Nigel Playfair

Sir Nigel Ross Playfair (1 July 1874 – 19 August 1934) was an English actor and director, known particularly as actor-manager of the Lyric Theatre, Hammersmith, in the 1920s. After acting as an amateur while practising as a lawyer, he turned professional in 1902 when he was 28. After a time in F. R. Benson's company he made steady professional progress as an actor, but the major change in his career came in 1918, when he became managing director of the Lyric, a run-down theatre on the fringe of central London. He transformed the theatre's fortunes, with a mix of popular musical shows and classic comedies, some in radically innovative productions, which divided opinion at the time but which have subsequently been seen as introducing a modern style of staging. Life Family background Playfair was born in the parish of St George Hanover Square, Westminster, on 1 July 1874, the younger son of the five children of the obstetric physician William Smoult Playfair (1835–1903), and his wife, Emily, née Kitson (1841–1916). The Oxford Dictionary of National Biography says that the doctor is notable nowadays for "his unintended contribution to medical ethics" by breaching the confidentiality of one of his patients, and for popularising the Weir Mitchell "rest-cure", a treatment criticised by Charlotte Perkin Gilman in The Yellow Wallpaper. Nigel Playfair's paternal uncles included Lyon Playfair, 1st Baron Playfair, scientist and politician, and Lambert Playfair, soldier, diplomat and naturalist. His maternal uncle was James Kitson, 1st Baron Airedale, industrialist and politician, named after his father, Nigel's grandfather, James Kitson, the pioneering railway engineer. Nigel's cousin was Robert Hawthorn Kitson, a painter who settled in Taormina, Sicily.