One-way Street

One Way Street is an anthology of brief meditations by Walter Benjamin collected and published as a book in 1928. The reflections composing its cycle were mostly written coterminously with the drafting phase of his doctoral thesis The Origin of German Tragic Drama, during his personally transformative though ultimately failed romance with Asja Lācis. Many of the pieces that were published individually prior to their appearance as a collection first ran as feuilleton in newspapers—a critical, artistic, sometimes purely humorous or bizarre space-filling feature of newspaper formats in Europe at the time. Style and content The work is a kind of collage. Greil Marcus compares certain formal qualities of One Way Street to the surrealist graphic novel Hundred Headless Women by Max Ernst and André Breton, or to Walter Ruttman's The Weekend which was an early sound collage film. The book avoids, "all semblance of linear-narrative...[offering] a jumble of sixty apparently autonomous short prose pieces: aphorisms, jokes, dream protocols, cityscapes, landscapes, and mindscapes; portions of writing manuals, trenchant contemporary political analysis; prescient appreciations of the child's psychology, behavior, and moods; decodings of bourgeois fashion, living arrangements and courtship patterns; and time and again, remarkable penetrations into the heart of every day things, what Benjamin would later call a mode of empathy with 'the soul of the commodity'" according to Michael Jennings in his introduction to the work.