Haste to the Wedding

"Haste to the Wedding" is a jig tune in the English, Scottish and Irish musical traditions. The tune originated during the 18th century, although its original composer is not certain. Written in the standard 8-bar AABB format of Gaelic music, it is traditionally performed on the fiddle, but is a simple tune which can be performed on a variety of instruments, and is frequently adapted for session music. The tune has also been used as the basis for songs, and as musical accompaniment for ceili dances of the same name. History The earliest known source for the tune is James Oswald's "Caledonian Pocket Companion", volume 10, page 8 (London, 1759), where it is titled "The Small Pin Cushion". No source or composer is listed, which in Oswald's collections sometimes means he wrote it himself. "The tune 'Come, Haste to the Wedding', of Gaelic origin, was introduced in the pantomime 'The Elopement' in 1767. This version is known as the Manx tune and was printed by the Percy society in 1846. It is the basis for the Manx ballad, 'The Capture of Carrickfergusby,' written by Thurot in 1760 (Linscott)." One of the tunes associated with the dance "Lady in the Lake" in N.H./ Widely known in the USA: in the repertory of Buffalo Valley, Pa., dance fiddler Harry Daddario . According to one theory, the name "Haste to the Wedding" derives from a tradition in County Donegal, Ireland, where the tune was played as the bride marched from her family home to the church on her wedding day. During the wedding of Queen Victoria and Prince Albert at St James's Palace in 1840, "Haste to the Wedding" was played by a marching band to the thousands waiting outside the chapel for the Queen's arrival.