Career
Ure made her London debut as Amanda in Time Remembered (1954). Ure first appeared on screen in Storm Over The Nile (1955) playing the love interest of hero Anthony Steel. It was made by Alexander Korda who put Ure under contract; when he died the contract was taken over by Rank.
She was Ophelia in a 1955 stage production of Hamlet starring Paul Scofield that was filmed the following year for television. She appeared in a London stage production of A View from the Bridge (1956).
Ure played a leading role as Alison Porter in John Osborne's new play Look Back in Anger (1956). She and Osborne married and in 1958, she was in the Broadway production of Look Back in Anger and earned a Tony Award nomination for Best Dramatic Actress.
Her second film was Windom's Way (1957), made for Rank, where she played the wife of Peter Finch. After doing The Lady's Not for Burning (1958) on British TV she transferred her fragile, captivating portrayal of "Alison Porter" from stage to screen in the 1959 film adaptation of Look Back in Anger.
Ure did a season at Stratford, appearing in A Midsummer Night's Dream (1959) and Othello (1959). She appeared in the film Sons and Lovers (1960) as Clara Dawes, earning nominations for both the Golden Globe Award and the Academy Award for Best Supporting Actress.
After making the movie Ure performed in Duel of Angels in London and Broadway. While pregnant she performed in the 1960 London production of The Changeling at the Royal Court. The success of Sons and Lovers meant for a time Ure was seen as a possible major movie star in America.
In 1963, after an absence of three years, she returned to film with a performance in the sci-fi drama The Mind Benders, playing the wife of Dirk Bogarde.
She appeared several times on screen with then-husband Robert Shaw: A Florentine Tragedy (1964) for television, based on a script by Shaw; The Luck of Ginger Coffey (1964); and Custer of the West (1967), playing Custer's wife.
After 1968's Where Eagles Dare it would be three years before Ure's next and last film appearance, in 1971's A Reflection of Fear, co-starring her husband. However, she did appear in A Bit of Family Feeling (1971) for television.
She returned to Broadway in Old Times (1971). Her growing alcoholism affected her stage career to the point that she was fired from the 1974 pre-Broadway production of Love for Love and was replaced by her understudy, Glenn Close. Her last screen appearance was on TV in The Break (1974).
She returned to the London stage after a 12-year break to appear in The Exorcism.
