Overview
The Fire Within ( , lit. "The Manic Fire" or "Will-O'-the-Wisp") is a 1963 drama film written and directed by Louis Malle. It is based on the 1931 novel Will O' the Wisp by Pierre Drieu La Rochelle, which was inspired by the life of poet Jacques Rigaut. The film stars Maurice Ronet and features Léna Skerla, Jean-Paul Moulinot, Bernard Tiphaine, Bernard Noël, Jeanne Moreau (who had previously worked with Ronet and Malle in Elevator to the Gallows), Jacques Sereys, and Alexandra Stewart in supporting roles. The score consists of music composed by Erik Satie and performed by pianist Claude Helffer.
Plot
Alain Leroy has been living and receiving treatment for his alcoholism at Dr. La Barbinais' rehabilitation clinic in Versailles for the past four months. He is separated from his American wife, Dorothy, who is in New York, where he also lived while they were together, and spends his first night away from the clinic to have a tryst with Lydia, one of Dorothy's friends, who is in France for a visit. Lydia tells Alain he is cured and should come back to New York with her, but he does not want to, and, though he says it is "serious", she cannot stay with him due to work obligations, so they part ways.
At the clinic, Alain spends most of his time alone in his room—reading, playing with knickknacks, trying to write, looking out the window, and examining his handgun. Dr. La Barbinais is happy to hear that Alain spent time with a woman and did not drink, and, telling Alain he has been cured for some time, suggests he think about moving out and getting on with his life. When Alain says he will drink again if he leaves the clinic, the doctor tells him that fear will fade with time and encourages him to try to reconcile with Dorothy again. Alain says he will be gone by the end of the week, and, before going to sleep that night, pledges to kill himself the next day.
In the morning, Alain hitches a ride to Paris and cashes a check Lydia gave him, supposedly to repay an old gambling debt. Then, he contacts some old friends and spends the rest of the day having a series of reunions. Dubourg, Alain's former drinking buddy, has settled into a comfortable life with his wife Fanny and her two young daughters, and is writing a book about ancient Egypt. He tries to impress upon Alain the virtues of his predictable, adult existence and invites Alain to move in with him, but Alain, saying he does not want to grow old, refuses.
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