Salmagundi is a US quarterly periodical, featuring cultural criticism, fiction, and poetry, along with transcripts of symposia and interviews with prominent writers and intellectuals. Susan Sontag, a longtime friend of the publication, referred to it as "simply my favorite little magazine." In The Book Wars, James Atlas writes that Salmagundi is "perhaps the country's leading journal of intellectual opinion."
Contents
History and profile
Salmagundi was founded by Robert Boyers in the fall of 1965, using money he earned as a youth, singing at his neighborhood Jewish temple, and at weddings and Bar Mitzvahs. Boyers drew inspiration for his quarterly from other "little magazines" of the era, such as Partisan Review, F.R. Leavis's Scrutiny, and T.S. Eliot's Criterion, among others. The title of the magazine was chosen as a reference to the 19th-century periodical of the same name, published by Washington Irving.
In 1969, the magazine moved its headquarters to Skidmore College, in Saratoga Springs, N.Y. Boyers and his wife, Margarita "Peg" Boyers, are both professors in Skidmore's English Department. The magazine celebrated its Fiftieth Anniversary in 2015 by publishing three large volumes, featuring "Best Of" selections from Salmagundi's first five decades.
While the magazine has no explicit mission statement, Boyers has often invoked Lionel Trilling's description of the role served by little magazines in preventing the culture from "being cautious and settled, or merely sociological, or merely pious" and "to make the official representatives of literature a little uneasy."
Salmagundi's editors take pride in continually finding "ways to say NO and THINK AGAIN to the largely settled views of our own enlightened readership." Christopher Lasch, a frequent contributor to the Salmagundi until his death in 1994, observed, in 1975, that the magazine "often criticized leftist clichés from a point of view sympathetic to the underlying objectives of the left." Lasch further noted that Salmagundi reliably opposed "fake radicalism," "genteel academicism" and "estheticism," even as it recognized "the precarious position of intellectual culture in the modern world."
An aspect of Salmagundi that makes it unique from other literary magazines is its commitment to hosting (and transcribing, for publication) symposia, featuring lively debate among prominent scholars and writers. Past symposia have included figures such as, Lionel Trilling, Richard Rorty, Martha Nussbaum, Slavoj Zizek, Anthony Appiah, Orlando Patterson, Susan Sontag, and many others.
Notable columnists and contributors
Critics and scholars
Susan Sontag
George Steiner
Marilynne Robinson
Christopher Hitchens
James Miller
Tzvetan Todorov
Sir Isaiah Berlin
William H. Gass
Christopher Lasch
Adam Phillips
Phillip Lopate
Steve Fraser
Daniel Swift
Siri Hustvedt
George Scialabba
Novelists
Russell Banks
Joyce Carol Oates
J.M. Coetzee
Nadine Gordimer
Mario Vargas Llosa
Darryl Pinckney
Steve Stern
Mary Gordon
Norman Manea
Mary Gaitskill
Rick Moody
Amy Hempel
Binnie Kirschenbaum
Jim Shepard
Howard Norman
Poets
Robert Lowell
Seamus Heaney
Adrienne Rich
Robert Pinsky
Frank Bidart
Richard Howard
Marie Howe
Charles Simic
Louise Glück
Carolyn Forché
Honor Moore
Carl Dennis
Campbell McGrath
Vijay Seshadri
Rosanna Warren
Notable essays, poetry, and fiction
Edward Said's "Beginnings" (1966)
Richard Schechner's "Theatre & Revolution" (1967)
Howard Nemerov's "First Snow" (#22 - 23, 1973)
Adrienne Rich's "Pieces" and "Incipience" (#22 - 23, 1973)
Robert Lowell's "History" and "Man and Woman" (#22 - 23, 1973)
Robert Penn Warren's "The Nature of A Mirror" (#22 - 23, 1973)
Louise Glück's "Pomegranate" (#22 - 23, 1973)
Leslie H. Farber's "Lying on the Couch" (1975)
Howard Nemerov's "Ozymandias II" and "Ginkgoes in Fall" (#28, 1975)
Robert Lowell's "Epilogue" (#37, 1977)
Robert Penn Warren's "Question You Must Learn to Live Past" and "What Was The Thought?" (#50 - 51, 1980–81)
Louise Glück's "First Goodbye" (#50 - 51, 1980–81)
William H. Gass's "The Death of the Author" (1984)
George Steiner's "Our Homeland, the Text" (1985)
Seamus Heaney's "Place, Pastness, Poems: A Tryptch" (1986)
Martin Jay's "The Descent of de Man" (1988)
Christopher Lasch's "Counting by Tens" (1989)



