Box office
Fantastic Beasts and Where to Find Them grossed $234 million in the United States and Canada and $580 million in other countries for a total of $814 million. The film was made on a budget of $175 million, with an additional $150 million spent on marketing. Worldwide, the film grossed $219.9 million during its opening weekend in around 64 markets on 24,200 screens, both the fifth biggest in Rowling's wizarding cinematic universe, and the seventh biggest for the month of November 2016. IMAX totalled $15 million from 605 screens. Deadline Hollywood calculated the net profit of the film to be $164 million, when factoring together all expenses and revenues for the film, making it the ninth-most profitable release of 2016.
Fantastic Beasts and Where to Find Them went on general release in the United Kingdom and Ireland on 18 November 2016. It debuted with £15.33 million ($19.15 million) from 666 cinemas, the biggest debut of any film in 2016, ahead of the previous record holder, Batman v Superman: Dawn of Justice (£14.62 million). The film vied with Bridget Jones' Baby and briefly won first place, only to be surpassed during the last days of 2016 by Rogue One: A Star Wars Story.
In the United States and Canada, estimates predicted that the film would gross $68–85 million—or more—in its opening weekend. The film was released on 18 November in 4,143 cinemas, of which 388 were IMAX screens, and more than 3,600 were showing the film in 3D. It grossed $29.7 million on its first day, the second-lowest opening day among Rowling's adaptations (behind the $29.6 million Friday of Harry Potter and the Chamber of Secrets). This included $8.75 million it earned from Thursday-night preview screenings beginning at 6 p.m. in 3,700 cinemas. In total, the film earned $74.4 million in its opening weekend, falling in line with projections and finishing first at the box office, but it recorded the lowest opening among films in Rowling's Harry Potter universe. It made $8 million from 388 IMAX screens, $9 million from 500 premium large-format locations and $1.75 million from Cinemark XD.
The film's opening was considered a hit, taking into account the fact that the story was not based on an existing, popular source, and the film itself was missing the franchise's main character, Harry Potter. It was the top choice among moviegoers, representing 47% of the weekend's total $157.6 million tickets sales. On its second Friday, it had a gradual drop of 37% ($18.5 million) from the week before, the second-best Friday drop for any Harry Potter film, behind The Philosopher's Stone. This was in part due to Black Friday, the most lucrative day of the Thanksgiving Day stretch. It ended up grossing $45.1 million in its second weekend (a drop of just 39.4%), finishing 2nd at the box office behind newcomer Moana.
Outside North America, the film debuted day-and-date in 63 countries, along with its North American release, where it was projected to gross $90–125 million in its opening weekend. It opened 16 November 2016 in 9 countries, earning $6.9 million from 5,070 screens. It opened in 38 more countries on 18 November, earning $16.6 million for a total of $23.5 million in two days. In three days, it made $53.6 million. Through Sunday, 20 November, the film had a five-day opening weekend of $145.5 million from 63 countries, above the initial projections. It earned another $132 million in its second weekend after a large debut in China and Japan.
It recorded the biggest opening day of all time among the Harry Potter franchise in South Korea ($1.7 million), the Philippines ($1.2 million), the UAE ($429,000) and Ukraine, the second biggest in Mexico ($1.8 million), Russia and the CIS ($1.7 million), Brazil ($1.3 million) and in Indonesia ($480,000), all behind Harry Potter and the Deathly Hallows – Part 2 and the third biggest in the United Kingdom ($5.4 million), behind Part 1 and Part 2. It also scored the second-biggest Warner Bros. opening of all time in the Czech Republic and Slovakia. Notably, France opened with $1.8 million, Spain with $1.4 million, and Germany with $1 million ($2 million including paid previews). In terms of opening weekends, the film posted the biggest opening among the Harry Potter franchise in 16 markets, including South Korea ($14.2 million, also the third-biggest opening for the studio), Russia ($9.8 million) and Brazil ($6.4 million), the biggest opener of the year in Germany ($10.2 million), Sweden, Belgium and Switzerland and the biggest Warner Bros. debut in those along with France ($10.2 million), the Netherlands and Denmark. Italy debuted with $6.6 million, the biggest for a U.S. film in the country. Australia opened with $7.4 million, followed by Mexico ($5.8 million) and Spain ($4.5 million).
It opened in China on 25 November alongside Disney's animated Moana but did not face significant competition from it. It earned $11.2 million on its opening day from 11,600 screens, the best among the Rowlings cinematic universe. In total, it had an opening weekend of $41.1 million, dominating 60% of the top five films with 70,000 screenings per day. This alone surpassed the entire lifetime total of all Harry Potter films save the last one. Similarly in Japan—typically the biggest or second biggest market for the previous Harry Potter films—it debuted with $15.5 million, besting the total lifetime of all the previous films except for Harry Potter and the Half-Blood Prince and Deathly Hallows – Part 2.
The film also set a number of IMAX records. In total, the opening weekend was worth $7 million from 276 screens, which is the second-highest ever in the Wizarding World, behind Deathly Hallows – Part 2. In 33 territories, it opened at number one, and was also the third-highest-grossing November international IMAX opening ever, and the No. 1 start for IMAX in November in 19 countries including Japan ($1.1 million), the UK, Russia, Germany and the Netherlands. In China, it had the biggest IMAX opening among the franchise with $5.1 million from 347 IMAX screens. Overall, the film has earned a global cumulative total of $19.1 million from the format.
It has become the highest-grossing film in Rowling's cinematic universe in Russia ($16.7 million) and the second-highest in South Korea ($24.6 million). China ($41.1 million) the United Kingdom ($37.6 million), followed by Germany ($18.4 million), France ($16.7 million) and Spain ($13.3 million) are the film's biggest-earning markets.
