A flashforward (also spelled flash-forward, and more formally known as prolepsis) is a scene that temporarily takes the narrative forward in time from the current point of the story in literature, film, television and other media. Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail. It is similar to foreshadowing, in which future events are not shown but rather implicitly hinted at. It is also similar to an ellipsis, which takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a postmodern narrative device, named by analogy to the more traditional flashback, which reveals events that occurred in the past.
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Literature
John Keats’s poem Isabella, or the Pot of Basil (1818) proleptically anticipates the assassination of a living character by his lover's brothers.
Another early example of prolepsis which predates the postmodern period is Charles Dickens' 1843 novella A Christmas Carol, in which the protagonist Ebenezer Scrooge is shown the future following his death. The subsequent events of the story imply that this future will be averted by this foreknowledge.
Terry Brooks' Word & Void series features a protagonist who, when he sleeps, moves forward and backward through time to before and after a great cataclysm. This is both analepsis and prolepsis.
Muriel Spark makes extensive use of prolepsis in her 1961 novel The Prime of Miss Jean Brodie.
In Boruto: Naruto Next Generations, the protagonist Boruto Uzumaki faces an enemy named Kawaki in a ruined Hidden Leaf Village in the opening scene of the anime and manga series. This is prolepsis.
Television
Every season of Damages makes an extensive use of flashforwards, revealing the outcome of the season to the viewer. The whole season then revolves around discovering the circumstances that led to this outcome. For instance, the first season starts with a flashforward of the protagonist, Ellen Parsons, running in the streets of New York, covered in blood. Six months earlier, she was only a naive young woman who had just become a lawyer in the firm of a powerful attorney, Patty Hewes. What led Ellen to the situation presented in the flashforwards is revealed little by little throughout the season. The series is known for its misleading use of flashforwards, which are often examples of the red herring device.
After making extensive use of flashbacks in the first two seasons, the TV series Lost started using flashforwards as well throughout the remainder of the series. The first instance of this was a major plot twist in the third season finale: what appeared to be a flashback to before the characters were stranded on the island, was revealed at the end of the two-part episode to be a flashforward of them returned to civilization. A later episode featured what appeared to be flashforwards involving the couple Jin and Sun, showing them safely returned home and awaiting the birth of their baby, but it is then revealed that Jin's scenes were flashbacks and only Sun's were flashforwards (reflecting the fact that they are separated in time and space).
The series finale of Star Trek: Voyager, "Endgame", uses a technique similar to a flashforward. It depicts a future in which the U.S.S. Voyager has returned home after decades lost in deep space with various personal tragedies, prompting the ship's captain to use time travel to return to the timeframe of the series and return the crew home more directly.
The American sci-fi television series FlashForward revolves around everyone on Earth losing consciousness for 137 seconds, during which each person experiences a glimpse of events 6 months in the future. The series was itself based loosely on the novel Flashforward by Robert J. Sawyer.
Flashforwards have been used in British soap operas as well. Hollyoaks flashed forward six months in May 2010 for a special episode. Hollyoaks then had a flashforward to New Year's Eve 2020 to see the characters in a year's time.
Film
Midway through the 1969 film They Shoot Horses, Don't They?, there is an abrupt flashforward when Robert, the character played by Michael Sarrazin, is seen being thrust into a jail cell by a police officer, even though he has done nothing to provoke such treatment. The audience is notified, later in the story, that Sarrazin's character would have indeed made choices that warrant his arrest.
The 2016 film Arrival relies extensively on prolepsis throughout, disguised as flashbacks (like the aforementioned episode of Lost). The main character gains precognitive ability after learning the language of the aliens, and proceeds to use it to prevent the outbreak of war. She uses information revealed to her 18 months in the future to convince a military leader not to attack the aliens in the present.
Video games
In Until Dawn (2015), players may find artifacts left by the Native American tribe who lived on the mountain that show premonitions of possible future events. Whether they come true is dependent on player actions; for example, one shows another character's death in a scene that can be avoided.