Horatio Greenough

Horatio Greenough (September 6, 1805 – December 18, 1852) was an American sculptor best known for his United States government commissions The Rescue (1837–50), George Washington (1840), and The Discovery of America (1840–43). Biography The son of Elizabeth (née Bender) and David Greenough, he was born in Boston on September 6, 1805, into a home with ethics for honesty and emphasis on good education. Horatio showed an early interest in artistic and mechanical hobbies. Particularly attracted to chalk, around the age of 12 he made a chalk statue of William Penn, known as his earliest work of record. Horatio also experimented with clay, which medium he learned from Solomon Willard. He also learned how to carve with marble under instruction from Alpheus Cary. Horatio seemed to have a natural talent for art, yet his father wasn't fond of the idea of this as a career for Horatio. In 1814 Horatio Greenough enrolled at Phillips Academy, Andover, and in 1821 he entered Harvard University. There he found a passion in works of antiquity and devoted much of his time to reading literature and works of art. With a plan to study abroad, he learned Italian and French, but also still studied anatomy and kept modeling sculptures. While attending Harvard he came across his first crucial influence. Washington Allston was more than a mentor, but a close friend who enlightened and inspired Horatio. He even molded a bust of Washington. Before graduating from Harvard, he sailed to Rome to study art where he met the painter Robert W. Weir, while living on Via Gregoriana. These two became close friends and studied together the Renaissance and works of antiquity. Favorites of theirs were the Laocoon group of the Vatican structure galleries and the Apollo Belvedere. During Horatio's time spent in Rome, he created many busts, such as a full-size statue of the Dead Abel, a Dead John Cranch, and a portrait of himself. He returned to Boston in May 1827 with Weir, after recovering an attack of malaria. He modeled busts such as Josiah Quincy, president of Harvard, Samuel Appleton and John Jacob Astor. In an attempt to establish a greater reputation he sought out to make a portrait of President John Quincy Adams. His plan worked as he displayed a style of naturalism in this piece as he did in many other works. In 1828 he established a studio in Florence.