The Confession of Isobel Gowdie

The Confession of Isobel Gowdie is a work for large symphony orchestra by the Scottish composer James MacMillan. It is, according to the composer, a Requiem for one Isobel Gowdie, supposedly burnt as a witch in post-Reformation Scotland. Despite the work's depiction of the violent torture and execution of Gowdie, it is actually thought that no torture took place prior to her confession; although it is likely she was executed in 1662 no records exist to confirm it. It was written in 1990 and premiered at that year's Proms concerts in London. It was an instant success, receiving, according to the critic Stephen Johnson, "an ovation the like of which had rarely been seen at a British premiere since the death of Benjamin Britten". The work falls into three major sections: an opening, elegiac string section, followed by a violent middle part (according to Johnson, redolent of "trial, torture or mass hysteria") followed by a return to the more subdued atmosphere of the opening for strings, but this time punctuated by violent outbursts from the full orchestra. It resolves on one note, in a massive crescendo to fffff which bears the hallmark of a similar motif in Alban Berg's Wozzeck.