Girls' Last Tour

Plot

The series follows two girls, Chito and Yuuri, as they navigate the ruins of civilization after a major conflict leaves the world in a desolate post-apocalyptic winter. They travel in their Kettenkrad halftrack motorcycle and seek food and supplies while surviving day-to-day. They conduct a variety of simple activities such as washing clothes and bathing. Chito regularly writes in a journal, collects books, and drives the Kettenkrad. Yuuri takes on a protection role and wields a rifle.

During their journey, they encounter a man named Kanazawa, who is mapping out one of the levels of a large city. He gives the girls his camera in return for the girls giving him food, before he leaves after having helped them reach the next level of the city. They next encounter a woman named Ishii after their Kettenkrad breaks down. The girls help Ishii complete the plane that she was building, and she helps them fix the Kettenkrad in return. Ishii subsequently attempts to leave in the plane, heading to the city across the water, though the plane breaks down shortly after its liftoff.

Ishii leaves them information on a facility that grows potatoes and creates rations before they leave, and the two girls capitalize on this opportunity. They pass by a series of black slabs filled with drawers, which Chito deduces are graves, before ascending to the next level of the city. They destroy a construction robot in an aquarium to save a fish after having a discussion with the caretaker robot.

The two girls find a cat-like creature they name Nuko after exploring a drinking hole; Nuko can communicate with the girls via radio signals. They decide to follow such signals which eventually leads them to a submarine. The camera's images are synchronized to a computer that displays pictures and videos of various past events. Yuuri is eaten by a larger version of Nuko; she is released shortly after and the adult Nuko informs the girls that Nuko is part of a species that consumes and stabilizes unstable energy. Before the creatures ascend into the sky with Nuko, they inform Chito and Yuuri that they are the only two humans left on this level.

Chito and Yuuri continue on despite this. They encounter an art museum as well as a research facility, discovering rockets that people attempted to leave in during the war. Their Kettenkrad finally breaks down and cannot be repaired. Chito is forced to burn her books in order to have warm water. They finally reach the top of the city and discover it to be desolate. There, they go to sleep, resting against the wall of the stairwell.

Characters

Chito (チト)

Voiced by: Inori Minase (Japanese); Cat Thomas (English)

One of the two main protagonists, nicknamed "Chi-chan". She has a wide knowledge of machines and drives the Kettenkrad. She is literate and an avid reader. Though generally calm and composed, she can be riled by Yuuri on occasion. She often dwells on the past and worries about the future.

Yuuri (ユーリ, Yūri)

Voiced by: Yurika Kubo (Japanese); Juliet Simmons (English)

The second main protagonist, nicknamed "Yuu" by Chito. She is more easy-going than Chito, and cannot read, but is proficient with rifles and an accurate shooter who takes on a role of protector. She rides in the back of the Kettenkrad. Yuuri has little fear of the unknown and is quite adventurous, often acting on instinct and emotion.

Kanazawa (カナザワ)

Voiced by: Akira IshidaEp. 3 credits (Japanese); Mark X. Laskowski (English)

A traveler that Chito and Yuuri meet while trying to find a path to the upper levels of the city. He is a cartographer who wants to map the entire city. He gifts his camera to Yuuri and Chito when he leaves them to continue his mapping project.

Ishii (イシイ)

Voiced by: Kotono MitsuishiEp. 6 credits (Japanese); Stephanie Wittels (English)

A scientist who lives in an abandoned airbase, building an airplane based on old records. She wants to fly to a city that is on the opposite shore. She helps fix Chito and Yuuri's Kettenkrad and enlists their help to finish the airplane. She gives Yuuri and Chito potatoes and tells them where to find more.

Minor characters

Eringi (エリンギ)

Voiced by: Sumi Shimamoto (Japanese); Shelley Calene-Black (English)

The adult form of Nuko's species. They consume high-energy weapons, machinery, and substances in order to stabilize them. They use radio waves as its language and travels between cities by expanding its umbrella-like top.

Autonomous Machine (自律機械)

Voiced by: Hiroaki Enoki (Japanese); Kregg Daily (English)

The robot in charge of section management at the aquarium. It is equipped with "empathy capability" to communicate with humans.

Construction Machine (建設機械)

The robot responsible for maintenance in the area around the aquarium. It was responsible for maintaining infrastructure but began dismantling the aquarium due to a bug.

Female students (女子学生)

Voiced by: Rie Takahashi, Natsumi Okamoto, and Natsumi Fujiwara (Japanese)

Three female high school students. They give a research report on a small machine they operated in one of the videos on Kanazawa's camera when it is synced to the submarine's computer.

Old Man (オジリさん)

Voiced by: Motomu Kiyokawa (Japanese); John Swasey (English)

An old man who raised Chito and Yuuri. He sent the two girls with the Kettenkrad to ascend to the city's upper levels. He owned many of the books that Chito has.

Production

Manga

Girls' Last Tour was Tsukumizu's first original work. The manga Blame! influenced their worldview, while Girls' Last Tour's message was inspired by the works of Haruki Murakami and Kaori Ekuni, especially Haruki's "Norwegian Wood" and "Dance Dance Dance" along with Kaori's "Twinkle Twinkle Hikaru". The series initially began as a short story, which would later become Chapter 3 of Volume 1. The story was written by Tsukumizu in college; they initially studied art with the goal of becoming an art teacher but began drawing manga "on a whim."Tsukumizu was interested in war movies while creating Girls' Last Tour. They saw a Kettenkrad in Saving Private Ryan and decided to incorporate it into the story as an ideal vehicle for Chito and Yuuri to travel in. The helmets the girls wear are modeled after ones from real life—Chito's after the British Brodie helmet from World War I, and Yuuri's after the German Stahlhelm from the same war. Yuuri also carries a Japanese Type 38 rifle.

Tsukumizu's process for creating scenes began with coming up with a story, a punchline, and something to raise awareness of a value. Afterwards, they would sketch the background and create a story that fit the setting and theme. They drew scenes with a pencil, then imported them onto a computer to ink and tone using Clip Studio Paint. Tsukumizu said that Chito and Yuuri were "born from expressing the questions" that they had, and that the two characters speak for Tsukumizu in those questions. According to Tsukumizu, Kanazawa and Ishii live with a goal in mind while Chito and Yuuri travel aimlessly; Tsukumizu said that the characters were born from questions like "[h]ow do we live our lives to find true happiness, and what is the right thing to do?"

Anime

At about two-thirds of the way through production of the manga, an anime adaptation was proposed. Its director, Takaharu Ozaki, discussed its ending with Tsukumizu and asked them to come up with an ending to the manga. After reading the manga, Takaharu said that he wanted a spiral-shaped scene; Tsukumizu took this as an opportunity to arrange a large spiral staircase at the end of the manga for Chito and Yuuri to climb. White Fox, the animation studio behind the anime adaptation, initially had doubts that the manga's style was suitable for thirty-minute long episodes and thought that a length of fifteen minutes would be more appropriate for each episode. The studio's president, Takeru Iwasa, cited an example of a movie with only two characters and almost no dialogue while arguing in favor of thirty-minute episodes; the studio subsequently agreed.

Takaharu said that the whole work should feel like a spiral; where one thing ends, another begins. He felt that in terms of emotional portrayals, Chito and Yuuri had to feel that being by one another's side was the most important thing. The anime added various sound effects to highlight the feeling of silence; for example, the sound of water was emphasized, since water served as a symbol of life in a mechanical environment with almost no living things.

The anime's script coordinator, Kazuyuki Fudeyasu, asked Tsukumizu about plot details that would be used only for the anime. Among the details added were Chito's memory of her and Yuuri leaving their grandfather. Kazuyuki also changed aspects that he believed would show the depth of the relationship between the two girls; the first chapter of the manga had Chito covering herself and then Yuuri with a blanket before going to sleep, which was changed in the anime adaptation to Chito placing the blanket over Yuuri before covering herself.

The character design was done by Mai Toda, who decided that Chito and Yuuri's designs should be kept simple. Their eyebrows were drawn as a thin line, which made it challenging to express their emotions. The anime also added reflections to their eyes, a detail not present in the manga. The ruins that make up the background were given a special aesthetic effect to avoid depicting it as a messy and dirty place, while the art director Masakazu Miyake incorporated color into the background to not have it appear monotonous and grey.

The storyboards for the opening theme were done by Takaharu. The storyboards included directions for camera techniques and how the overall composition of scenes should look. Additionally, the ending theme's animation was done by Tsukumizu and consisted of about 400 pencil drawings. They had initially envisioned a peaceful scene of Chito and Yuuri lighting a fire, but changed their mind after hearing the music and instead decided to show the two girls playing and teasing each other.

Media

Manga

Girls' Last Tour was written and illustrated by Tsukumizu. It was serialized in Shinchosha's Kurage Bunch online magazine between February 21, 2014, and January 12, 2018, and collected in six tankōbon volumes. Yen Press released the series in North America, Chingwin Publishing Group released the series in Taiwan, Tianjin People's Fine Arts Publishing House released the series in China, Tsuruyama Culture Publishing House released the series in South Korea, and AST released the series in European Russia.

A limited edition of volume 1 was released by Shosen Grande and Shosen Book Tower in 2014. It included an explanatory page about the workings of the Kettenkrad by Takaaki Suzuki, who had previously done research and worked on the scripts for the anime Girls und Panzer and Strike Witches. A limited edition released by Melon Books included a booklet by Tsukumizu titled "Girls' Weekend Trip" (少女週末旅行). Comic Toranoana and Sanyodo distributed illustration cards and Kikuya Bookstore and Bunch Comics distributed papers as purchase bonuses.

Two manga anthologies illustrated by various artists such as Hatopopoko, atto, and Shinya Komatsu were released in 2017.

A prologue manga, titled Kaisō Toshi Danpen-Shū, began serialization on Kurage Bunch on June 26, 2026.

Anime

An anime television series adaptation by White Fox was announced by Kadokawa at Anime Expo 2017 alongside the release of a teaser visual, with Takaharu Ozaki directing, Kazuyuki Fudeyasu in charge of series composition, and Mai Toda adapting the character designs for animation. The series aired in Japan between October 6 and December 22, 2017, on AT-X and other stations. Sentai Filmworks licensed the series and simulcast streamed it on Anime Strike. MVM Films licensed the series in the United Kingdom and Muse Communication licensed the series in South and Southeast Asia.

Each episode consists of two to three short, interconnecting stories.

Girls' Last Class

A twelve-episode series titled Girls' Last Class (少女週末授業) was released as a short spinoff OVA. The work features Chito and Yuuri as schoolgirls, with characters and objects from Girls' Last Tour appearing as teachers. It ran starting on October 6, 2017, with episodes being released each Friday and the series running parallel to the main anime. It was uploaded on the Kadokawa YouTube channel and broadcast on the AT-X television network; Girls' Last Class was also temporarily released as a bonus for those who had purchased the anime. Each episode was a minute and a half long.

Subsequent appearances

Two unnamed characters with identical appearance and behavior to Chito and Yuuri appear as guest characters in Tsukumizu's second manga, Shimeji Simulation. The first volume was released in 2020, and the last volume was released in 2024.

Reception

Accolades

In 2019, Girls' Last Tour won the 50th Seiun Award in the Best Comic category. The English release of the first two volumes were included on the American Library Association's list of 2018 Great Graphic Novels for Teens.

The series won the "Best Slice of Life" category at the 2nd Crunchyroll Anime Awards in 2018. IGN listed Girls' Last Tour as one of the best anime of the 2010s, describing it as a "morose anime" which is "made brighter through [Chito and Yuuri's] perspective on a barren world". It was named the best anime of Fall 2017 by Anime News Network.

Critical reception

The manga's post-apocalyptic premise was generally well-received. Horn of The Fandom Post called the manga's premise "absolutely fantastic" and opined that it explored an undercovered genre. Similarly, Beatrix Urkowitz of The Comics Journal considered it to be the best long-form narrative comic of the 2010s, writing that it "shows an apocalypse which has opportunities for joy". James Nicoll of Reactor highlighted the manga's nature as an iyashikei story, a genre with a "soothing effect", and found it to be "done well" despite the unusual choice of setting.

The manga's atmosphere was widely discussed. Urkowitz described it as "incredibly sensitive while being utterly unsentimental", while Amy McNulty of Anime News Network observed a "quiet stillness [...] like the blankets of snow that fall throughout" the story, finding it "slow-paced and full of subtle moments". Sean Gaffney of Manga Bookshelf stated that it was relaxing and compared it to the "last slice-of-life moe manga you’d read before the end times cast the universe into heat death."

The overall plot was more divisive. Urkowitz argued that the main characters' seeming lack of direction is an essential part of the story's purpose, and that its portrayal of living in the present was intended for "those who don't have the privilege to plan for the future". In contrast, Nik Freeman of Anime News Network was struck by how "pointless" it felt and found it less optimistic than described by others.

Regarding the art, McNulty praised Tsukumizu's illustrations, calling them "stunning" and intentionally "sketch-like". She considered Chito and Yuuri's character designs "cute", though possibly to an intentionally overdone degree. Rebecca Silverman of Anime News Network characterized the art style as "surreal", particularly through the use of different levels of detail for the background and characters.

The story was described by several critics as having themes of hope. Urkowitz felt that the narrative's "most remarkable quality" was that "it does not despair"—despite the dystopian setting, Chito and Yuuri continue to enjoy life. She argued that it "poses a utopian question: If moments of happiness are possible even at the end of the world, what might be possible now?" Similarly, McNulty analyzed a specific scene where the girls help give a photographer a reason to keep living, calling it a "touching theme" for showing "there's always more to hope for" and concluding that the story offers "gentle optimism in an isolated existence".