Thor

Name

The name Thor is derived from Norse mythology. Its medieval Germanic cognates (linguistic siblings from a common origin) are Donar (Old High German), Þunor (Old English), Thuner (Old Frisian), Thunar (Old Saxon), and Þórr (Old Norse), the latter of which inspired the modern English form Thor.

Etymology

Although Old Norse Þórr is monosyllabic, it comes from an earlier Proto-Norse two-syllable form which can be reconstructed as *Þonarr (from *Þunaraz) and/or as *Þunurr (from *Þunuraz), evidenced by the poems Hymiskviða and Þórsdrápa, and by modern Elfdalian tųosdag 'Thursday', through the common Old Norse development of the sequence -unr- to -ór-.

All Germanic forms of Thor's name descend from Proto-Germanic, but its exact early form remains debated. One proposed reconstruction, *Þunuraz is suggested by Elfdalian tųosdag ('Thursday') and by a runic inscription dated to around 700 from Hallbjäns (in Sundre, Gotland), which contains the sequence þunurþurus. Another possibility, *Þunaraz is attractive because it corresponds to the ancient Celtic theonym Taranus, itself arising by metathesis (switch of sounds) of an earlier *Tonaros, attested in the dative tanaro and the Gaulish river name Tanarus. A third proposal, *Þunraz, is appealing in that it clearly containing the sequence -unr-, needed to account for the later Old Norse Þórr, although it no longer perfectly aligns with the Celtic *Tonaros. According to John T. Koch, however, both Germanic *Þunraz and Celtic *Tonaros can still be derived from a common from *ton(a)ros ~ *tn̥ros.

These Proto-Germanic forms can probably further be traced back to the common Proto-Indo-European root for 'thunder' *(s)tenh₂-, also attested in the Latin epithet Tonans (attached to Jupiter) and the Vedic stanáyati ('thunders'). Scholar Peter Jackson argues that those theonyms may have emerged as the result of the fossilization of an original epithet (or epiclesis, i.e. invocational name) of the Proto-Indo-European thunder-god *Perkwunos, since the Vedic weather-god Parjanya is also called stanayitnú- ('Thunderer').

According to Koch, the potential correspondence between the thunder-gods *Þunraz and *Tonaros is notable in the context of early Celtic–Germanic linguistic contacts, especially when added to other inherited terms with thunder attributes, such as *Meldunjaz–*meldo- (from *meldh- 'lightning, hammer of the thunder-god') and *Fergunja–*Fercunyā (from *perkwun-iyā '[wooded] mountains').

Name of the weeks

The English weekday name Thursday comes from Old English Þunresdæg, meaning 'day of Þunor', with influence from Old Norse Þórsdagr. The name is cognate with Old High German Donarestag. All of these terms derive from a Late Proto-Germanic weekday name along the lines of *Þunaresdagaz ('Day of *Þun(a)raz'), a calque of Latin Iovis dies ('Day of Jove'; compare modern Italian giovedì, French jeudi, Spanish jueves). By employing a practice known as interpretatio germanica during the Roman period, ancient Germanic peoples adopted the Latin weekly calendar and replaced the names of Roman gods with their own.

Personal names

Beginning in the Viking Age, personal names containing the theonym Þórr are recorded with great frequency, whereas no examples are known prior to this period. Þórr-based names may have flourished during the Viking Age as a defiant response to attempts at Christianization, similar to the widespread Viking Age practice of wearing Thor's hammer pendants.

Historical attestations

Roman era

The earliest records of the Germanic peoples were recorded by the Romans, and in these works Thor is frequently referred to—via a process known as interpretatio romana (where characteristics perceived to be similar by Romans result in identification of a non-Roman god as a Roman deity)—as either the Roman god Jupiter (also known as Jove) or the Greco-Roman god Hercules.

The first clear example of this occurs in the Roman historian Tacitus's late first-century work Germania, where, writing about the religion of the Suebi (a confederation of Germanic peoples), he comments that "among the gods Mercury is the one they principally worship. They regard it as a religious duty to offer to him, on fixed days, human as well as other sacrificial victims. Hercules and Mars they appease by animal offerings of the permitted kind" and adds that a portion of the Suebi also venerate "Isis". In this instance, Tacitus refers to the god Odin as "Mercury", Thor as "Hercules", and the god Týr as "Mars", and the identity of the Isis of the Suebi has been debated. In Thor's case, the identification with the god Hercules is likely at least in part due to similarities between Thor's hammer and Hercules' club. In his Annals, Tacitus again refers to the veneration of "Hercules" by the Germanic peoples; he records a wood beyond the river Weser (in what is now northwestern Germany) as dedicated to him. A deity known as Hercules Magusanus was venerated in Germania Inferior; due to the Roman identification of Thor with Hercules, Rudolf Simek has suggested that Magusanus was originally an epithet attached to the Proto-Germanic deity *Þunraz.

Post-Roman era

The first recorded instance of the name of the god appears upon the Nordendorf fibulae, a piece of jewelry created during the Migration Period and found in Bavaria. The item bears an Elder Futhark inscribed with the name Þonar (i.e. Donar), the southern Germanic form of Thor's name.

Around the second half of the 8th century, Old English texts mention Thunor (Þunor), which likely refers to a Saxon version of the god. In relation, Thunor is sometimes used in Old English texts to gloss Jupiter, the god may be referenced in the poem Solomon and Saturn, where the thunder strikes the devil with a "fiery axe", and the Old English expression þunorrād ("thunder ride") may refer to the god's thunderous, goat-led chariot.

A 9th-century AD codex from Mainz, Germany, known as the Old Saxon Baptismal Vow, records the name of three Old Saxon gods, UUôden (Old Saxon "Wodan"), Saxnôte, and Thunaer, by way of their renunciation as demons in a formula to be repeated by Germanic pagans formally converting to Christianity.

According to a near-contemporary account, the Christian missionary Saint Boniface felled an oak tree dedicated to "Jove" in the 8th century, the Donar's Oak in the region of Hesse, Germany.

The Kentish royal legend, probably 11th-century, contains the story of a villainous reeve of Ecgberht of Kent called Thunor, who is swallowed up by the earth at a place from then on known as þunores hlæwe (Old English 'Thunor's mound'). Gabriel Turville-Petre saw this as an invented origin for the placename demonstrating loss of memory that Thunor had been a god's name.

Viking age

In the 11th century, chronicler Adam of Bremen records in his Gesta Hammaburgensis Ecclesiae Pontificum that a statue of Thor, who Adam describes as "mightiest", sits in the Temple at Uppsala in the center of a triple throne (flanked by Woden and "Fricco") located in Gamla Uppsala, Sweden. Adam details that "Thor, they reckon, rules the sky; he governs thunder and lightning, winds and storms, fine weather and fertility" and that "Thor, with his mace, looks like Jupiter". Adam details that the people of Uppsala had appointed priests to each of the gods, and that the priests were to offer up sacrifices. In Thor's case, he continues, these sacrifices were done when plague or famine threatened. Earlier in the same work, Adam relays that in 1030 an English preacher, Wulfred, was lynched by assembled Germanic pagans for "profaning" a representation of Thor.

Two objects with runic inscriptions invoking Thor date from the 11th century, one from England and one from Sweden. The first, the Canterbury Charm from Canterbury, England, calls upon Thor to heal a wound by banishing a thurs. The second, the Kvinneby amulet, invokes protection by both Thor and his hammer.

On four (or possibly five) runestones, an invocation to Thor appears that reads "May Thor hallow (these runes/this monument)!" The invocation appears thrice in Denmark (DR 110, DR 209, and DR 220), and a single time in Västergötland (VG 150), Sweden. A fifth appearance may possibly occur on a runestone found in Södermanland, Sweden (Sö 140), but the reading is contested.

Pictorial representations of Thor's hammer appear on a total of five runestones found in Denmark (DR 26 and DR 120) and in the Swedish counties of Västergötland (VG 113) and Södermanland (Sö 86 and Sö 111). It is also seen on runestone DR 48. The design is believed to be a heathen response to Christian runestones, which often have a cross at the centre. One of the stones, Sö 86, shows a face or mask above the hammer. Anders Hultgård has argued that this is the face of Thor. At least three stones depict Thor fishing for the serpent Jörmungandr: the Hørdum stone in Thy, Denmark, the Altuna Runestone in Altuna, Sweden and the Gosforth Cross in Gosforth, England. Sune Lindqvist argued in the 1930s that the image stone Ardre VIII on Gotland depicts two scenes from the story: Thor ripping the head of Hymir's ox and Thor and Hymir in the boat, but this has been disputed.

Post-Viking age

In the 12th century, more than a century after Norway was "officially" Christianized, Thor was still being invoked by the population, as evidenced by a stick bearing a runic message found among the Bryggen inscriptions in Bergen, Norway. On the stick, both Thor and Odin are called upon for help; Thor is asked to "receive" the reader, and Odin to "own" them.

In the Poetic Edda, compiled during the 13th century from traditional source material reaching into the pagan period, Thor appears (or is mentioned) in the poems Völuspá, Grímnismál, Skírnismál, Hárbarðsljóð, Hymiskviða, Lokasenna, Þrymskviða, Alvíssmál, and Hyndluljóð.

In the poem Völuspá, a dead völva recounts the history of the universe and foretells the future to the disguised god Odin, including the death of Thor. Thor, she foretells, will do battle with the great serpent during the immense mythic war waged at Ragnarök, and there he will slay the monstrous snake, yet after he will only be able to take nine steps before succumbing to the venom of the beast:

Afterwards, says the völva, the sky will turn black before fire engulfs the world, the stars will disappear, flames will dance before the sky, steam will rise, the world will be covered in water and then it will be raised again, green and fertile.

In the poem Grímnismál, the god Odin, in disguise as Grímnir, and tortured, starved and thirsty, imparts in the young Agnar cosmological lore, including that Thor resides in Þrúðheimr, and that, every day, Thor wades through the rivers Körmt and Örmt, and the two Kerlaugar. There, Grímnir says, Thor sits as judge at the immense cosmological world tree, Yggdrasil.

In Skírnismál, the god Freyr's messenger, Skírnir, threatens the fair Gerðr, with whom Freyr is smitten, with numerous threats and curses, including that Thor, Freyr, and Odin will be angry with her, and that she risks their "potent wrath".

Thor is the main character of Hárbarðsljóð, where, after traveling "from the east", he comes to an inlet where he encounters a ferryman who gives his name as Hárbarðr (Odin, again in disguise), and attempts to hail a ride from him. The ferryman, shouting from the inlet, is immediately rude and obnoxious to Thor and refuses to ferry him. At first, Thor holds his tongue, but Hárbarðr only becomes more aggressive, and the poem soon becomes a flyting match between Thor and Hárbarðr, all the while revealing lore about the two, including Thor's killing of several jötnar in "the east" and women on Hlesey (now the Danish island of Læsø). In the end, Thor ends up walking instead.

Modern folklore

Tales about Thor, or influenced by native traditions regarding Thor, continued into the modern period, particularly in Scandinavia. Writing in the 19th century, scholar Jacob Grimm records various phrases surviving into Germanic languages that refer to the god, such as the Norwegian Thorsvarme ("Thor's warmth") for lightning and the Swedish godgubben åfar ("The good old (fellow) is taking a ride") as well as the word tordön ("Thor's rumble" or "Thor's thunder") when it thunders. Grimm comments that, at times, Scandinavians often "no longer liked to utter the god's real name, or they wished to extol his fatherly goodness". In Sweden, it was probably as a euphemism that people referred to thunder as "the ride of the god"—*ās-ækia (OWN: *áss-ekja) resulting in the modern Swedish word for thunder—åska.

Thor remained pictured as a red-bearded figure, as evident by the Danish rhyme that yet referred to him as Thor med sit lange skæg ("Thor with his long beard") and the North-Frisian curse diis ruadhiiret donner regiir! ("let red-haired thunder see to that!").

A Scandinavian folk belief that lightning frightens away trolls and jötnar appears in numerous Scandinavian folktales, and may be a late reflection of Thor's role in fighting such beings. In connection, the lack of trolls and ettins in modern Scandinavia is explained as a result of the "accuracy and efficiency of the lightning strokes".

Archaeological record

Hammer pendants, hammer coins, and Eyrarland Statue

Around 1000 pendants in distinctive shapes representing the hammer of Thor have been unearthed in what are today the Nordic countries, England, northern Germany, the Baltic countries, and Russia. Most have very simple designs in iron or silver. Around 100 have more advanced designs with ornaments. The pendants have been found in a variety of contexts (including at urban sites, and in hoards) and occur in a variety of shapes. Similarly, coins featuring depictions of the hammer have also been discovered.

The Eyrarland Statue, a copper alloy figure found near Akureyri, Iceland dating from around the 11th century, may depict Thor seated and gripping his hammer.

Swastikas

The swastika symbol has been identified as representing the hammer or lightning of Thor. Scholar Hilda Ellis Davidson (1965) comments on the usage of the swastika as a symbol of Thor:

The protective sign of the hammer was worn by women, as we know from the fact that it has been found in women's graves. It seems to have been used by the warrior also, in the form of the swastika. ... Primarily it appears to have had connections with light and fire, and to have been linked with the sun-wheel. It may have been on account of Thor's association with lightning that this sign was used as an alternative to the hammer, for it is found on memorial stones in Scandinavia besides inscriptions to Thor. When we find it on the pommel of a warrior's sword and on his sword-belt, the assumption is that the warrior was placing himself under the Thunder God's protection.

Swastikas appear on various Germanic objects stretching from the Migration Period to the Viking Age, such as the 3rd century Værløse Fibula (DR EM85;123) from Zealand, Denmark; the Gothic spearhead from Brest-Litovsk, Belarus; numerous Migration Period bracteates; cremation urns from early Anglo-Saxon England; the 8th century Sæbø sword from Sogn, Norway; and the 9th century Snoldelev Stone (DR 248) from Ramsø, Denmark.

Eponymy and toponymy

Numerous place names in Scandinavia contain the Old Norse name Þórr. The identification of these place names as pointing to religious significance is complicated by the aforementioned common usage of Þórr as a personal name element. Cultic significance may only be assured in place names containing the elements -vé (signifying the location of a vé, a type of pagan Germanic shrine), -hóf (a structure used for religious purposes, see heathen hofs), and -lundr (a holy grove). The place name Þórslundr is recorded with particular frequency in Denmark (and has direct cognates in Norse settlements in Ireland, such as Coill Tomair), whereas Þórshof appears particularly often in southern Norway. Torsö (Thor's Island) appears on the Swedish west coast. Thor also appears in many place names in Uppland.

In English place names, Old English Thunor (in contrast with the Old Norse form of the name, later introduced to the Danelaw) left comparatively few traces. Examples include Thundersley, from *Thunores hlæw and Thurstable (Old English "Thunor's pillar"). F. M. Stenton noted that such place names were apparently restricted to Saxon and Jutish territory and not found in Anglian areas.

In what is now Germany, locations named after Thor are sparsely recorded, but a number of locations called Donnersberg (German "Donner's mountain") may derive their name from the deity Donner, the southern Germanic form of the god's name.

In as late as the 19th century in Iceland, a specific breed of fox was known as holtaþórr ("Thor of the holt"), likely due to the red coat of the breed. In Sweden in the 19th century, smooth, wedge-shaped stones found in the earth were called Thorwiggar ("Thor's wedges"), according to a folk belief that they were once hurled at a troll by the god Thor. (Compare Thunderstones.) Similarly, meteorites may be considered memorials to Thor in folk tradition due to their sheer weight. On the Swedish island of Gotland, a species of beetle (Scarabæus stercorarius) was named after the god; the Thorbagge. When the beetle is found turned upside down and one flips it over, Thor's favor may be gained. In other regions of Sweden the name of the beetle appears to have been demonized with Christianization, where the insect came to be known as Thordedjefvul or Thordyfvel (both meaning "Thor-devil").

In the northwest of Spain, there is a river called Torío in the municipality of Cármenes (León) that take name from the god Thor.

Origin, theories, and interpretations

Thor closely resembles other Indo-European deities associated with the thunder: the Celtic Taranis, the Estonian Taara (or Tharapita), the Baltic Perkūnas, the Slavic Perun, and particularly the Hindu Indra, whose thunderbolt weapon the vajra is an obvious parallels noted already by Max Müller. Scholars have compared Indra's slaying of Vritra with Thor's battle with Jörmungandr. Although in the past it was suggested that Thor was an indigenous sky god or a Viking Age import into Scandinavia, these Indo-European parallels make him generally accepted today as ultimately derived from a Proto-Indo-European deity.

In Georges Dumézil's trifunctional hypothesis of Indo-European religion, Thor represents the second function, that of strength. Dumézil notes that as a result of displacements, he does not lead armies; most of the functions of Indra have been in effect taken over by Odin. Many scholars have noted the association of Thor with fertility, particularly in later folklore and in the reflex of him represented by the Sami Hora galles ("Good-man Thor"). For Dumézil, this is the preservation by peasants of only the side-effect of the god's atmospheric battles: the fertilizing rain. Others have emphasized Thor's close connection to humanity, in all its concerns. Scholar Hilda Ellis Davidson summarizes:

The cult of Thor was linked with men's habitation and possessions, and with the well-being of the family and community. This included the fruitfulness of the fields, and Thor, although pictured primarily as a storm god in the myths, was also concerned with the fertility and preservation of the seasonal round. In our own times, little stone axes from the distant past have been used as fertility symbols and placed by the farmer in the holes made by the drill to receive the first seed of spring. Thor's marriage with Sif of the golden hair, about which we hear little in the myths, seems to be a memory of the ancient symbol of divine marriage between sky god and earth goddess, when he comes to earth in the thunderstorm and the storm brings the rain which makes the fields fertile. In this way Thor, as well as Odin, may be seen to continue the cult of the sky god which was known in the Bronze Age.

Modern influence

In modern times, Thor continues to be referred to in art and fiction. Starting with F. J. Klopstock's 1776 ode to Thor, Wir und Sie, Thor has been the subject of poems in several languages, including Adam Gottlob Oehlenschläger's 1807 epic poem Thors reise til Jotunheim and, by the same author, three more poems (Hammeren hentes, Thors fiskeri, and Thor besøger Hymir) collected in his 1819 Nordens Guder; Thors Trunk (1859) by Wilhelm Hertz; the 1820 satirical poem Mythologierne eller Gudatvisten by J. M. Stiernstolpe; Nordens Mythologie eller Sinnbilled-Sprog (1832) by N. F. S. Grundtvig; the poem Harmen by Thor Thorild; Der Mythus von Thor (1836) by Ludwig Uhland; Der Hammer Thors (1915) by W. Schulte v. Brühl; Hans Friedrich Blunck's Herr Dunnar und die Bauern (published in Märchen und Sagen, 1937); and Die Heimholung des Hammers (1977) by H. C. Artmann. In English he features for example in Henry Wadsworth Longfellow's "The Challenge of Thor" (1863) and in two works by Rudyard Kipling: Letters of Travel: 1892–1913 and "Cold Iron" in Rewards and Fairies. L. Sprague de Camp's Harold Shea met with Thor, as with other Norse gods, in the first of Shea's many fantasy adventures.

Artists have also depicted Thor in painting and sculpture, including Henry Fuseli's 1780 painting Thor Battering the Midgard Serpent; H. E. Freund's 1821–1822 statue Thor; B. E. Fogelberg's 1844 marble statue Thor; Mårten Eskil Winge's 1872 painting Thor's Fight with the Giants; K. Ehrenberg's 1883 drawing Odin, Thor und Magni; several illustrations by E. Doepler published in Wilhelm Ranisch's 1901 Walhall (Thor; Thor und die Midgardschlange; Thor den Hrungnir bekämpfend; Thor bei dem Riesen Þrym als Braut verkleidet; Thor bei Hymir; Thor bei Skrymir; Thor den Fluß Wimur durchwatend); J. C. Dollman's 1909 drawings Thor and the Mountain and Sif and Thor; G. Poppe's painting Thor; E. Pottner's 1914 drawing Thors Schatten; H. Natter's marble statue Thor; and U. Brember's 1977 illustrations to Die Heimholung des Hammers by H. C. Artmann.

In the fields of science and technology, Swedish chemist Jöns Jacob Berzelius (1779–1848) discovered a chemical element that he named after Thor – thorium. Thor is also the namesake of the PGM-17 Thor missile.

In 1962, American comic book artist Jack Kirby, Marvel Comics editor Stan Lee, and his brother Larry Lieber created a feature in the comic book Journey Into Mystery, a series featuring Thor as a superhero. This version of Thor is portrayed as a clean-shaven blonde, instead of red-haired and bearded. The magazine soon added the backup feature "Tales of Asgard" in which Kirby illustrated stories from Norse mythology; eventually, the magazine was retitled Thor. Lee and Kirby included Thor as a founding member of their superhero team the Avengers. Thor has been portrayed in the Marvel Cinematic Universe by Australian actor Chris Hemsworth, appearing in several feature films. Thor has also been featured in comic books by other publishers. In the Savage Dragon comics, Thor is portrayed as a villain. In Neil Gaiman's Sandman comic, Thor is portrayed as a buffoon who wields a tiny toffee hammer.