Dance Award and the Prix Benois de la Danse Choreography Award in 2010. Notably, David Dawson and his work "Faun(e)" were featured in the BBC documentary titled "For Art's Sake: The Story of the Ballets Russes."

Dawson's impact extended internationally, with numerous ballet creations to his name. His full-length "Giselle" had its world premiere at the Dresden Semperoper, showcasing his versatility and creativity. Among his notable works are "day4," "On the Nature of Daylight," "The World According to Us," "Morning Ground," "Das Verschwundene|The Disappeared," "A Sweet Spell of Oblivion," "dancingmadlybackwards," "timelapse/(Mnemosyne)," and "The Third Light."

Between 2004 and 2012, David Dawson held the role of resident choreographer for three renowned ballet companies: the Dutch National Ballet, the Dresden Semperoper Ballet, and the Royal Ballet of Flanders. His choreographic masterpieces have graced stages in over 25 countries and have been incorporated into the repertoires of numerous ballet companies worldwide.

Creations

2015 - Empire Noir

2015 - Tristan + Isolde

2013 - The Human Seasons

2013 - Opus.11

2013 - 5

2013 - Overture

2012 - day4

2011 - somewhere music is playing...

2011 - timelapse/(Mnemosyne)

2010 - dancingmadlybackwards

2010 - The Third Light

2009 - Faun(e)

2009 - The World According to Us

2008 - Giselle

2007 - On the Nature of Daylight

2007 - A Sweet Spell of Oblivion

2006 - Das Verschwundene|The Disappeared

2006 - The Gentle Chapters

2005 - Reverence

2004 - Morning Ground

2004 - 00:00

2002 - The Grey Area

2000 - A Million Kisses to my Skin

1999 - Psychic Whack

1998 - Step|Study

Honours

2014 - UK Critics' Circle National Dance Nominee as Best Classical Choreographer for the creation of The Human Seasons (The winners will be announced at a lunchtime ceremony to be held at a central London venue on Monday, 26 January 2015)

2013 - Golden Swan Award Nominee for Best New Production in The Netherlands for the creation of Overture

2010 - Prix Benois de la Danse Choreography Nominee as Best Choreographer for the creation of Faun(e)

2010 - UK Critics’ Circle National Dance Award Nominee as Best Classical Choreographer for the creation of Faun(e)

2006 - Golden Mask Award (Russian Federation) Winner as Best Choreographer for the creation of Reverence

2006 - Choo San Goh Choreography Award Winner for the creation of The Gentle Chapters

2005 - UK Critics’ Circle National Dance Award Nominee as Best Classical Choreographer for The Grey Area

2003 - Prix Benois de la Danse Choreography Winner for Best Choreographer for the creation of The Grey Area

2003 - Golden Swan Award Nominee for Best New Production in The Netherlands for the creation of 00:00

1992 - Best Newcomer of the Season Nominee by Dance & Dancers magazine

1991 - Prix de Lausanne Winner

1991 - Alicia Markova Award Winner