Toshi Ichiyanagi (一柳 慧, Ichiyanagi Toshi; 4 February 1933 – 7 October 2022) was a Japanese avant-garde composer and pianist. One of the leading composers in Japan during the postwar era, Ichiyanagi worked in a range of genres, composing Western-style operas and orchestral and chamber works, as well as compositions using traditional Japanese instruments. Ichiyanagi is known for incorporating avant-garde techniques into his works, such as chance music, extended technique, and nontraditional scoring. Ichiyanagi was married to artist Yoko Ono from 1956 to 1962.
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Early life and education
Ichiyanagi was born in Kobe on 4 February 1933. He studied composition with Tomojirō Ikenouchi, Kishio Hirao, and John Cage. From 1954 to 1960, Ichiyanagi resided in New York City, where he studied at the Juilliard School and The New School for Social Research.
Ichiyanagi was married to Yoko Ono from 1956 to 1962. His decision to return to Japan, while Ono remained in New York, rendered the marriage untenable.
Career
Returning to Japan in 1960, Ichiyanagi collaborated with the anti-art collective Neo-Dada Organizers.
Many of Ichiyanagi's early scores use graphic notation: Sapporo (1963) is one of the better known examples. Another notable early work is the 1960 composition Kaiki, which combined Japanese instruments, shō and koto, and western instruments, harmonica and saxophone. Another work, Distance (1961), required the performers to play from a distance of three meters from their instruments. Anima 7 (1964) stated that chosen action should be performed "as slowly as possible". In 1963, Ichiyanagi co-founded an avant-garde music collective called New Direction along with fellow composers Takehisa Kosugi, Yūji Takahashi, and Kenji Kobayashi, and others. The group disbanded in the late 1960s when most of its members relocated to New York, while Ichiyanagi remained in Japan.
Ichiyanagi's later works shifted away from experimental means toward more conventional forms, including symphonies, operas and concertos. He was the recipient of the 33rd Suntory Music Award (2001) and the Foundation for Contemporary Arts John Cage Award (2018). He has been honored with Japan's Order of Culture.
Personal life and death
Ichiyanagi's father, Shinji, was a cellist, while his mother, Mitsuko, gave piano lessons in their home and was her son's first piano teacher. After Ichiyanagi's marriage to Yoko Ono ended in 1962, he was married a second time in 1963 to Sumiko Matsuda, a writer, who died in 1993. They had a son, Kei (b. 1964), who is still living as of 2022.
Ichiyanagi died in Tokyo on 7 October 2022, at the age of 89.
Works
As listed in Schott Music catalogue:
Operas
Opera “From the Works of Tadanori Yokoo” (electronic music) (1969)
Hiraizumi Enjo (1989)
The Last Will of Fire (1995)
Momo (1995/98)
Hikari (2002)
Ikuta-gawa Monogatari (2004)
White Nights (2005)
Orchestral works
Asma for piano and orchestra (1962)
The Field for koto and orchestra (1964)
Life Music for modulators, tape and orchestra (1965)
Up To Date Applause for orchestra, rock band and tape (1968)
Chi for noh flute and orchestra (1973)
In the Reflection of Lighting Image for percussion and orchestra (1980)
Piano Concerto No. 1 "Reminiscences of Space" (1981)
Engen for koto and orchestra (1982/86)
Violin Concerto "Circulating Scenery" (1983)
Paganini Personal for marimba and orchestra (1983–86)
Time Surrounding for percussion and orchestra (1984)
Symphony for Chamber Orchestra "Time Current" (1986)
Interspace for string orchestra (1987)
Piano Concerto No. 2 "Winter Portrait" (1987)
Symphony "Berlin Renshi" for soprano, tenor, orchestra (1988)
Voices from the Environment (1989)
Symphonic Movement "Kyoto" (1989)
Concerto for Koto and Chamber Orchestra "The Origin" (1989)
Chamber works
Sonata for violin and piano (1954)
Trio for 2 flutes and harp (1956)
String Quartet (1957)
Stanzas for string instrument(s) (1960)
For Strings (1961)
Duet for piano and string instrument(s) (1961)
Sapporo for any number of players up to fifteen (1962)
Activities for brass instruments (1962)
String Quartet No. 1 (1964)
Modulator for Japanese instruments, string instruments, piano and modulator (1966)
Appearance for 3 players and 2 operators (1967)
Distance for noh flute, noh performer and ensemble (1978)
Scenes I for violin and piano (1978)
Scenes II for violin and piano (1979)
Recurrence for flute, clarinet, percussion, harp, piano, violin and cello (1979)
Wa for 13-string koto, 17-string koto, piano and percussion (1981)
Time in Tree, Time in Water for percussion and piano (1981)
Scenes IV for violin and piano (1981)
Before Darkness Appears for accordion and piano (1981)
Works for keyboard
Music for Piano No. 1 – No. 7 (1959–61)
Piano Media for piano (1972)
Bi no Bi for piano (1975)
Multiple Spaces for organ (1976)
Time Sequence for piano (1976)
Two Existence for 2 pianos (1980)
Cloud Atlas I–X for piano (1985–99)
Inter Konzert for piano (1987)
Piano Nature for piano (1989)
Inexhaustible Fountain for piano (1990)
Dimensions for organ (1990)
Fantasy for organ (1992)
Farewell to... – To the Memory of Luigi Nono for piano (1992)
In Memory of John Cage for piano (1992)
Imaginary Scenes for piano (1995)
Piano Space for piano (2001)
Piano Poem for piano (2003)
Sen no Image no tame ni for 2 pianos (2009)
Piano Craft for piano (2010)
Sonatina for piano (2010)
Paganini Personal for 2 pianos (2011)
Waltz Solemnity for piano (2012)
Works for other instruments
Vein of Sounds for harp (1972)
Arrangements for percussion (1972)
Scenes III for solo violin (1980)
Wind Nuance for flute (1980)
Portrait of Forest for solo marimba (1983)
Cloud Figures for solo oboe (1984)
Wind Trace for 3 keyboard percussion players (1984)
Perspectives for solo violin (1986)
Still Time III for harp (1987)
Wind Stream for flute (1989)
The Source for marimba (1989)
Friends for violin (1990)
Aki o Utu Oto for marimba (1991)
Intoxicant Moon for ondes martenot (1991)
Rhythm Gradation for timpani (1993)
Omniscape for violin (1993)
Generation of Space for double bass (1995)
Still Time IV for flute (1996)
Perspectives II for percussion (1996)
In a Living Memory for flute solo (2000)
Innervoice on the theme of Gagaku for marimba (2001)
Vocal works
Voice Act for mixed chorus and bassoon (1967)
Voice Field for children's chorus and percussion (1973)
Syntax for mixed chorus (1977)
Aru Toki for soprano and piano (1981)
Kinderkreuzzug for mixed chorus (1983)
Kodomo no Jujigun for mixed chorus (1983)
Heso no Uta for children's chorus (1984)
Nadare no Toki for mixed chorus, marimba and piano (1985)
Requiem for male chorus (1985)
Mangetsu no Yoru no Kaiwa for mixed chorus and percussion (1986)
Music for Art Kites for soprano and flute (1989)
Genshiryoku Sensuikan "Onagazame" no Seitekina Kokai to Jisatsu no Uta for mixed chorus (1989)
Song of Morning for female chorus and sho (1991)
Desire for mixed chorus (1992)
Hikari no Toride, Kaze no Shiro for mixed chorus (1992)
White Horse for mixed chorus and tubular bells (1993)
Scenes of Poems I for mixed chorus and cello (1994)
My Song for mezzo-soprano and marimba (1994)
Japanese instrumental works
Ôgenraku for gagaku ensemble, versions with and without shokyo (1980/86)
Enenraku for gagaku ensemble (1982)
Rinkaiiki for solo sangen (1983)
Galaxy for solo sho (1983)
Hikari-nagi for ryuteki and percussion (1983)
Density for shakuhachi, 2 koto and sangen (1984)
Clouds Shore, Wind Roots for reigaku and gagaku ensemble (1984)
Still Time I for solo sho (1986)
Still Time II for solo kugo (ancient harp) (1986)
Reigaku Symphony "The Shadows Appearing through Darkness" (1987)
Katachi naki Mugen no Yoha for solo koto (1987)
Voices of Water for hitsu (1988)
Sensing the Color in the Wind for shakuhachi and 2 kotos (1988)
Prāna for ryuteki, hichiriki, sho, kugo, hensho and dancer (1988)
Transfiguration of the Flower for koto, sangen and shakuhachi (1988)
Water Relativity for hitsu and kin (1989)
Reigaku Symphony No. 2 "Jitsugetsu Byobu Isso - Kokai" (1989)
The Way for 2 ryuteki, 2 hichiriki, 2 sho, shakuhachi, biwa, 2 koto, 2 percussion and female dancer (1990)
Electronic music
Music for Electric Metronomes (1960)
Parallel Music (1962)
Life Music (1966)
Situation for biwa, koto, violin, double bass, piano and multiplier (1966)
Tinguely Mixture No.1, No. 2 (1966)
Extended Voices for voices and synthesizer (1967)
Expansions for rock band and modulators (1969)
Tokyo 1969 for various modulators, street sounds and rock band (1969)
Theater Music (1969)
Mandalama (1969)
Environmental Music 1, 2 and 3 (1970)
Music for Living Space (1970)
The World (1975)
Perspectives for noh dancer, flute, violin, viola, cello, percussion and electronic music (1978)
Transfiguration for harp and electronics (2009)
Theater pieces
Event and Musique Concrète happening (1961)
Pratyāhārā Event (1963–73)
Chair Event happening (1966)
Film scores
Farewell to the Summer Light, directed by Yoshishige Yoshida (1968)
Eros + Massacre, directed by Yoshishige Yoshida (1969)
Heroic Purgatory, directed by Yoshishige Yoshida (1970)
Confessions Among Actresses, directed by Yoshishige Yoshida (1971)
Metastasis, directed by Toshio Matsumoto (1971)
Martial Law directed by Yoshishige Yoshida (1973)
Everything Visible Is Empty, directed by Toshio Matsumoto (1975)
Ātman, directed by Toshio Matsumoto (1975)
Jun, directed by Hiroto Yokoyama (1980)
Wangan Doro, directed by Yōichi Higashi (1984)
Saya: Perspective in Love, directed by Seiji Izumi (1986)
