Contemporary history
After these destructive events, reconstruction of the city was commenced in the original location with a slightly altered layout. A modern octagonal layout as drafted by the architect P.M. Ugartemendia was turned down and eventually M. Gogorza's blueprint was approved, then supervised and implemented by the Ugartemendia. This area, the old town, has a neoclassical, austere and systematic style of architectural construction. Constitution Square was built in 1817 and the town hall (currently a library) between 1828 and 1832. Housing in the old town was built gradually alongside the rest of the area.
The liberal and bourgeois San Sebastián became the capital of Gipuzkoa (instead of Tolosa) until 1823, when absolutists besieged the town (only 200 inhabitants remained in the town when the offensive troops entered). It was designated again as the capital in 1854. In 1835-6, the British Auxiliary Legion under Sir George de Lacy Evans defended the town against the Carlist besiegers. Some of those who died were buried in the English Cemetery on Mount Urgull.
At the beginning of the 19th century, the local government was still ruled by the principle of nobility, while inhabitants of foreign origin or descent had always been numerous in the town, especially among the trading community. Although San Sebastián benefited greatly from the charter system established in the Southern Basque Country (foruak, with borders in the Ebro river and no duties for overseas goods), the town was at odds with the more traditional Gipuzkoa, even requesting secession from the province and annexation to Navarre in 1841.
In 1863, the defensive walls of the town were demolished (their remains are visible in the underground car park on the Boulevard) and an expansion of the town began in an attempt to move on from its previous military function. Jose Goicoa and Ramon Cortazar were appointed to oversee the work. They modelled the new city according to an orthogonal shape in a neoclassical Parisian style, and Goicoa designed several elegant buildings, such as the Miramar Palace and La Concha Promenade. The city was chosen by the Spanish monarchy as a summer retreat following the French example of nearby Biarritz, and Spanish nobility and the diplomatic corps opened residences in the town. As the "wave baths" at La Concha were in conflict with nearby shipbuilding activity, the shipyards relocated to Pasaia, a nearby bay that had formerly been part of San Sebastián.
However, in 1875, war came to the town again, and in 1876 shelling over the city by Carlists claimed the life of acclaimed poet Bilintx. From 1885, King Alfonso XII of Spain's widow Maria Cristina spent every summer in Donostia along with her retinue, staying at the Miramar Palace. In 1887, a casino was built, which eventually became the current city hall, and some time later the Regional Government building was completed in Plaza Gipuzkoa following Jose Goicoa's design. Cultural life thrived in this period, giving rise to various events that still take place in the city, such as the Caldereros or the Tamborrada, and journalistic and literary works in both Spanish and Basque.
After much debate in the city over whether to pursue an economy based on tourism or manufacturing, Donostia developed into a fully-fledged seaside resort, but some industry developed in the district of Antiguo and on the outskirts of the city. Following the outbreak of World War I, San Sebastián became a destination for renowned international figures of culture and politics, including Mata Hari, Leon Trotsky, Maurice Ravel, and Romanones.
San Sebastián was one of earliest towns hit by the 1918 Influenza epidemic, dealing with a first wave outbreak in February of that year. Officials feared for the city's reputation and attempted to keep the disease's spread quiet, to no avail, and the outbreak soon spread throughout Spain.
Various rationalist architectural works, typically white or light-coloured, were built in the 1920s and 1930s, such as La Equitativa, Nautico, and Easo. In 1924–1926, canalisation work was carried out on the Urumea river at the southern edge of the city. However, after the city's Belle Epoque in the European wartime, repression under Miguel Primo de Rivera's dictatorship was not favourable for the city. In 1924, gambling was prohibited by the authoritarian regime, causing existential problems for the Grand Casino and the Kursaal (1921).
In 1930, Spanish republican forces signed up to the Pact of San Sebastián, leading to the Second Spanish Republic. Unrest and repression did not stop with the new political regime, and large-scale industrial action was called several times by the growing anarchist, communist and socialist unions. The 1936 military coup was initially defeated by the resistance, led by the Basque Nationalists, anarchists and communists, but later that same year the province fell to Spanish Nationalist forces during the Northern Campaign. The occupation proved disastrous for the city's residents. Between 1936 and 1943, 485 people were executed as a result of show trials by the Spanish Nationalists (Requetés and Falangists). It has been estimated that extrajudicial executions (paseos) by the occupying military forces accounted for over 600 murders in the area during the first months of occupation. Many children were evacuated to temporary safety in Bilbao, with the city's population falling by an estimated 40,000 to 50,000 inhabitants.
In the aftermath of war, the city was stricken by poverty, famine and repression, coupled with a thriving smuggling trade. Many republican detainees were held at the beach-side Ondarreta Prison in grim and humid conditions, until the building was demolished in 1948. However, industrial development paved the way for urban expansion in the Egia and Amara Berri districts, on the marshes and riverbed of the Urumea, at the end of the 1940s and beginning of the 1950s.
In 1943, the first Basque language schools were established by Elvira Zipitria, who taught in Basque from her home in the Old Town. In 1947, the Grand Casino was converted into the City Hall. In 1953, city businessmen organised the first San Sebastián International Film Festival to stimulate the economic life and profile of the city.
Mass immigration from other parts of Spain, spurred by growing industrial production, greatly increased the population, initiating rapid and chaotic urban development on the outskirts of the city (Altza, Intxaurrondo, Herrera, Bidebieta). Social, cultural and political conflicts followed, leading to popular dissatisfaction. Protests and street demonstrations became more common, driven by Basque nationalists (especially the armed separatist organisation ETA) and various underground unions, triggering the first state of emergency in Gipuzkoa in 1968. Several more were imposed by the Francoist authorities in the period immediately preceding Franco's death in 1975.
Amid the fragile economic situation and real estate speculation, the Kursaal and the Chofre bullring in Gros were demolished in 1973. From 1975 to 1977, sculptor Eduardo Chillida and architect Luis Peña Ganchegui's landmark The Comb of the Winds was built at the western tip of the bay. The 1970s to the mid-1980s were years of general urban and social decay marked by social and political unrest and violence.
In 1979, the first democratic municipal elections were held, won by the Basque Nationalist Party, who held office along with splinter party Eusko Alkartasuna (Basque Solidarity) until 1991. The Spanish Socialist Workers' Party's Odon Elorza took over as mayor from 1991 until 2011, when he was defeated unexpectedly by Juan Carlos Izagirre (Bildu) in elections.
From the 1990s, a major makeover of the city centre began, aimed at enhancing and revamping the neoclassical and modernist side of San Sebastián's architecture. Other regeneration projects included the reshaping and enlargement of Zurriola beach and promenade, the opening of the Kursaal Palace cubes (1999), the new university campus and technology facilities in Ibaeta, the creation of a wide network of cycle lanes, underground car-parks and significant improvements to public transport. Districts of cutting-edge design have been erected, such as Ibaeta and Riberas de Loiola, while some other major public works are still pending confirmation of funding and approval.
