The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of "acquir[ing] a sense of self-worth by denying one's past". The Piano Lesson received the 1990 Pulitzer Prize for Drama, and earned five nominations at the 44th Tony Awards.
A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African-American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self-worth. What The Piano Lesson finally seems to ask is: "What do you do with your legacy, and how do you best put it to use?"
Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great-grandfather's wife and son during the days of their enslavement.
The play was adapted into a television film of the same name in 1995, which won a Peabody Award and received multiple nominations at the Primetime Emmy Awards. It was later adapted again in 2024 for Netflix. The 2013 Off-Broadway production earned four Lucille Lortel Awards and two Obie Awards, while the 2023 revival of the play earned Tony Award nominations for Best Revival of a Play and Best Featured Actor in a Play for Samuel L. Jackson.
Contents
Plot
Act 1
Scene 1: Boy Willie and Lymon arrive in Pittsburgh, Pennsylvania, from Mississippi and enter the Charles' household at five in the morning. They have brought a truck of watermelons to sell. Against Doaker's advice, Boy Willie wakes his sister Berniece, and tells her of Sutter's death. Berniece accuses Boy Willie of shoving Sutter down a well, and she asks him to leave. Instead, Boy Willie wakes Berniece's daughter, Maretha, causing Berniece to run back up the stairs where she sees Sutter's ghost. Lymon notices the piano which Willie intends to sell to buy Sutter's land. Doaker insists that Berniece will not sell the piano, because she refused to sell when Avery brought a buyer to the house. Willie insists that he will convince her. Maretha comes downstairs, and Willie asks her to play the piano. She plays the beginning of a few simple tunes, and he answers her song with a boogie-woogie. Berniece enters with Avery, and Willie asks whether she still has the prospective buyer's name, explaining he came to Pittsburgh to sell the piano. Berniece refuses to listen and walks out.
Scene 2: Wining Boy and Doaker talk in the kitchen when Boy Willie and Lymon enter and claim to have located the piano buyer. Willie's uncles warn him that Sutter will cheat him but Boy Willie refuses to listen. The story behind Lymon and Boy Willie's term in Parchman Prison Farm is revealed. Lymon and Willie both gather different perspectives from their experiences. Lymon wants to flee to the North where he will be better treated, while Willie feels that whites only treat blacks badly if the blacks do not try to stop them. They ask Wining Boy to play the piano, but instead he explains that being seen as nothing more than a piano player became a burden. Doaker then tells the story of the piano's history. Generations earlier, Sutter, their family's slave-owner, broke up a family by selling a mother and child to pay for the piano which he bought for his wife as an anniversary present. The wife was happy with the piano but missed having the slaves, so Sutter had that family's husband/father (who was a carpenter and too valuable to sell), carve their likenesses on the piano. He carved likenesses of his entire history on the piano. In 1911, Boy Willie's father stole the piano from the Sutters; in retaliation he was killed. Willie declares that these are stories of the past and that the piano should now be put to good use. Willie and Lymon attempt to move the piano to test its weight. As soon as they try to move it, Sutter's ghost is heard. Berniece tells Willie to stop and informs him that he is selling his soul for money. Willie refutes her, Berniece blames Crawley's death on Willie, and the two engage in a fight. Upstairs, Maretha is confronted by the ghosts, and she screams in terror.
Act 2
Scene 1: Doaker and Wining Boy are again together in the house alone. Doaker confesses that he saw Sutter's ghost playing the piano and feels that Berniece should discard the piano so as to prevent spirits from traumatizing the Charles family. Wining Boy disagrees. Lymon and Willie walk into the room after a watermelon sale. Wining Boy sells his suit and shoes to Lymon, promising its swooning effects on women. Both Lymon and Willie leave the house in hot pursuit of women.
Scene 2: Later that day as Berniece is preparing for her bath, Avery enters and proposes that Berniece should open up and let go. He tells her that she cannot continue to live her life with Crawley's memory shut inside her. Berniece changes the topic and asks Avery to bless the house, hoping to destroy the spirit of the Sutter ghost. Avery then brings up the piano and tells Berniece she should learn to not be afraid of her family's spirits and play it again. Berniece breaks down her story of her mother's tears and blood mingled with her father's soul on the piano and refuses to open her wounds for everyone to see.
Scenes 3–5: Boy Willie enters the Charles house with Grace and begins to fool around on the couch. Berniece orders them out and opens the door to see Lymon. Lymon is upset over his inability to woo women and begins to talk about women's virtues to Berniece. The two kiss, breaking Berniece's discomfort over Crawley's death, and Berniece heads back upstairs. The next morning, Lymon and Willie try to move the piano out and are stopped by Uncle Doaker. Willie, frustrated, demands that he will sell the piano no matter what. The day to move the piano draws closer. Excited to sell the piano, Willie quickly partakes on his actions without a care of his sister's words. Berniece appears with Crawley's gun, leading Doaker and Avery to urge them to talk it through first. Sutter's presence as a ghost is suddenly revived. Avery attempts to drive the ghost away with his blessings but is not successful. Suddenly, Berniece knows that she must play the piano again as a plea to her ancestors. Finally, the house is led to a calm aura, and Willie leaves to head back to Mississippi. Before leaving however, he reminds Berniece to keep playing on the piano, or he and Sutter will return.
Characters
Doaker Charles: The owner of the Charles household; the uncle of Berniece and Boy Willie. He lives with his niece Berniece and great-niece Maretha. A tall and thin 47-year-old man, Charles recounts the most detailed parts of his lives with his job on the railroad. Doaker plays the role of the storyteller, giving detailed and long accounts of the piano's history. Due to his old age, his connection to the past is expressed through his stories.
"Ain't nobody said nothing about who's right and who's wrong. I was just telling the man about the piano. I was telling him why we say Berniece ain't gonna sell it."
Doaker is also one of the only characters that truly understand Berniece's desire not to sell the piano so that the legacy of their family may remain. He may maintain a neutral view of whether the piano should be kept or sold, but he does prevent Boy Willie from taking the piano and bolting without Berniece's knowledge.
Boy Willie: Berniece's impulsive 30-year-old brother represents the lack of accepting one's past. A sharecropper and recently delivered out of prison from Mississippi, Boy Willie plans to sell the piano and use the earnings to buy the land where his ancestors had formerly toiled. His use of the legacy comes down to practicality; Willie finds the rich culture of his history engraved on the piano through pictures, blood, and tears to be a simple conversion to money. Rather than looking upon his past and accepting it, Boy Willie finds the constant need to prove himself as equal to the white man.
"If my daddy had seen where he could have traded that piano in for some land of his own, it wouldn't be sitting up here now. He spent his whole life farming on somebody else's land. I ain't gonna do that. See, he couldn't do no better. When he come along he ain't had nothing he could build on. His daddy ain't had nothing to give him. The only thing my daddy had to give me was that piano. And he died over giving me that. I ain't gonna let it sit up there and rot without trying to do something with it."
Unable to understand the importance of keeping one's legacy around one to understand and grow from it, Boy Willie only concerns himself with labels and capital. In the last scene of the book, after Berniece calls to the ancestors, Boy Willie finally understands that there is no escape from living his ancestral legacy and the only way to benefit from it is to learn from it.
Productions
The Piano Lesson debuted as a staged reading at the 1986 National Playwrights Conference held at the Eugene O'Neill Theater Center.
The first production opened on November 26, 1987 at the Yale Repertory Theatre. The cast featured Carl Gordon, Samuel L. Jackson, Rocky Carroll, Starletta DuPois, Chenee Johnson, Ylonda Powell, Tommy Hollis, Lou Myers, and Sharon Washington. The production was directed by Lloyd Richards and featured set design by E. David Cosier, Jr., costume design by Constanza Romero, lighting design by Christopher Akerlind, sound design by J. Scott Servheen, and musical direction by Dwight Andrews.
It then opened at the Huntington Theatre Company in Boston on January 9, 1988. Charles S. Dutton assumed Jackson's role. The Piano Lesson was subsequently performed at the Goodman Theatre in Chicago. S. Epatha Merkerson and LisaGay Hamilton assumed DuPois and Washington's roles, respectively. The production then premiered on Broadway with the same cast at the Walter Kerr Theatre on April 16, 1990.
The Piano Lesson was revived off-Broadway in 2012 in a production directed by Ruben Santiago-Hudson and with a cast including Chuck Cooper and Brandon J. Dirden. David Rooney of The Hollywood Reporter wrote that it may well be "the most perfect staging this play will ever receive."
A Broadway revival of the play, directed by LaTanya Richardson Jackson, began previews on September 19, 2022 at the Ethel Barrymore Theatre, starring Samuel L. Jackson, Danielle Brooks, John David Washington, Ray Fisher, Trai Byers, Michael Potts, and April Matthis. The production opened on October 13, 2022, and was performed through January 29, 2023. The production has been praised for its cast, but received some criticism for its direction. According to Gloria Oladipo of The Guardian, "Wilson's seminal work is tonally misread, flattened into a sitcom about a haunted piano versus a family struggling to forge anew amid their past."
Awards and nominations
2013 Off-Broadway production
On April 3, 2013, the production earned six Lucille Lortel Award nominations, winning in four categories on May 5. On April 23, the Off-Broadway production was recognized with Drama League Award nominations for Outstanding Revival of a Broadway or Off-Broadway Play and with two Distinguished Performance Award nominations, but failed to win any awards. The production received an Outer Critics Circle Award nomination. The play earned three 58th Drama Desk Award nominations. On May 7, the show earned a Theatre World Award for Best Debut Performance to be presented on June 3.
Dirden won a 2013 Obie Award for Performance on May 20, while Santiago-Hudson won one for Direction. On May 8, the production was nominated for a 2013 Off-Broadway Alliance Award for Best Play Revival. It was announced as the winner on May 21.
Film adaptations
A Hallmark Hall of Fame TV movie titled The Piano Lesson aired on CBS on February 5, 1995, starring Charles S. Dutton, Alfre Woodard, Carl Gordon, Tommy Hollis, Lou Myers, Courtney B. Vance, Zelda Harris, Rosalyn Coleman, Tommy Lafitteá, Lynne Innerst, Harold Surratt, Elva Branson, Tim Hartman, Ben Tatar, and Alice Eisner. Dutton, Gordon, Hollis, and Myers reprised their roles from the original Broadway production. It was also directed by Lloyd Richards.
On September 30, 2020, it was announced that Denzel Washington was planning to produce a new film adaptation for Netflix with Samuel L. Jackson and John David Washington. Filming was expected to begin Summer 2021 in Pittsburgh. In April 2023, it was reported that Malcolm Washington would direct the film, with a cast featuring Samuel L. Jackson, John David Washington, Ray Fisher, Danielle Deadwyler, Michael Potts, and Corey Hawkins. Jackson, Washington, Fisher, and Potts would reprise their roles from the 2022 Broadway revival.