George Mortimer Roberts was an American trombonist.
Occupation
jazz musician
Citizenship
United States
Born
March 22, 1928
Died
September 28, 2014
Article
George Mortimer Roberts (March 22, 1928 – September 28, 2014) was an American trombonist.
Contents
Career
Born and raised in Des Moines, Iowa, Roberts began his career after service in the United States Navy.
Roberts was a member of the Ray Robbins band, then quit to join Gene Krupa in 1947 when he was in the same section with Urbie Green. It was Urbie's lyric tenor trombone playing that inspired George to be an "Urbie" one octave lower. After the Krupa band broke up in 1949, Roberts was a freelance musician in Reno, Nevada, for a year before being hired by Stan Kenton to replace Bart Varsalona, who had left the band during its 1949–1950 hiatus. Roberts opted to stay in Los Angeles rather than go with Kenton on his 1953 European tour.
Working freelance again, he was introduced to Nelson Riddle by Lee Gillette, one of the executives at Capitol Records who had produced Kenton's recordings. Roberts began recording with Riddle, Don Costa, Billy May, Axel Stordahl, Gordon Jenkins, and Henry Mancini in sessions with Frank Sinatra, Tony Bennett, Ella Fitzgerald, Judy Garland, Sarah Vaughan, and Nat King Cole. As a Hollywood studio musician, Roberts recorded film scores such as Jaws, King Kong, Close Encounters of the Third Kind and served on the staff orchestras of the radio and television networks. Before retiring, he had performed on over 6000 recordings.
Personal life
Roberts died from pneumonia on September 28, 2014, at the age of 86 in Fallbrook, California. He also had multiple sclerosis.
Discography
As leader
Meet Mr. Roberts (Columbia, 1959)
Bottoms Up (Columbia, 1960)
Let George Do It (Regal, 1968)
Practice Makes Perfect (DNE, 1969)
As sideman
With Stan Kenton
A Presentation of Progressive Jazz (Capitol, 1948)
New Concepts of Artistry in Rhythm (Capitol, 1953)
Popular Favorites by Stan Kenton (Capitol, 1953)
Sketches on Standards (Capitol, 1953)
This Modern World (Capitol, 1953)
Portraits on Standards (Capitol, 1953)
Kenton Showcase (Capitol, 1954)
The Kenton Era (Capitol, 1955)
Kenton with Voices (Capitol, 1957)
Hair (Capitol, 1969)
With Skip Martin
Scheherajazz (Somerset, 1959)
Swingin' with Prince Igor (Sonic Workshop, 1960)
Perspectives in Percussion Volume 2 (Stereo-Fidelity, 1961)
With Shorty Rogers
Shorty Rogers Plays Richard Rodgers (RCA Victor, 1957)
Portrait of Shorty (RCA Victor, 1958)
Afro-Cuban Influence (RCA Victor, 1958)
The Swingin' Nutcracker (RCA Victor, 1960)
An Invisible Orchard (RCA Victor, 1961 [1997])
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The Fourth Dimension in Sound (Warner Bros., 1962)
Jazz Waltz (Reprise, 1962)
With Pete Rugolo
Rugolomania (Columbia, 1955)
Music for Hi-Fi Bugs (EmArcy, 1956)
Out on a Limb (EmArcy, 1956)
New Sounds by Pete Rugolo (Harmony, 1957)
An Adventure in Sound: Brass in Hi-Fi (Mercury 1958)
The Music from Richard Diamond (EmArcy, 1959)
10 Trombones Like 2 Pianos (Mercury, 1961)
The Original Music of Thriller (Time, 1961)
With Lalo Schifrin
Music from Mission: Impossible (Dot, 1967)
More Mission: Impossible (Paramount, 1968)
Mannix (Paramount, 1968)
Kelly's Heroes (soundtrack) (MGM, 1970)
Enter the Dragon (soundtrack) (Warner Bros., 1973)
With others
Ray Anthony, Sound Spectacular (Capitol, 1959)
Chet Baker, Blood, Chet and Tears (Verve, 1970)
Gabe Baltazar, Stan Kenton Presents Gabe Baltazar (Creative World, 1979)
Louie Bellson, Louis Bellson Swings Jule Styne (Verve, 1960)
Elmer Bernstein, The Man with the Golden Arm (Decca, 1956)