Tlaxcala (UK: tlə-SKAH-lə, tla-, US: tlah-, Spanish: [tla(ɣ)sˈkala] ), officially Tlaxcala de Xicohténcatl, is the capital city of the Mexican state of Tlaxcala and seat of the municipality of the same name. The city did not exist during the pre-Hispanic period but was laid out by the Spanish as a center of evangelization and governance after the Spanish conquest of the Aztec Empire. The city was designated as a diocese but eventually lost that status to Puebla as its population declined. The city still has many of its old colonial structures, including the former Franciscan monastery, and newer civic structures like the Xicohtencatl Theatre.
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History
The name Tlaxcala most likely comes from a Nahuatl phrase which means "place of corn bread." The Aztec glyph for the Mesoamerican dominion is two hills from which emerge a pair of hands making a tortilla.
The site of the modern city did not have a settlement for most of the pre Hispanic era. The area was ruled by a coalition of four dominions called Tepeticpac, Ocotelolco, Tizatlan and Quiahuiztlan which united in the 14th century to defend themselves against the Aztecs and other enemies. In the fourteenth and fifteenth centuries, Tlaxcala was one of the most important areas of Mesoamerica with commercial ties to the Gulf of Mexico to the Pacific Ocean as well as Central America.
As the Aztec Empire grew, it conquered Tlaxcala's neighbors but left the dominion in order to perform annual ritual combat called the "flower wars" which aimed to not conquer but capture soldiers for sacrifice. The conquest of the surrounding area also cut off Tlaxcala's commerce. This remained the case until the arrival of the Spanish in the early 16th century. Hernán Cortés took advantage of this situation, enlisting the Tlaxcalans as allies against the Aztecs, giving them a base to attack from and regroup after the La Noche Triste when they were initially expelled from Tenochtitlan.
Despite the military alliance of the Tlaxcalans, they did not have a single capital. After the Spanish conquest terminated, the Europeans selected the current site to solidify their hold on the Tlaxcalans as well as have a base for evangelization. The most likely time that the city was founded was spring of 1522. Tlaxcala was the fifth diocese to be established in the Americas and the second in Mexico after Yucatán. The first bishop was Julian Garces and the seat was established in 1527. However, since there was a cathedral in the city of Puebla and not in Tlaxcala, the seat was moved to Puebla in 1539 and has remained there since. The original territory of the diocese included the states of Puebla, Tlaxcala, Veracruz, Tabasco, Hidalgo and Guerrero, but as new diocese were erected, the territory reduced to the present, states of Puebla and Tlaxcala. In 1903, the name of the Diocese of Tlaxcala was changed to the Diocese of Puebla when it became a Metropolitan Archdiocese and in 1959 a new Diocese of Tlaxcala was erected as its suffragan. The Church of the Assumption became the Cathedral of Tlaxcala.
At the time of the Spanish conquest, the Tlaxcala area was heavily populated but with epidemics, emigrations and the construction of the Nochistongo canal to drain the Valley of Mexico, most of the indigenous population disappeared. A document of 1625 states that there were 300,000 in the city in the 16th century but only 700 remained by that time it was written. The city was begun in 1537 with the construction of the San Francisco monastery. The city became the center of Tlaxcala identity during the colonial period. Its commerce was originally centered in the main square but was eventually moved to the outskirts of town. One important project that was traded here was the cochineal insect, used to make red dye. When New Spain was divided into five major provinces, Tlaxcala became the capital of one of them, with roughly the same dimensions as the pre Hispanic coalition of dominions. Tlaxcala was promised certain rights as an ally during the Conquest. When a number of these were not met, a codex was produced here called the Lienzo de Tlaxcala as a complaint to the Spanish Crown. However, despite the complaints, most of the indigenous eventually lost their lands around the city and lost many of their commerce rights in it.
In 1692, a revolt occurred against Governor Manuel de Bustamante y Bustillo due to the scarcity of grain.
The city of Tlaxcala became a municipality in 1813, under the Spanish Constitution of 1812.
French forces were forced out of the city in 1867 after which Tlaxcalan forces went with Porfirio Díaz to liberate Puebla and after that, Querétaro and Mexico City.
During the end of the 19th century, the politics of the city were dominated by Próspero Cahuantzi, who promoted public works such as kiosks, streets, public markets, bridges and government buildings. The city changed from oil lamps to electric light in the historic center, the state government palace was remodeled and the Xicohtencatl Theatre was built. Electricity for the city was generated through a hydroelectric works in a canal on the Los Negros River.
After the Mexican Revolution, the city recovered and began to grow again, reaching a population of 6,000 by 1927. In the mid 20th century, public education was enhanced at the middle and high school levels. More public works were undertaken to give the city the appearance it has today.
The city
The city center is compact and filled with colonial-era buildings painted in colors such as burnt umber, salmon pink and mustard yellow. Most of these buildings are centered on the main square called the Plaza de la Constitución. This square measures 75 metres (246 feet) on each side and was established when the Spanish laid out the city in 1524. The current name was given to the main square in 1813 to honor the Cádiz Constitution as well as the Mexican constitutions of 1857 and 1917. In the center of this square is the Santa Cruz Fountain, which was donated to the city by Philip IV in 1646. There is also a kiosk which was constructed in the 19th century.
The Portal Hidalgo is on the east side of the main square, built as a commercial space in 1550. It is still used as such today, although the structures have been modified since then, as seen in the differences in the columns and sizes of the arches. The city hall was moved from its centuries' old home in the "Casas Reales" to this complex. The interior is dominated by the city council chamber (Salón de Cabildos) along with various municipal offices. On the lower level inside its section of the arches, there is a cultural space called "La Tlaxcalteca" which sells regional handcrafts and other goods as well as books about Tlaxcala's history.
Historic buildings
The Capilla Real de Indias or Royal Indian Chapel was built in the 16th century as a church for indigenous nobility. At the end of the 18th century, a fire destroyed the nave and much of the rest collapsed as a result of an earthquake. The ruins remained abandoned until the structure was restored in 1984 to house the state's judicial branch.
The Casa de Piedras ("Stone House") is located on the southwest corner of the main plaza. It was built in the 16th century as a notary office and home. Its name comes from the solid gray sandstone used in its construction, unique to the area.
Franciscan monastery
The former Franciscan monastery was built between 1537 and 1542, on a hill on the edge of the historic center, away from the main square. It was one of the first four to be built by the Franciscans in the Americas, accredited to Martín de Valencia. The layout of the complex is unusual with the cloister on the left or north side of the church. The church still has its original roof made from large beams of wood. The main nave of the church has one of the few examples of Moorish art in the Americas. It has a large atrium and various chapels, with only two of the atrium chapels remaining. There is a tower located on the outside wall away from the main building. The east atrium is historically important as the site of the first evangelist plays performed in Nahuatl starting in 1537. Today, this cloister area is the Regional Museum of Tlaxcala. The main gateway to the monastery has the coat-of-arms of Castillas and the year 1629, mostly likely to mark the centennial of the monastery's founding. The after its use as a monastery ended, the cloister was used as a military barracks, a hospital and a prison. Only some of its original murals remain. It has been the home of the Regional Museum since 1981. The museum contains five halls dedicated to the history of the state from the pre-Hispanic period to the 19th century and it has two halls for temporary exhibits. The museum also hosts conferences and cultural events. Other services include those related to research. The museum is operated by the Instituto Nacional de Antropología e Historia (INAH) .
The Jorge Aguilar "El Ranchero" Bullring is on a site next to the former monastery. It was one of the first established in Tlaxcala in 1788. In 1817, the current structure was built of adobe and stone. The popularity of the sport spurred a number of ranches dedicated to raising bulls including the Tepeyahualco, Piedras Negras and Mimiahuapan. It is located next to the former monastery and also serves as the site for the annual Tlaxcala Fair.
Events
The city celebrates Carnival starting the Friday before Ash Wednesday, with the burning of an effigy to represent "bad humor" accompanied by funeral music. The following day, the queen of the carnival is selected. The main parade with floats occurs on Tuesday. During the long weekend there are various other events such as dance contests and recitals of traditional dance such as that of the Huehues from the community of Acuitlapilco. On Ash Wednesday, ceremonies end with a hanging of an effigy called "La Octava del Carnaval" Often the image is satirical, and of a person considered worthy of criticism.
The Feria de Todos Santos is an important event, dedicated to the agriculture, handcrafts and industry of the state. It also has cultural events such as concerts, art exhibits and dance as well as regional food and an inaugural parade.
The municipality
The city is the governing authority for itself and fifteen other communities, forming a territory of 41.61 square kilometres (16.07 square miles). It is located in the south of the state, where most of the population is concentrated. It borders the municipalities of Totolac, Apetatitlán de Antonio Carvajal, Tepeyanco, Tetlatlahuca, San Damián Texoloc, San Jerónimo Zacualpan, Chiautempan, La Magdalena Tlaltelulco, Santa Isabel Xiloxoxtla and Panotla. The municipal government consists of a municipal president, an officer called a síndico and seven representatives called regidores.
The municipality has a very low level of socioeconomic marginalization, with no community having a state of medium and high marginalization. There are 23,035 residences as of 2010.
Significant communities outside the municipal seat include Octolán, San Estebán Tizatlán, San Gabriel Cuauhtla, San Hipólito Chimalpa, San Lucas Cuauhtelupan and Santa Maria Acuitlapilco. The Sanctuary of Our Lady of Ocotlán was consecrated in 1854 and in 1905 it was declared the parish church of Ocotlán. In 1907, it was declared a collegiate church and in 1957, it became a minor basilica. The church is in Tlaxcalan Baroque style characterized by the use of tile and red brick. The façade is built to look like an altarpiece and topped with a seashell image. The main entrance is an arch flanked by estipite and Salomonic columns with have images of the doctors of the church, as well as the twelve Apostles. Saint Joseph appears in the arch. Above this is a figure representing the Immaculate Conception and Francis of Assisi. Near this is the choral window in the form of a stylized star. The towers were construction in the latter 18th century with arches and vegetative decoration. The cupola contains four mirrors with the cornice covered in gold leaf. The ante-sacristy has five oil paintings by Manuel Caro done in 1781 depicting scenes of some of the Virgin Mary's appearances. The sacristy has a painting of Saint Joseph by Joaquin Magón from 1754. The Guadalupe chapel to the side has lead figures of the Four Evangelists as well as paintings by Miguel Lucas Bedolla and Manuel Yañez. The image of the virgin is in a Baroque chamber decorated in plasterwork by Francisco Miguel Tlayoltehuanitzin between 1715 and 1740 and eight Salomonic columns.
Geography
The city is located in the central Mexican highlands 2,239 metres (7,346 feet) above sea level, in a valley of the same name, from which the Popocatépetl and Iztaccíhuatl volcanoes can be seen in the distance. The main elevations in the municipality are El Cerro Ostol at 2,460 metres (8,070 feet) and El Cerro Tepepan at 2,320 metres (7,610 feet).
Hydrography
The main river in the municipality is the Zahuapan, which is part of the Balsas River region and the basin of the Atoyac River. Other rivers include the Huizcalotla, Negros, Tlacuetla and Lixcatlat. There are remnants of the former lake of Acuitlapilco as well. Other sources of fresh water include a spring in Acuitlapilco and a stream in Tepehitec which runs during the rainy season.
Flora and fauna
The higher elevations of the municipality have forests of pine, holm oak and white cedar. The mid range elevations are mostly secondary vegetation dominated by bush and low growing trees. The flat areas are dominated by a number of dry tolerate plants such as agave, nopal cactus and grasses. Because of the expansion of the urban area, the municipally only has small mammals such as rabbits, squirrels and opossums, along with some species of birds and reptiles as wildlife.
Climate
The climate is a temperate subtropical highland climate, which is semi-moist with most rain in the summer. The average annual high temperatures is 24.3 °C (75.7 °F) and the average low is 7.2 °C (45.0 °F).




