Turandot

Turandot (1762) is a commedia dell'arte play by Count Carlo Gozzi after a supposedly Persian story from the collection Les Mille et un jours (1710–1712) by François Pétis de la Croix (not to be confused with One Thousand and One Nights). Gozzi's Turandot was first performed at the Teatro San Samuele, Venice, on 22 January 1762. Gozzi's play has given rise to a number of subsequent artistic endeavours, including combinations of: versions/translations by Friedrich Schiller, Karl Vollmöller and Bertolt Brecht; theatrical productions by Johann Wolfgang von Goethe, Max Reinhardt and Yevgeny Vakhtangov; incidental music by Carl Maria von Weber, Ferruccio Busoni and Wilhelm Stenhammar; and operas by Busoni, Giacomo Puccini and Havergal Brian. Original play and performance Turandot was written deliberately in the Commedia dell'arte style by Gozzi, as part of a campaign in his literary war against the bourgeois, realistic works of Pietro Chiari and Carlo Goldoni. Gozzi was intimate with the out-of-work theatre troupe of Antonio Sacchi, an inveterate commedia Truffaldino. It was first performed by Sacchi's troupe at the Teatro San Samuele in Venice on 22 January 1762, and received seven subsequent performances. The choice of theatre itself was a pointed attack on Goldoni, since he had been the theatre's director between 1737–1741. In the end, Gozzi won his literary war: according to his Memoirs, "Chiari stopped writing when he saw that his dramas ceased to take. Goldoni went to Paris, to seek his fortune there, whereof we shall be duly informed in his Memoirs."