The Blue Lagoon

Plot summary

The story centres on two cousins, Dick and Emmeline Lestrange, who are marooned with a galley cook on an island in the South Pacific Ocean following a shipwreck. The galley cook, Paddy Button, assumes responsibility for the children and teaches them how to survive, cautioning them to avoid the "arita" berries, which he calls "the never-wake-up berries".

Two and a half years after the shipwreck, Paddy dies following a drinking binge. The children survive on their resourcefulness and the bounty of their remote paradise. They live in a hut and spend their days fishing, swimming, diving for pearls, and exploring the island.

As time progresses, Dick and Emmeline undergo the natural process of maturing into young adults and develop romantic feelings for one another. Dick and Emmeline, unaware of the complexities of human sexuality, struggle to understand and express their growing physical attraction to each other. Eventually, they engage in an intimate act, which is portrayed as resembling the courtship rituals observed in the animal kingdom.

Dick becomes attentive toward Emmeline, listening to her stories and bringing her gifts. Over several months they have sex, and eventually, Emmeline becomes pregnant. The couple does not understand the physical changes happening to Emmeline's body and does not know about childbirth. When the day comes for delivery, Emmeline disappears into the forest and returns with a child. They discover over time that the baby requires a name, and they call him "Hannah" because they have only ever known an infant called by that name.

Dick and Emmeline teach Hannah how to swim, fish, throw spears and play in the mud. They survive a violent tropical cyclone and other natural hazards of island life.

Back in San Francisco, Arthur, Dick's father and Emmeline's uncle and guardian, believes the two are still alive and is determined to find them after recognising a child's tea set belonging to Emmeline which was retrieved by a whaler on an island. Arthur finds a captain willing to take him to the island, and they set out.

Meanwhile, Dick, Emmeline, and Hannah row their lifeboat to the place where they had once lived with Paddy as children. Emmeline breaks a branch off the deadly arita plant as Dick cuts bananas on the shore. While in the boat with her son, Emmeline fails to notice that Hannah has tossed one of the oars into the sea. The tide comes in and sweeps the boat into the lagoon, leaving Emmeline and Hannah stranded. As Dick swims to them, he is pursued by a shark. Emmeline strikes the shark with the remaining oar, earning Dick time to climb into the boat safely.

Although they are not far from shore, the trio cannot get back without the oars, and they are unable to retrieve them from the water because of the shark. The boat is caught in the current and drifts out to sea; all the while Emmeline still grasps the arita branch.

Sometime later, Arthur's ship comes across the lifeboat and finds the three unconscious but still breathing. The arita branch is now bare save for one berry. Arthur asks, "Are they dead?" and the captain replies, "No, sir. They are asleep". The ambiguous ending leaves it uncertain whether or not they can be revived.

Characters

Emmeline Lestrange: a shipwrecked orphan, the heroine

Dick Lestrange: Emmeline's cousin, a shipwrecked orphan, the hero

Paddy Button: the galley cook of the wrecked ship

Arthur Lestrange: Dick's father and Emmeline's uncle

Hannah: Dick and Emmeline's son

History

During a sleepless night, Stacpoole's mind wandered to the concept of a caveman's life. He found himself in awe of the primitive man's ability to appreciate and find wonder in the most basic of things, such as a sunset or thunderstorm. He compared this to the current era, where advanced technology has taken away the mystery and enchantment of these natural occurrences. Modern-day humans have become so consumed with the scientific explanation of things that they have lost the ability to appreciate the beauty and awe-inspiring qualities of nature. By doing so, they have deprived themselves of the simple joys that once filled them with wonder.

Stacpoole, being a seasoned medical practitioner, had encountered instances of birth and death, and as a result, these occurrences no longer possessed any sense of awe or enigma for him. This led him to ponder the concept of two young children who are forced to grow up on an isolated island with no access to any form of guidance or knowledge. These children would be subject to the natural phenomena of birth, death, and storms and would have to experience the highs and lows of life without any assistance. Stacpoole found this idea fascinating and was inspired to explore it further. The next day, he began to work on The Blue Lagoon.

Comparisons with Alice's Adventures in Wonderland

The author deliberately draws parallels between The Blue Lagoon and the Biblical story of Adam and Eve, highlighting the innocence and naivety of the two young protagonists, Emmeline and Dick. However, it is evident that the author was also influenced by Lewis Carroll's Alice's Adventures in Wonderland. The narrative structure of childhood leading to adolescent romance in Stacpoole's novel is likely influenced by Longus’s Daphnis and Chloe and Bernardin de Saint-Pierre's Paul et Virginie. The reference to Wonderland is made when the castaways approach Palm Tree Island, which is the beginning of an adventure that is full of similarities to Alice's journey. Like Alice, Emmeline is around the same age, and their innocent curiosity leads them to explore their surroundings. Emmeline's tea party on the beach and her former pet's resemblance to the Cheshire Cat are examples of the author's allusions to Carroll's work.

The similarities continue with Emmeline's innocent attempt to eat the "never-wake-up berries" and receiving a lecture on poison from Paddy Button, which is reminiscent of Alice's encounter with the "Drink Me" bottle. The "Poetry of Learning" chapter also draws parallels with Alice's conversation with the Caterpillar. Paddy's smoking of a pipe and the children teaching him to write his name in the sand echo the Caterpillar smoking a hookah while questioning Alice's identity.

The author also incorporates other references to wonder, curiosity, and strangeness throughout the novel, honouring Carroll's work. The children lose track of time, similar to the Mad Hatter's tea party, and undergo physical changes, like Alice growing taller and Emmeline becoming plumper. The reference to the baby in "Pig and Pepper" is also made when Hannah sneezes at the sight of Dicky.

Reception

Upon its initial publication, the book gained popularity. The critical acclaim was substantial, with the Times Literary Supplement commending the book's tale of discovering love and experiencing innocent mating, describing it as refreshing as the ozone that had strengthened the characters. The Saturday Review highlighted the novel's ability to captivate readers, its carefully constructed premise, the characters' growth from childhood innocence to self-sufficiency, and the enchanting love story. The reviewer acknowledged some grammatical issues but commended the author's imaginative storytelling and went so far as to assert that the label of "romance", frequently used in contemporary works, was genuinely fitting for this novel.

The Athenaeum's review highlighted the poetic and imaginative qualities of the story, which revolves around two children stranded on a desert island with an elderly Irish sailor, Paddy Button. The review praised the story's charm and emotional depth, particularly in the early chapters depicting the children's adventures with Paddy. It commended the portrayal of their growth, learning about love and life through their natural surroundings. Although the review noted the eventual rescue and return to civilisation, it underscored that the most attractive aspects of the novel lie in the initial chapters and the endearing character of Paddy Button.

The Academy gave a positive review and commended Stacpoole for his treatment of delicate themes and the character development of the two children. It also noted the book's engaging plot and the richness of the island's descriptions, though it did have reservations about the ending.

The Sydney Morning Herald praised Stacpoole's handling of a challenging subject matter, as well as his keen eye, accurate psychology, and "quite adequate literary skill".

The work was acclaimed by the Review of Reviews for its uniqueness, described as a narrative that diverges from any other published story. Additionally, Stacpoole was praised for his authorship of an authentic, delightful, and uncomplicated romance, showcasing the author's boldness and creativity.

The novel received acclaim from the South Australian Register, which described it as an exemplary maritime narrative suitable for both male and female juvenile readers. The Register also commended it for its abundance of educational insights and profound emotions that can only arise from a life of being alone and removed from society.

Adaptations

Stage

The Blue Lagoon (opened 28 August 1920), produced by Basil Dean. The adaptation was by Norman MacOwan and Charlton Mann.

Films

Six films have been based on this novel:

The Blue Lagoon (1923), a silent film directed by William Weston Bowden and Dick Cruickshanks, starring Molly Adair and Arthur Pusey; produced for African Film Productions (lost)

The Blue Lagoon (1949), directed by Frank Launder, starring Jean Simmons and Donald Houston; currently owned by ITV Studios through The Rank Organisation film library

The Blue Lagoon (1980), directed by Randal Kleiser, starring Brooke Shields and Christopher Atkins; released by Columbia Pictures

Pengantin Pantai Biru (1983), an Indonesian adaptation directed by Wim Umboh, starring Meriam Bellina and Sandro Tobing

Return to the Blue Lagoon (1991), directed by William A. Graham, starring Brian Krause and Milla Jovovich; released by Columbia Pictures, sequel to the 1980 adaptation

Blue Lagoon: The Awakening (2012); produced by Sony Pictures Television for Lifetime

Sequels

Following the success of The Blue Lagoon, Stacpoole returned to its South Seas setting with two sequels that extended the story of the shipwrecked children and their descendants. The Garden of God (1923) picks up where the original novel ends, continuing the romantic and adventurous narrative in the island paradise. The Gates of Morning (1925) completes the trilogy as the final installment, further developing themes of isolation and the impact of outside contact on the islanders.

Copyright status

In Australia, Canada, New Zealand, and South Africa, the novel's copyright expired on 1 January 2002. In its country of origin, after the 1995 copyright extension, the copyright expired on 1 January 2022.