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Mourning Becomes Electra is an opera in 3 acts by composer Marvin David Levy. The work uses an English language libretto by Henry W. Butler after the 1931 play of the same name by Eugene O'Neill. It premiered at the Metropolitan Opera in New York City on March 17, 1967 with Zubin Mehta conducting. Michael Cacoyannis directed the production and Boris Aronson designed the sets, costumes, and lighting. The original production was critically well received, returned for a second season at the Met, and was presented successfully in Germany. However, it then vanished from the stage. After thirty years, the opera was presented by Lyric Opera of Chicago in 1998 in a revised version that reduced the orchestration and simplified the harmonic language. A more drastic revision of the opera was subsequently premiered at the Seattle Opera on October 18, 2003. The orchestration was further cut down and electronic samplers added. A number of passages were re-written or omitted and a new finale was created. In addition, the opera was restructured from the original three acts (corresponding to the original O'Neill drama) into two. This version was subsequently mounted in 2004 at the New York City Opera . These more recent productions have been in general favorably received, not the least because of the performance in all of them of Lauren Flanigan as Christine Mannon. The Florida Grand Opera staged it in November 2013 in Miami and Ft. Lauderdale. Roles and premiere cast Christine Mannon...............Marie Collier Lavinia Mannon.................Evelyn Lear Orin Mannon....................John Reardon Captain Adam Brant.............Sherrill Milnes General Ezra Mannon............John Macurdy Captain Peter Niles............Ron Bottcher Helen Niles....................Lilian Sukis Jed............................Raymond Michalski Chorus of Soldiers, Servants, Townspeople, Sailors, Dockworkers, Fieldworkers

From Wikipedia (CC BY-SA 4.0).

Notable quotes

“If a person is to get the meaning of life he must learn to like the facts about himself — ugly as they may seem to his sentimental vanity — before he can learn the truth behind the facts. And the truth is never ugly.”
— New York Herald Tribune (9 September 1956)
“We'd be making sail in the dawn, with a fair breeze, singing a chanty song wid no care to it. And astern the land would be sinking low and dying out, but we'd give it no heed but a laugh, and never look behind. For the day that was, was enough, for we was free men — and I'm thinking 'tis only slaves do be giving heed to the day that's gone or the day to come — until they're old like me.”
— Paddy: Scene 1
“It has been a long day. Why don't you sleep now—as you used to, remember?—for a little while.”
— Act 9
“There is no present or future — only the past happening over and over again — now.”
— Tyrone, Act 3
“How thick the fog is. I can't see the road. All the people in the world could pass by and I would never know. I wish it was always that way. It's getting dark already. It will soon be night, thank goodness.”
— Act 3, p. 104
“What the hell was it I wanted to buy, I wonder, that was worth—Well no matter. It's a late day for regrets.”
— Act 4

Quotes via Wikiquote (CC BY-SA), each with its original source.

Notable quotes

“If a person is to get the meaning of life he must learn to like the facts about himself — ugly as they may seem to his sentimental vanity — before he can learn the truth behind the facts. And the truth is never ugly.”
— New York Herald Tribune (9 September 1956)
“We'd be making sail in the dawn, with a fair breeze, singing a chanty song wid no care to it. And astern the land would be sinking low and dying out, but we'd give it no heed but a laugh, and never look behind. For the day that was, was enough, for we was free men — and I'm thinking 'tis only slaves do be giving heed to the day that's gone or the day to come — until they're old like me.”
— Paddy: Scene 1
“It has been a long day. Why don't you sleep now—as you used to, remember?—for a little while.”
— Act 9
“There is no present or future — only the past happening over and over again — now.”
— Tyrone, Act 3
“How thick the fog is. I can't see the road. All the people in the world could pass by and I would never know. I wish it was always that way. It's getting dark already. It will soon be night, thank goodness.”
— Act 3, p. 104
“What the hell was it I wanted to buy, I wonder, that was worth—Well no matter. It's a late day for regrets.”
— Act 4

Quotes via Wikiquote (CC BY-SA), each with its original source.

Overview

From Wikipedia (CC BY-SA 4.0).

Mourning Becomes Electra

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Mourning Becomes Electra

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Mourning Becomes Electra across IJR

Overview

Notable quotes

Notable quotes

Overview

Mourning Becomes Electra across IJR