He moved to California in 1960 to work in film and television. His film roles included a cockney ne'er-do-well in My Fair Lady (1964), Boss Kean in Cool Hand Luke (1967), In Cold Blood (1967) as murder victim Herbert Clutter, John acted as the pilot/flight instructor for Aunt Bee in Season 8 of The Andy Griffith Show, "Aunt Bee's Big Moment" Halls of Anger (1970), Woody Allen's Sleeper (1973), rancher David Braxton in The Missouri Breaks (1976), and Orval in First Blood (1982). He played Jimmy Tomorrow in John Frankenheimer's American Film Theater movie of The Iceman Cometh (1973), alongside Fredric March, Lee Marvin, Robert Ryan and Jeff Bridges.
McLiam portrayed Ellis Carter, a young man seeking freedom from his domineering brother, in the 1961 episode "The Big Spender" of the television series Window on Main Street. He appeared in "The Wild Wild West" S3 E17 "The Night of the Headless Woman" as Tucker (1967).
In the 1979 television miniseries Freedom Road, he played Ulysses S. Grant. He appeared in several episodes of the western series The Virginian (one of which was in 1970 as Parker on "The Men From Shiloh" which was the rebranded name that year for The Virginian) and Gunsmoke, and was Doc Holliday in the pilot of Bret Maverick. He portrayed the lead character's father in T.J. Hooker, and as Elsworth Chisolm in two 1989 episodes of Dynasty after appearing five years prior as another character. In 1980, he played retired attorney Nathan Moore in an episode during the final season of The Waltons. He guest starred in a 1970 episode of Bonanza, three episodes of Little House on the Prairie (1977–1983), and in a two episodes of Highway to Heaven, all opposite Michael Landon. He had guest roles in dozens of other television series, including The Twilight Zone, Mannix, Magnum, P.I., M*A*S*H, Murder, She Wrote, The A-Team, and Perry Mason.
He was John of Gaunt in William Woodman's filmed version of Shakespeare's Richard II (1982): while the cast's acting was generally judged as poor, Charles R. Forker said McLiam delivered Gaunt's most famous speech "like an operatic aria" but in general was no match for Sir John Gielgud at speaking verse.
Writing
His play The Sin of Pat Muldoon, about a Roman Catholic family, ran for five performances from March 13 to 16, 1957 at the Cort Theatre on Broadway. The central character, played in that production by James Barton, is a father who renounces his faith following the death of his son and spends his savings on partying and loose women before having a heart attack. Though he attempts to resolve some of his family's problems, he dies unrepentant. Playwright and producer Maxwell Anderson, given the script to consider producing it, condemned the play as lying on well-trampled ground following Seán O'Casey's Juno and the Paycock, declaring, "I've grown weary of the whole subject. An ancient, irritable, blasphemous, dying but loveable Irishman says his last ten thousand words and goes to his own place. The hell with him."
