Sender is a 2026 American psychological thriller film written and directed by Russell Goldman. It stars Britt Lower, Rhea Seehorn, Jamie Lee Curtis, Anna Baryshnikov, David Dastmalchian, Utkarsh Ambudkar, and Mike Mitchell. It is loosely based on the 2022 short film Return to Sender by Goldman.
Contents
Premise
After receiving a series of packages containing unnervingly personal items, a woman tumbles down a paranoid rabbit hole to find her mysterious sender.
Cast
Britt Lower as Julia Day, a woman receiving packages she didn't order
Anna Baryshnikov as Tatiana Day, Julia's sister
David Dastmalchian as Charlie, a delivery driver for the e-commerce company Smirk
Rhea Seehorn as Whitney, a woman who meets Julia in a recovery group
Jamie Lee Curtis as Lisa Barr, a woman also receiving packages she didn't order
Utkarsh Ambudkar as Dustin, Julia's former co-worker
Mike Mitchell as Steve, a man on a date with Julia
Ken Jeong as Dick Swope
Edward Torres
Alyssa Limperis
Inger Stratton
Production
In April 2025, it was reported that Russell Goldman was writing and directing the film, starring Britt Lower, Jamie Lee Curtis, Anna Baryshnikov, and David Dastmalchian, with Curtis also serving as a producer. Principal photography began that month. It is loosely based on the 2022 short film Return to Sender by Goldman. The script for Sender was featured on The Black List in 2023. In August 2025, Curtis described the film as a psychological thriller. In October 2025, Rhea Seehorn was announced as joining the cast.
Release
Sender had its world premiere in competition at SXSW on March 14, 2026. It played as a Marquee Presentation at the San Francisco Film Festival on April 25, 2026.
Reception
On the review aggregator site Rotten Tomatoes, 79% of 38 reviews are positive.
Variety reviewer Courtney Howard states, "Writer-director Russell Goldman re-fashions the puzzle box constraints of his short “Return to Sender” into an intricately-faceted feature, making way for a deep character study to emerge, crawling under our skin to truly unnerve in its damning examination of how commercialism is insidiously interwoven into our daily lives. Boldly off-kilter, brilliant and bizarre, its dark humor and taut psychological horror are laced together in a delightfully heady blend."







