Mozambique (also known as Blonde Fracht Für Sansibar) is a 1964 British drama film directed by Robert Lynn and starring Steve Cochran, Hildegard Knef, Paul Hubschmid and Vivi Bach. The screenplay was by Peter Yeldham.
Contents
Premise
An American pilot assists the Portuguese colonial police who are battling a gang of criminals involved in drug smuggling from Lisbon via Mozambique to Zanzibar.
Cast
Steve Cochran as Brad Webster
Hildegard Knef as Ilona Valdez
Paul Hubschmid as Commarro
Vivi Bach as Christina
Dietmar Schönherr as Henderson
Martin Benson as Da Silva
George Leech as Carl
Gert Van den Bergh as Arab
Production
During the making of the film, Cochran was arrested for committing adultery with the wife of a jockey while in Durban, South Africa.
Reception
The Monthly Film Bulletin wrote: "Not just a succession of improbabilities and melodramatics but a nice old tangle to boot, the film has among its more original touches the Portuguese police inspector's readiness to leave almost all the sleuthing to Brad: even at the Victoria Falls Bridge climax, the inspector simply surveys the scene from safety while Brad does all the dangerous leg-work. Vivi Bach is a real charmer, but despite a stunningly feminine wardrobe by Pierre Balmain, Hildegard Knef contrives to look unglamorous and at times almost mannish. Perhaps it is the unaccustomed setting offered by Mozambique which makes the film more entertaining than its few merits would seem to warrant."
Boxoffice wrote: "A missing briefcase and a few cases of brief murder are intermingled in a not-so-scenic area of Mozambique, the East African colony. Indeed, the scenery, with the exception of the final chase sequence in the bridge area around the famed Victoria Falls, might have been that of the Pacific Palisades near Hollywood for all the atmosphere gained. The indoor and outdoor shots made by cameraman Martin Curtis add little to the mood, with few exceptions. The late Steve Cochran contributes a thoroughly professional job of acting and, hence, stands out head and shoulders above the rest of the cast. ... The technical credits are adequate and plot substitutes for pace."
The New York Times called it "a sleazy little melodrama."