The Other Boleyn Girl — news, coverage & facts — IJR

Cast

Natalie Portman as Anne Boleyn. Portman was attracted to the role because it was a character that she "hadn’t played before", and describes Anne as "strong, yet she can be vulnerable and she's ambitious and calculating and will step on people but also feels remorse for it". One month before filming began, Portman started taking daily classes to master the English accent under dialect coach Jill McCulloch, who also stayed on set throughout the filming. This was her second film to use her English accent after V for Vendetta. She wore hair extensions for the long hair when her hair was short at the time after shaving her head for V for Vendetta.

Scarlett Johansson as Mary Boleyn, Anne and George's sister and Thomas Boleyn and Elizabeth Howard's daughter. She dislikes court life and would much rather live in the countryside. She is first married to William Carey. After his death, she remarries to a man named William Stafford.

Eric Bana as Henry VIII. Bana commented that he was surprised upon being offered the role, and describes the character of Henry as "a man who was somewhat juvenile and driven by passion and greed", and that he interpreted the character as "this man who was involved in an incredibly intricate, complicated situation, largely through his own doing". In preparation for the role, Bana relied mostly on the script to come up with his own version of the character, and he "deliberately stayed away" from other portrayals of Henry in films because he found them "too confusing and restricting".

Jim Sturgess as George Boleyn, Viscount Rochford. Though the three siblings are all very tight-knit, George and Anne are closest. George supports and loves Anne for her rebellious and unconventional attitude. He is forced to marry Jane Parker. George is often viewed as the most vulnerable and probably the kindest of the siblings.

Kristin Scott Thomas as Elizabeth Boleyn, Countess of Wiltshire and Ormond

Mark Rylance as Thomas Boleyn, Earl of Wiltshire and Ormond

David Morrissey as Thomas Howard, Duke of Norfolk

Benedict Cumberbatch as William Carey

Oliver Coleman as Henry Percy, Earl of Northumberland

Ana Torrent as Catherine of Aragon

Eddie Redmayne as William Stafford

Juno Temple as Jane Parker

Iain Mitchell as Thomas Cromwell

Corinne Galloway as Jane Seymour

Constance Stride as young Mary Tudor

Maisie Smith as young Elizabeth Tudor

Alfie Allen as the King's Messenger

Andrew Garfield filmed scenes portraying Francis Weston, but he was ultimately cut from the final film. He retained a credit for his role however.

Critical reception

The film received mixed reviews. Rotten Tomatoes reported an approval rating of 43%, based on 148 reviews, with a weighted average of 5.30/10. The site's general consensus is: "Though it features some extravagant and entertaining moments, The Other Boleyn Girl feels more like a soap opera than historical drama." Metacritic reported the film had an average score of 50 out of 100, based on 34 reviews.

Manohla Dargis of The New York Times called the film "more slog than romp" and an "oddly plotted and frantically paced pastiche." She added, "The film is both underwritten and overedited. Many of the scenes seem to have been whittled down to the nub, which at times turns it into a succession of wordless gestures and poses. Given the generally risible dialogue, this isn’t a bad thing."

Mick LaSalle of the San Francisco Chronicle said, "This in an enjoyable movie with an entertaining angle on a hard-to-resist period of history ... Portman's performance, which shows a range and depth unlike anything she's done before, is the No. 1 element that tips The Other Boleyn Girl in the direction of a recommendation ... [She] won't get the credit she deserves for this, simply because the movie isn't substantial enough to warrant proper attention."

Peter Travers of Rolling Stone stated, "The film moves in frustrating herks and jerks. What works is the combustible teaming of Natalie Portman and Scarlett Johansson, who give the Boleyn hotties a tough core of intelligence and wit, swinging the film's sixteenth-century protofeminist issues handily into this one."

Peter Bradshaw of The Guardian awarded the film three out of five stars, describing it as a "flashy, silly, undeniably entertaining Tudor romp" and adding, "It is absurd yet enjoyable, and playing fast and loose with English history is a refreshing alternative to slow and tight solemnity; the effect is genial, even mildly subversive ... It is ridiculous, but imagined with humour and gusto: a very diverting gallop through the heritage landscape."

Sukhdev Sandhu of The Telegraph said, "This is a film for people who prefer their costume dramas to gallop along at a merry old pace rather than get bogged down in historical detail ... Mining relatively familiar material here, and dramatising highly dubious scenarios, [Peter Morgan] is unable to make the set-pieces seem revelatory or tart ... In the end, The Other Boleyn Girl is more anodyne than it has any right to be. It can't decide whether to be serious or comic. It promises an erotic charge that it never carries off, inducing dismissive laughs from the audience for its soft-focus love scenes soundtracked by swooning violins. It is tasteful but unappetising."

The Other Boleyn Girl

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The Other Boleyn Girl

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