Flesh for Frankenstein is a 1973 horror film written and directed by Paul Morrissey. It stars Udo Kier, Joe Dallesandro, Monique van Vooren, and Arno Juerging.
Upon its original release first in West Germany in 1973 and then in the United States in 1974, the film was released as Andy Warhol's Frankenstein and was presented in the Space-Vision 3D process in its premiere engagements. It was rated X by the MPAA due to its explicit sexuality, nudity and violence. In the 1970s, a 3-D version played in London and Stockholm. A 3-D version also played in Australia in 1986, along with Blood for Dracula. The gruesomeness of the film's action was intensified in its original release by the use of 3D.
Contents
Plot
Baron von Frankenstein neglects his duties towards his wife/sister Katrin, as he is obsessed with creating a perfect Serbian race that will obey his every command, beginning by assembling both a perfect man and a perfect woman from parts of corpses. The Baron's sublimation of his sexual urges by his powerful urge for domination is shown when he utilizes the surgical wounds of the female creature to satisfy his lust. Von Frankenstein is dissatisfied with the inadequate reproductive urges of the current male creature and seeks a head donor with a greater libido; he also repeatedly exhibits an intense interest in the male creature's "nasum" (nose) which, according to him, must have the correct Serbian shape.
As it turns out, a suitably randy farmhand, Nicholas, leaving a local brothel along with his sexually repressed friend, who has been brought there in an unsuccessful attempt to dissuade him from entering a monastery, are spotted and waylaid by the Baron and his assistant, Otto; mistakenly assuming that the prospective monk is also suitable for stud duty, they take his head for use on the male creature. Not knowing anything about these behind-the-scenes details, Nicholas survives and is summoned by Katrin to the castle, where they form an agreement that he will gratify her unsatisfied carnal appetites.
Under von Frankenstein's control, the male and female creatures are seated for dinner with the castle's residents, but the male creature shows no sign of recognizing his friend as he serves the Baron and his family. At this point, Nicholas notices that something is wrong, but he pretends not to recognize his friend's face until he can investigate the matter further. After a falling out with Katrin, who is only concerned with her own selfish wants, Nicholas snoops around in the laboratory and is captured by the Baron. Von Frankenstein muses about using his new acquisition to replace the head of the male creature, who still shows no signs of libido. Nevertheless, Katrin is rewarded for betraying Nicholas by being granted the use of the male creature for erotic purposes, but she is killed during a bout of overly vigorous lovemaking.
Meanwhile, Otto repeats the Baron's sexual exploits with the female creature, resulting in her graphic disembowelment. Von Frankenstein returns and, enraged, does away with Otto. When he tries to have the male creature also do away with Nicholas, however, the remnants of his friend's personality rebel, and the Baron is killed in a gruesome manner. The male creature, now believing that he is better off dead, graphically disembowels himself. Von Frankenstein's two children, Erik and Monica, then enter the laboratory and turn the wheel of a crane, using it to hold up Nicholas in mid-air. To his surprise, the crane then lifts him higher into the air as the two children prepare scalpels.
Cast
Joe Dallesandro as Nicholas the farmhand
Udo Kier as Baron von Frankenstein
Monique van Vooren as Baroness Katrin von Frankenstein, the Baron's wife/sister
Arno Juerging as Otto, the Baron's assistant
Dalila Di Lazzaro as the female monster
Srdjan Zelenovic as Sacha/the male monster, Nicholas' friend
Marco Liofredi as Erik von Frankenstein, the Baron's son
Nicoletta Elmi as Monica von Frankenstein, the Baron's daughter
Liù Bosisio as Olga the maid
Cristina Gajoni as Nicholas' girlfriend
Production
In 1973, Paul Morrissey and Joe Dallesandro went to Italy to shoot a film for producers Andrew Braunsberg and Carlo Ponti. The original idea came from director Roman Polanski, who had met Morrissey when promoting his film What?, with Morrissey stating that Polanski felt he would be "a natural person to make a 3-D film about Frankenstein. I thought it was the most absurd option I could imagine." Morrissey convinced Ponti to not just make one film during this period, but two, which led to the production of both Flesh for Frankenstein and Blood for Dracula. They were filmed at Cinecittà in Rome by a crew of Italian filmmakers. The staff included Enrico Job as the production designer, pianist Claudio Gizzi for the score and special effects artist Carlo Rambaldi for the special effects. Warhol's contributions to the film were minimal, including visiting the set once and briefly visiting during the editing period.
At first, Morrissey intended to rely on improvisation for the dialogue for his characters, but had to come up with a new method, as this would not work for some actors, such as Udo Kier. This led to Morrissey preparing the dialogue day-by-day, dictating it to Pat Hackett at his studio. Filming on Flesh for Frankenstein began on 20 March 1973.
While some Italian prints credit second unit director Antonio Margheriti as director of the film under his pseudonym "Anthony M. Dawson", Udo Kier has stated that Margheriti had nothing to do with directing the film. Kier stated that he and the other cast members received direction only from Morrissey and noted that "Margheriti was on the set, he came to the studio from time to time, but he never directed the actors. Never!" Margheriti was credited as the director to ensure the film would obtain Italian nationality for the producers due to Italian laws. Tonino Guerra is credited as the screenwriter in the Italian prints as well, but his input is strictly limited to the Italian print of the film, as the only writer whose work on the film was ever evident was Morrissey himself. Margheriti did shoot some special effects scenes, including the scene involving "breathing lungs" made from pigs' lungs.
Release
Flesh for Frankenstein was shown in West Germany on November 30, 1973, as Andy Warhol's Frankenstein. It was later shown on April 2, 1974 at Filmex, the Los Angeles International Film Exposition. The film was submitted to Italian censors in January 1974 under the title Carne per Frankenstein, which was initially different from the American edit, containing some less explicit sex scenes and more violent death scenes. That version was initially banned in Italy, but an edited version was resubmitted under the title Il mostro è in tavola, barone...Frankenstein (lit. 'The monster is on the table, Baron...Frankenstein'), with changes to dialogue as well as the addition and removal of various scenes, giving it an 89-minute running time for distribution by Gold Film.
The film earned $4.7 million in rentals in North America. By 1974, the Los Angeles Times stated that the film had grossed $7 million. In Italy, the film grossed a total of 345,023,314 Italian lire, an amount Italian film historian Roberto Curti described as "mediocre".
Critical reception
Upon its release, Nora Sayre of The New York Times wrote, "In a muddy way, the movie attempts to instruct us about the universal insensitivity, living-deadness and the inability to be turned on by anything short of the grotesque. However, this 'Frankenstein' drags as much as it camps; despite a few amusing moments, it fails as a spoof, and the result is only a coy binge in degradation."
Craig Butler of AllMovie called the film "a ramshackle affair, with performances that are ludicrously over-the-top and direction that is even more so, and a script that is filled with horrible dialogue. Not to mention, it's a truly gross experience. Of course, many will appreciate it just for these qualities, either to laugh at how truly outrageous it all is or to marvel at the manner in which director/writer Paul Morrissey is skewering the very countercultural sex revolutionaries that were among his biggest fans, creating what is at heart a very conservative critique of hippie culture." Ian Jane of DVD Talk said of the film, "Flesh for Frankenstein is a morbid and grotesque comedy that won't be to everyone's taste but that does deliver some interesting humor and horror in that oddball way that Morrissey has." Bruce G. Hallenbeck commented in his book, Comedy-Horror Films: A Chronological History, 1914-2008, that Flesh for Frankenstein is perverse and distasteful, but in a way which is deliberately parodical and even a political statement. He remarked, "The irony inherent in the screenplay by Morrissey and Tonino Guerra ... gives the film a winking detachment, so that you find yourself convulsed with laughter during some of the goriest scenes ever filmed."
On the review aggregator website Rotten Tomatoes, 88% of 17 critics' reviews are positive.
In 2012, Time Out polled authors, directors, actors and critics who had worked in the horror genre on their top horror films, with Flesh for Frankenstein placing at number 98 on the top 100.