1988 to Doctor Atomic
Adams wrote two orchestral pieces in 1988: Fearful Symmetries, a 25-minute work in the same style as Nixon in China, and The Wound-Dresser, a setting of Walt Whitman's 1865 poem of that title, written when Whitman was volunteering at a military hospital during the American Civil War. The Wound-Dresser is scored for baritone voice, two flutes (or two piccolos), two oboes, clarinet, bass clarinet, two bassoons, two horns, trumpet (or piccolo trumpet), timpani, synthesizer, and strings.
During this time, Adams established an international career as a conductor. From 1988 to 1990, he served as conductor and music advisor for the Saint Paul Chamber Orchestra. He has also served as artistic director and conductor of the Ojai and Cabrillo Music Festivals in California. He has conducted orchestras around the world, including the New York Philharmonic, the Chicago Symphony, the Cleveland Orchestra, the Los Angeles Philharmonic, the London Symphony Orchestra, and the Royal Concertgebouw Orchestra, performing pieces by Debussy, Copland, Stravinsky, Haydn, Reich, Zappa, Wagner, and himself.
Adams completed his second opera, The Death of Klinghoffer, in 1991, again working with Goodman and Sellars. It is based on the 1985 hijacking of the Italian cruise ship Achille Lauro by Palestinian terrorists and details the murder of passenger Leon Klinghoffer, a retired, physically disabled Jewish American. The opera has generated controversy, including allegations that it is antisemitic and glorifies terrorism.
Adams's next piece, Chamber Symphony (1992), is for a 15-member chamber orchestra. In three movements, the work is inspired by an unlikely combination of sources: Arnold Schoenberg's Chamber Symphony No. 1, Op. 9 (which Adams was studying at the time) and the "hyperactive, insistently aggressive and acrobatic" music of the cartoons his young son was watching.
The next year, he wrote his Violin Concerto for American violinist Jorja Fleezanis. Lasting a little more than half an hour, it is also in three movements: a "long extended rhapsody for the violin" is followed by a slow chaconne (titled "Body through which the dream flows", a phrase from a poem by Robert Hass), and then an energetic toccare. Adams received the Grawemeyer Award for Music Composition for the concerto.
In 1995, he completed I Was Looking at the Ceiling and Then I Saw the Sky, a stage piece with libretto by poet June Jordan and staging by Sellars. Inspired by musicals, Adams called the piece a "songplay in two acts". The main characters are seven young Americans from different social and ethnic backgrounds, all living in Los Angeles, with stories that take place around the 1994 Northridge earthquake.
Hallelujah Junction (1996) is a three-movement composition for two pianos that employs variations of a repeated two-note rhythm. The intervals between the notes remain the same for much of the piece. Adams used the same phrase for the title of his 2008 memoir.
Written to celebrate the millennium, El Niño (2000) is an "oratorio about birth in general and about the Nativity in specific". The piece incorporates a wide range of texts, including biblical texts as well as poems by Hispanic poets like Rosario Castellanos, Sor Juana Inés de la Cruz, Gabriela Mistral, Vicente Huidobro, and Rubén Darío,
After the September 11, 2001, terrorist attacks, the New York Philharmonic commissioned Adams to write a memorial piece for the victims. The result, On the Transmigration of Souls, was premiered around the first anniversary of the attacks. On the Transmigration of Souls is for orchestra, chorus, and children's choir, accompanied by taped readings of the names of the victims mixed with the sounds of the city. It won the 2003 Pulitzer Prize for Music and the 2005 Grammy Award for Best Contemporary Composition.
Commissioned by the San Francisco Symphony, Adams's orchestral piece My Father Knew Charles Ives (2003) has three movements: "Concord", "The Lake", and "The Mountain". Though his father did not actually know American composer Charles Ives, Adams saw many similarities between the two men's lives and between their lives and his own, including their love of small-town New England life and their unfulfilled musical dreams.
Written for the Los Angeles Philharmonic to celebrate the opening of Disney Hall in 2003, The Dharma at Big Sur (2003) is a two-movement work for solo electric six-string violin and orchestra. Adams wrote that with Dharma, he "wanted to compose a piece that embodied the feeling of being on the West Coast – literally standing on a precipice overlooking the geographic shelf with the ocean extending far out to the horizon". Inspired by the music of Lou Harrison, the piece calls for some instruments (harp, piano, samplers) to use just intonation, a tuning system in which intervals sound pure, rather than equal temperament, the common Western tuning system in which all intervals except the octave are impure.
Adams's third opera, Doctor Atomic (2005), is about physicist J. Robert Oppenheimer, the Manhattan Project, and the creation and testing of the first atomic bomb. The work premiered at the San Francisco Opera in October 2005. Its libretto, by Sellars, draws on original source material, including personal memoirs, recorded interviews, technical manuals of nuclear physics, declassified government documents, and the poetry of the Bhagavad Gita, John Donne, Charles Baudelaire, and Muriel Rukeyser. It takes place in June and July 1945, mainly over the last few hours before the first atomic bomb explodes at the test site in New Mexico. Characters include Oppenheimer and his wife Kitty, Edward Teller, General Leslie Groves, and Robert Wilson. Two years later, Adams extracted music from the opera to create the Doctor Atomic Symphony.
In 2018, The Santa Fe Opera performed Doctor Atomic in its summer season. The production took place in Santa Fe, 33 miles away from the Los Alamos Laboratory, the Manhattan Project's research and development facility. This proximity forged a deeper connection between the production and the people of Los Alamos, fostering a new relationship with the pueblo communities. According to Andrew Martinez, this association "became an opportunity to confront the histories and present-day experiences of pain and suffering that New Mexico citizens have endured since that rainy summer night in July 1945 when the first atomic bomb was detonated". The production also featured a 2,400-pound silver orb hanging from the ceiling, representing the bomb. This single set piece stood on an otherwise empty stage, set against the backdrop of the Sangre de Cristo Mountains.