Ever Since Venus

Ever Since Venus is a 1944 American comedy directed by Arthur Dreifuss, in his first effort for Columbia Pictures, and stars Ina Ray Hutton, Hugh Herbert, Ann Savage, and Billy Gilbert. It was Hutton's first major film role; she had become famous for her all-female band during the 1930s, which had been the inspiration for the band in Billy Wilder's 1959 film, Some Like It Hot. Plot A cosmetics manufacturer, J. Webster Hackett, hires Ina Ray Hutton and her band to headline a promotional beauty show. Hutton offers a thousand dollars reward for anyone who can submit a winning theme song. Not knowing of Hutton's offer, a local short order cook, Tiny Lewis, who is also an aspiring songwriter, gets one of his songs to Hutton. Hutton lets him know that she'll give him an answer within a day. When Lewis gets home, he finds out his roommates, Bradley Miller and Michele, have developed a new lipstick. A local beauty shop manager, Janet Wilson, thinks the product is a winner, as well as becoming enamored with Miller. She encourages them to enter the lipstick in a beauty products contest. Through a series and twists and turns, Lewis' song is chosen, and he and his roommates use the $1000 reward from the song contest to pay the fee needed to showcase their lipstick at the beauty products show. A rival manufacturer to Hackett, P.G. Grimble, backs the product and agrees to produce the lipstick at his factories. As the deal is announced, Brad and Janet end up together. Cast list Ina Ray Hutton, and Her Orchestra Hugh Herbert as P. G. Grimble Ann Savage as Janet Wilson Billy Gilbert as Tiny Lewis Glenda Farrell as Babs Cartwright Ross Hunter as Bradley Miller Alan Mowbray as J. Webster Hackett Marjorie Gateson as Maude Hackett Thurston Hall as Edgar Pomeroy Fritz Feld as Michele Production The original title of this production was Beauty For Sale. In November 1943 it was announced that the film was being scheduled for production at Columbia. Dreifuss left Monogram Pictures to return to Columbia as part of a deal to write/direct films, where he previously worked in the 1930s. Beauty was to be his first project on his return, with McElbert Moore assisting in the writing duties. The duo had written the story, and in November were beginning work on the screenplay.