Jack Kerouac

Biography

Early life and adolescence

Kerouac was born on March 12, 1922, in Lowell, Massachusetts, to French Canadian parents, Léo-Alcide Kéroack and Gabrielle-Ange Lévesque.

There is some confusion surrounding his name, partly because of variations on the spelling of Kerouac, and because of Kerouac's own statement of his name as Jean-Louis Lebris de Kerouac. His reason for that statement seems to be linked to an old family legend that the Kerouacs had descended from Baron François Louis Alexandre Lebris de Kerouac. Kerouac's baptism certificate lists his name simply as Jean Louis Kirouac, the most common spelling of the name in Quebec. Kerouac's roots were indeed in Brittany, and he was descended from a middle-class merchant colonist, Urbain-François Le Bihan, Sieur de Kervoac, whose sons married French Canadians.

Kerouac's father Leo had been born into a family of potato farmers in the village of Saint-Hubert-de-Rivière-du-Loup, Quebec. Jack also had various stories on the etymology of his surname, usually tracing it to Irish, Breton, Cornish, or other Celtic roots. In one interview he claimed it was from the name of the Cornish language (Kernewek), and that the Kerouacs had fled from Cornwall to Brittany. Another version was that the Kerouacs had come to Cornwall from Ireland before the time of Christ and the name meant "language of the house". In still another interview he said it was an Irish word for "language of the water" and related to Kerwick. Kerouac, derived from Kervoach, is the name of a town in Brittany in Lanmeur, near Morlaix.

Jack Kerouac later referred to 34 Beaulieu Street as "sad Beaulieu". The Kerouac family was living there in 1926 when Jack's older brother Gerard died of rheumatic fever, aged nine. This deeply affected four-year-old Jack, who later said Gerard followed him in life as a guardian angel. This is the Gerard of Kerouac's novel Visions of Gerard. He had one other sibling, an older sister named Caroline. Kerouac was referred to as Ti Jean or little John around the house during his childhood.

Kerouac spoke French with his family and began learning English at school, around age six; he began speaking it confidently in his late teens. He was a serious child who was devoted to his mother, who played an important role in his life. She was a devout Catholic, who instilled this deep faith into both her sons. He later said she was the only woman he ever loved. After Gerard died, his mother sought solace in her faith, while his father abandoned it, wallowing in drinking, gambling, and smoking.

Early adulthood

When his football career at Columbia ended, Kerouac dropped out of the university. He continued to live for a time in New York's Upper West Side with his girlfriend and future first wife, Edie Parker. It was during this time that he first met the Beat Generation figures who shaped his legacy and became characters in many of his novels, such as Allen Ginsberg, Neal Cassady, John Clellon Holmes, Herbert Huncke, Lucien Carr, and William S. Burroughs.

During World War II, Kerouac was a United States Merchant Mariner from July to October 1942 and served on the SS Dorchester before its maiden voyage. A few months later, the SS Dorchester was sunk during a submarine attack while crossing the Atlantic, and several of his former shipmates were lost. In 1943 he joined the United States Navy Reserves. He served eight days of active duty with the Navy before arriving on the sick list. According to his medical report, Kerouac said he "asked for an aspirin for his headaches and they diagnosed me dementia praecox and sent me here." The medical examiner reported that Kerouac's military adjustment was poor, quoting Kerouac: "I just can't stand it; I like to be by myself." Two days later he was honorably discharged on the psychiatric grounds that he was of "indifferent character" with a diagnosis of "schizoid personality".

While a Merchant Mariner in 1942, Kerouac wrote his first novel, The Sea Is My Brother. The book was published in 2011, 70 years after it was written and over 40 years after Kerouac's death. Kerouac described the work as being about "man's simple revolt from society as it is, with the inequalities, frustration, and self-inflicted agonies." He viewed the work as a failure, calling it a "crock as literature" and never actively seeking to publish it.

In 1944, Kerouac was arrested as a material witness in the murder of David Kammerer, who allegedly had been stalking Kerouac's friend Lucien Carr since Carr was a teenager in St. Louis. William Burroughs was also a native of St. Louis, and it was through Carr that Kerouac came to know both Burroughs and Allen Ginsberg. Carr said Kammerer's homosexual obsession turned aggressive, finally provoking Carr to stab him to death in self-defense. Carr dumped the body in the Hudson River. Afterwards, Carr sought help from Kerouac. Kerouac disposed of the murder weapon and buried Kammerer's eyeglasses. Carr, encouraged by his mother, turned himself in to the police. Kerouac and Burroughs were later arrested as material witnesses. Kerouac's father refused to pay his bail; Kerouac then agreed to marry Edie Parker if her parents would pay the bail. They married on Tuesday August 22, 1944, in the Municipal Building, with two detectives as witnesses, before Kerouac was returned to his cell in the Bronx City Prison (their marriage was annulled in 1948.) Kerouac and Burroughs collaborated on a novel about the Kammerer killing titled And the Hippos Were Boiled in Their Tanks. Though the book was not published during their lifetimes, an excerpt eventually appeared in Word Virus: The William S. Burroughs Reader (and as noted below, the novel was finally published late 2008). Kerouac also later wrote about the killing in his novel Vanity of Duluoz.

Early career: 1950–1957

The Town and the City was published in 1950 under the name "John Kerouac" and, though it earned him a few respectable reviews, the book sold poorly. Heavily influenced by Kerouac's reading of Thomas Wolfe, it reflects on the generational epic formula and the contrasts of small-town life versus the multi-dimensional and larger life of the city. The book was heavily edited by Robert Giroux, with around 400 pages taken out.

For the next six years, Kerouac continued to write regularly. Building upon previous drafts tentatively titled "The Beat Generation" and "Gone on the Road", he completed what is now known as On the Road in April 1951, while living at 454 West 20th Street in Manhattan with his second wife, Joan Haverty. The book was largely autobiographical and describes Kerouac's road-trip adventures across the United States and Mexico with Neal Cassady in the late 40s and early 50s, as well as his relationships with other Beat writers and friends. Although some of the novel is focused on driving, Kerouac did not have a driver's license, and Cassady did most of the cross-country driving. Kerouac learned to drive at age 34 but never had a formal license.

Kerouac completed the first version of the novel during a three-week extended session of spontaneous confessional prose. Kerouac wrote the final draft in 20 days with Joan, his wife, supplying him with benzedrine, cigarettes, bowls of pea soup, and mugs of coffee to keep him going. Before beginning, Kerouac cut sheets of tracing paper into long strips, wide enough for a typewriter, and taped them together into a 120-foot (37 m) long roll, which he then fed into the machine. This allowed him to type continuously without the interruption of reloading pages. The resulting manuscript contained no chapter or paragraph breaks and was much more explicit than the version that was eventually published. Though "spontaneous," Kerouac had prepared long in advance before beginning to write. In fact, according to his Columbia professor and mentor Mark Van Doren, he had outlined much of the work in his journals over several preceding years.

Though Kerouac completed On the Road quickly, he had a long and difficult time finding a publisher. Before the novel was accepted by Viking Press, he got a job as a "railroad brakeman and fire lookout" (including a stint as lookout at Desolation Peak), traveling between the East and West coasts of the United States to earn money. During this period, he often stayed at the home of his mother in Richmond Hill, Queens, where he found rest and the quiet space necessary for writing. While employed in this way he met and befriended Abe Green, a young freight train jumper who later introduced Kerouac to Herbert Huncke, a Times Square street hustler and favorite of many Beat Generation writers.

Later career: 1957–1969

In July 1957, Kerouac moved to a small house at 1418½ Clouser Avenue in the College Park section of Orlando, Florida, to await the release of On the Road. Weeks later, a review of the book by Gilbert Millstein appeared in The New York Times proclaiming Kerouac the voice of a new generation. Kerouac was hailed as a major American writer. His friendship with Allen Ginsberg, William S. Burroughs and Gregory Corso, among others, became a notorious representation of the Beat Generation. The term Beat Generation was invented by Kerouac during a conversation held with fellow novelist Herbert Huncke. Huncke used the term "beat" to describe a person with little money and few prospects. Kerouac's fame came as an unmanageable surge that would ultimately be his undoing.

Kerouac's novel is often described as the defining work of the post-World War II Beat Generation and Kerouac came to be called "King of the Beats", a term with which he never felt comfortable. He once observed, "I'm not a beatnik. I'm a Catholic", showing the reporter a painting of Pope Paul VI and saying, "You know who painted that? Me."

The success of On the Road brought Kerouac instant fame. His celebrity status brought publishers desiring unwanted manuscripts that were previously rejected before its publication. After nine months, he no longer felt safe in public. He was badly beaten by three men outside the San Remo Cafe at 189 Bleecker Street in New York City one night. Neal Cassady, possibly as a result of his new notoriety as the central character of the book, was set up and arrested for selling marijuana.

In response, Kerouac chronicled parts of his own experience with Buddhism, as well as some of his adventures with Gary Snyder and other San Francisco–area poets, in The Dharma Bums, set in California and Washington and published in 1958. It was written in Orlando between November 26 and December 7, 1957. To begin writing Dharma Bums, Kerouac typed onto a ten-foot length of teleprinter paper, to avoid interrupting his flow for paper changes, as he had done six years previously for On the Road.

Kerouac was demoralized by criticism of Dharma Bums from such respected figures in the American field of Buddhism as Zen teachers Ruth Fuller Sasaki and Alan Watts. He wrote to Snyder, referring to a meeting with D. T. Suzuki, that "even Suzuki was looking at me through slitted eyes as though I was a monstrous imposter." He passed up the opportunity to reunite with Snyder in California, and explained to Philip Whalen "I'd be ashamed to confront you and Gary now I've become so decadent and drunk and don't give a shit. I'm not a Buddhist any more." In further reaction to their criticism, he quoted part of Abe Green's café recitation, Thrasonical Yawning in the Abattoir of the Soul: "A gaping, rabid congregation, eager to bathe, are washed over by the Font of Euphoria, and bask like protozoans in the celebrated light."

Death

On the morning of October 20, 1969, in St. Petersburg, Florida, Kerouac was working on a book about his father's print shop. He suddenly felt nauseated and went to the bathroom, where he began to vomit blood. Kerouac was taken to St. Anthony's Hospital, suffering from an esophageal hemorrhage. He received several transfusions in an attempt to make up for the loss of blood, and doctors subsequently attempted surgery, but a damaged liver prevented his blood from clotting. He never regained consciousness after the operation, and died at the hospital at 5:15 the following morning, at the age of 47. His cause of death was listed as an internal hemorrhage (bleeding esophageal varices) caused by cirrhosis, the result of longtime alcohol abuse. A possible contributing factor was an untreated hernia he had suffered in a bar fight several weeks earlier.

Kerouac's funeral was held at St. Jean Baptiste Church in Lowell, Massachusetts. He was buried at Edson Cemetery.

At the time of his death, Kerouac was living with his third wife, Stella Sampas Kerouac. His mother, Gabrielle, inherited most of his estate.

Style

Kerouac is generally considered to be the father of the Beat movement, although he disliked such labels. Kerouac's method was heavily influenced by the prolific explosion of

jazz, especially the bebop genre established by Charlie Parker, Dizzy Gillespie, Thelonious Monk, and others. Later, he included ideas he developed from his Buddhist studies that began with Gary Snyder. He often referred to his style as "spontaneous prose". Although Kerouac's prose was spontaneous and purportedly without edits, he primarily wrote autobiographical novels (or roman à clef) based upon actual events from his life and the people with whom he interacted. This approach is reflected also by his plot structure: his narratives were not heavily focused on traditional plot structures. Instead, his works often revolved around a series of episodic encounters, road trips, and personal reflections. The emphasis was on the characters' experiences and the exploration of themes such as freedom, rebellion, and the search for meaning.

Many of his books exemplified this spontaneous approach, including On the Road, Visions of Cody, Visions of Gerard, Big Sur, and The Subterraneans. The central features of this writing method were the ideas of breath (borrowed from jazz and from Buddhist meditation breathing), improvising words over the inherent structures of mind and language, and limited revision. Connected with this idea of breath was the elimination of the period, substituting instead a long connecting dash. As such, the phrases occurring between dashes might resemble improvisational jazz licks. When spoken, the words take on a certain musical rhythm and tempo.

Kerouac greatly admired and was influenced by Gary Snyder. The Dharma Bums contains accounts of a mountain climbing trip Kerouac took with Snyder, and includes excerpts of letters from Snyder. While living with Snyder outside Mill Valley, California, in 1956, Kerouac worked on a book about him, which he considered calling Visions of Gary. (This eventually became Dharma Bums, which Kerouac described as "mostly about [Snyder].") That summer, Kerouac took a job as a fire lookout on Desolation Peak in the North Cascades in Washington, after hearing Snyder's and Whalen's stories of working as fire spotters. Kerouac described the experience in Desolation Angels and later in "Alone on a Mountaintop" (published in Lonesome Traveler) and The Dharma Bums.

Kerouac would go on for hours, often drunk, to friends and strangers about his method. Allen Ginsberg, initially unimpressed, would later be one of his great proponents, and it was Kerouac's free-flowing prose method that inspired the composition of Ginsberg's poem Howl. It was at about the time of The Subterraneans that he was encouraged by Ginsberg and others to formally explain his style. Of his expositions of the spontaneous prose method, the most concise was "Belief and Technique for Modern Prose"., a list of 30 "essential" maxims.

Influences

Kerouac's early writing, particularly his first novel The Town and the City, was more conventional, and bore the strong influence of Thomas Wolfe. The technique Kerouac developed that later gained him notoriety was heavily influenced by jazz, especially Bebop, and later, Buddhism, as well as the Joan Anderson letter written by Neal Cassady. The Diamond Sutra was the most important Buddhist text for Kerouac, and "probably one of the three or four most influential things he ever read". In 1955, he began an intensive study of this sutra, in a repeating weekly cycle, devoting one day to each of the six Pāramitās, and the seventh to the concluding passage on Samādhi. This was his sole reading on Desolation Peak, and he hoped by this means to condition his mind to emptiness, and possibly to have a vision.

James Joyce was also a literary influence on Kerouac and he alludes to Joyce's work more than any other author. Kerouac had high esteem for Joyce and he often used Joyce's stream-of-consciousness technique. Regarding On the Road, he wrote in a letter to Ginsberg, "I can tell you now as I look back on the flood of language. It is like Ulysses and should be treated with the same gravity." Additionally, Kerouac admired Joyce's experimental use of language, as seen in his novel Visions of Cody, which uses an unconventional narrative as well as a multiplicity of authorial voices.

Legacy

Kerouac and his literary works had a major impact on the popular rock music of the 1960s. Artists including Bob Dylan, the Beatles, Patti Smith, Tom Waits, the Grateful Dead, and the Doors all credit Kerouac as a significant influence on their music and lifestyles. This is especially so with members of the Doors, Jim Morrison and Ray Manzarek, who quote Jack Kerouac and his novel On the Road as one of the band's greatest influences. In his book Light My Fire: My Life with The Doors, Ray Manzarek, keyboard player of The Doors, wrote "I suppose if Jack Kerouac had never written On the Road, The Doors would never have existed."

The English rock supergroup Bad Company titled their 1979 album Desolation Angels after Kerouac's 1965 novel of the same name.

The alternative rock band 10,000 Maniacs wrote a song bearing his name, "Hey Jack Kerouac" on their 1987 album In My Tribe. Hip-hop group the Beastie Boys mention Kerouac in their 1989 song, "3-Minute Rule", from the album Paul's Boutique. The 2000 Barenaked Ladies song, "Baby Seat", from the album Maroon, references Kerouac.

In 1974, the Jack Kerouac School of Disembodied Poetics was opened in his honor by Allen Ginsberg and Anne Waldman at Naropa University, a private Buddhist university in Boulder, Colorado. The school offers a BA in Writing and Literature, MFAs in Writing & Poetics and Creative Writing, and a summer writing program.

In 1980, the film Heart Beat was released into theaters. Starring John Heard (as Kerouac), Nick Nolte (as Cassady) and Sissy Spacek (as Carolyn Cassady), the movie relates a love triangle between the main characters while delving into the work and life of Kerouac and Cassady around the writing of On the Road.

From 1978 to 1992, Joy Walsh published 28 issues of a magazine devoted to Kerouac, Moody Street Irregulars.

Kerouac's French-Canadian origins inspired a 1987 National Film Board of Canada docudrama, Jack Kerouac's Road: A Franco-American Odyssey, directed by Acadian poet Herménégilde Chiasson. Other tributes in French Canada include the 1972 biography by novelist Victor-Lévy Beaulieu Jack Kérouac (essai-poulet), translated as Jack Kerouac: a chicken-essay, the second in a series of works by Beaulieu on his literary forefathers, and two songs that came out within months of each other in 1987 and 1988: "Sur la route" by Pierre Flynn, and "L'ange vagabond" by Richard Séguin.

Works

Poetry

While he is best known for his novels, Kerouac also wrote poetry. Kerouac said that he wanted "to be considered as a jazz poet blowing a long blues in an afternoon jazz session on Sunday.". Many of Kerouac's poems follow the style of his free-flowing, uninhibited prose, also incorporating elements of jazz and Buddhism. "Mexico City Blues," a collection of poems published in 1959, is made up of 242 choruses following the rhythms of jazz. In much of his poetry, to achieve a jazz-like rhythm, Kerouac made use of the long dash in place of a period. Several examples of this can be seen in "Mexico City Blues":

Other poems by Kerouac, such as "Bowery Blues," incorporate jazz rhythms with Buddhist themes of Saṃsāra, the cycle of life and death, and Samadhi, the concentration of composing the mind. Also, following the jazz / blues tradition, Kerouac's poetry features repetition and themes of the troubles and sense of loss experienced in life.

Posthumous editions

In 2007, to coincide with the 50th anniversary of On the Road's publishing, Viking issued two new editions: On the Road: The Original Scroll and On the Road: 50th Anniversary Edition. By far the more significant is Scroll, a transcription of the original draft typed as one long paragraph on sheets of tracing paper which Kerouac taped together to form a 120-foot (37 m) scroll. The text is more sexually explicit than Viking allowed to be published in 1957, and also uses the real names of Kerouac's friends rather than the fictional names he later substituted. Indianapolis Colts owner Jim Irsay paid $2.43 million for the original scroll and allowed an exhibition tour that concluded at the end of 2009. The other new issue, 50th Anniversary Edition, is a reissue of the 40th anniversary issue under an updated title.

The Kerouac/Burroughs manuscript And the Hippos Were Boiled in Their Tanks was published for the first time on November 1, 2008, by Grove Press. Previously, a fragment of the manuscript had been published in the Burroughs compendium, Word Virus.

Les Éditions du Boréal, a Montreal-based publishing house, obtained rights from Kerouac's estate to publish a collection of works titled La vie est d'hommage (it was released in April 2016). It includes 16 previously unpublished works, in French, including a novella, Sur le chemin, La nuit est ma femme, and large sections of Maggie Cassidy originally written in French. Both Sur le chemin and La nuit est ma femme have also been translated to English by Jean-Christophe Cloutier, in collaboration with Kerouac, and were published in 2016 by the Library of America in The Unknown Kerouac.

Literary executorship and representation

Kerouac's literary executor, after the death of Kerouac’s direct family members, was John Sampas, whose sister had been married to Kerouac at the time of his death in 1969. In 2017 Sampas’ son took over executorship of the Kerouac estate.

Discography

Studio albums

Poetry for the Beat Generation (with Steve Allen) (1959)

Blues and Haikus (with Al Cohn and Zoot Sims) (1959)

Readings by Jack Kerouac on the Beat Generation (1960)

Compilation albums

The Jack Kerouac Collection (1990) [Box] (Audio CD collection of three studio albums)

Jack Kerouac Reads On the Road (1999)