Munich

Plot

At the 1972 Summer Olympics in Munich, the Palestinian militant group Black September carried out a terrorist attack resulting in the deaths of eleven members of the Israeli Olympic team. Avner Kaufman, a Mossad agent of German-Jewish descent, is chosen to lead a mission to assassinate eleven Palestinians involved in the massacre. At the direction of his handler Ephraim, in order to give the Israeli government plausible deniability, Kaufman resigns from Mossad and operates with no official ties to Israel. His team includes four Jewish volunteers from around the world: South African driver Steve, Belgian toy-maker and explosives expert Robert, former Israeli soldier and "cleaner" Carl, and German antique dealer and document forger Hans from Frankfurt. They are given information by a French informant, Louis, whose family's history is connected to the French Resistance.

In Rome, the team shoots and kills Wael Zwaiter, who is living as a poet. In Paris, they detonate a bomb in the home of Mahmoud Hamshari. In Cyprus, they bomb the hotel room of Hussein Abd Al Chir. With IDF commandos, they pursue three Palestinian militants—Muhammad Youssef al-Najjar, Kamal Adwan, and Kamal Nasser—to Beirut, penetrate the Palestinians' guarded compound and kill all three.

Between hits, the assassins argue with each other about the morality and logistics of their mission, expressing fear about their individual lack of experience, as well as their apparent ambivalence about accidentally killing innocent bystanders. Avner makes a brief visit to his wife, who has given birth to their first baby. In Athens, when they track down Zaiad Muchasi, the team finds out that Louis arranged for them to share a safe house with their rival PLO members and the Mossad agents escape trouble by pretending to be members of foreign militant groups like ETA, IRA, ANC, and the Red Army Faction. Avner has a heartfelt conversation with PLO member Ali over their homelands and who deserves to rule over the lands. Ali is later shot by Carl while the team escapes from the hit on Muchasi.

The squad moves on to London to track down Ali Hassan Salameh, who orchestrated the Munich massacre, but the assassination attempt is interrupted by several drunken Americans. It is implied that these are agents of the CIA, which, according to Louis, protects and funds Salameh in exchange for his promise not to attack United States diplomats. Meanwhile, attempts are made to kill the assassins themselves. Carl is killed by an independent Dutch contract killer. In revenge, the team tracks her down and executes her at a houseboat in Hoorn, Netherlands. Hans is found stabbed to death on a park bench, and Robert is killed by an explosion in his workshop. Avner and Steve finally locate Salameh in Spain, but again their assassination attempt is thwarted, this time by Salameh's armed guards. Avner and Steve disagree on whether Louis has sold information on the team to the PLO.

Soundtrack

The film score was composed and conducted by John Williams. It features the wailing woman technique. The soundtrack album was nominated for the Academy Award for Best Original Score and the Grammy Award for Best Score Soundtrack for Visual Media.

AllMusic rated the soundtrack three and a half stars out of five. Filmtracks.com rated it four out of five. SoundtrackNet rated it four and a half out of five. ScoreNotes graded it "A−".

Historical authenticity

Although Munich is a work of fiction, it describes many actual events and figures from the early 1970s. On the Israeli side, Prime Minister Golda Meir is depicted in the film, and other military and political leaders such as Attorney General Meir Shamgar, Mossad chief Zvi Zamir and Aman chief Aharon Yariv are also depicted. Spielberg tried to make the depiction of the hostage-taking and killing of the Israeli athletes historically authentic. Unlike an earlier film, 21 Hours at Munich, Spielberg's film depicts the shooting of all the Israeli athletes, which according to the autopsies was accurate. In addition, the film uses actual news clips shot during the hostage situation.

Israeli/American actor Guri Weinberg portrays his own father, wrestling coach Moshe. The younger Weinberg was only one month old when his father was killed.

The named members of Black September, and their deaths, are also mostly factual. Abdel Wael Zwaiter, a translator at the Libyan Embassy in Rome was shot eleven times, one bullet for each of the victims of the Munich Massacre, in the lobby of his apartment forty-one days after Munich. On the eighth of December of that year Mahmoud Hamshari, a senior PLO figure, was killed in Paris by a bomb concealed in the table below his telephone. Although the film depicts the bomb being concealed in the telephone itself, other details of the assassination (such as confirmation of the target via telephone call) are accurate. Others killed during this period include Mohammed Boudia, Basil Al Kubaisi, Hussein al-Bashir, and Zaiad Muchasi, some of whose deaths are depicted in the film. Ali Hassan Salameh was also a real person and a prominent member of Black September. In 1979 he was killed in Beirut by a car bomb that also killed four innocent bystanders and injured eighteen others.

The commando raid in Beirut, known as Operation Spring of Youth, also occurred. This attack included future Israeli Prime Minister Ehud Barak and Yom Kippur War and Operation Entebbe participant Yonatan Netanyahu, who are both portrayed by name in the film. The methods used to track down and assassinate the Black September members were much more complicated than the methods portrayed in the film; for example, the tracking of the Black September cell members was achieved by a network of Mossad agents, not an informant as depicted in the film.

Reception

Box office

The film grossed $47 million at the box office in North America but performed better overseas, earning $83 million which brings the worldwide total of $131 million.

Critical reception

On Rotten Tomatoes, the film has a 79% approval rating based on 210 reviews, with an average rating of 7.40/10. The site's consensus reads, "Munich can't quite achieve its lofty goals, but this thrilling, politically even-handed look at the fallout from an intractable political conflict is still well worth watching." Metacritic assigned the film a weighted average score of 74 out of 100, based on 39 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.

Roger Ebert praised the film, saying, "With this film [Spielberg] has dramatically opened a wider dialogue, helping to make the inarguable into the debatable." He placed it at No. 3 on his top ten list of 2005. James Berardinelli wrote that "Munich is an eye-opener – a motion picture that asks difficult questions, presents well-developed characters, and keeps us white-knuckled throughout." He named it the best film of the year; it was the only film in 2005 to which Berardinelli gave four stars, and he also put it on his Top 100 Films of All Time list. Entertainment Weekly film critic Owen Gleiberman mentioned Munich amongst the best movies of the decade. Rex Reed from The New York Observer disagrees, writing: "With no heart, no ideology and not much intellectual debate, Munich is a big disappointment, and something of a bore."

Variety reviewer Todd McCarthy called Munich a "beautifully made" film. However, he criticized the film for failing to include "compelling" characters, and for its use of laborious plotting and a "flabby script." McCarthy says that the film turns into "... a lumpy and overlong morality play on a failed thriller template." To succeed, McCarthy states that Spielberg would have needed to engage the viewer in the assassin squad leader's growing crisis of conscience and create a more "sustain(ed) intellectual interest" for the viewer. Writing in Empire, Ian Nathan wrote "Munich is Steven Spielberg's most difficult film. It arrives already inflamed by controversy. ... This is Spielberg operating at his peak—an exceptionally made, provocative, and vital film for our times."

Chicago Tribune reviewer Allison Benedikt calls Munich a "competent thriller", but laments that as an "intellectual pursuit, it is little more than a pretty prism through which superficial Jewish guilt and generalized Palestinian nationalism" are made to "... look like the product of serious soul-searching." Benedikt states that Spielberg's treatment of the film's "dense and complicated" subject matter can be summed up as "Palestinians want a homeland, Israelis have to protect theirs." She rhetorically asks: "Do we need another handsome, well-assembled, entertaining movie to prove that we all bleed red?"

Accolades

Top ten lists

Munich was listed on many critics' top ten lists of 2005.