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“Through the figures of lesbian vampress and her human romantic interest, the author examines the promises of female empowerment and agency, transformations of class and gender relations, release from the bonds of patriarchy and a consequent quest for women's liberated identity.”
“The reason good women like me and flock to my pictures is that there is a little bit of vampire instinct in every woman.”
“You must understand that it is little rest a vampire gets on earth, with so many fine young fellows like yourself going about everywhere eager to be destroyed.”
“Most vampires, I’ve discovered, are men, for some reason. I guess it’s because Dracula, people are kind of feeding off that.”
“She [Susan] is very lovely, Mr. Mears — very toothsome if I may be permitted a small bon mot.”
“The world is coming down around our ears and you're sticking at a few vampires.”
Quotes via Wikiquote (CC BY-SA), each with its original source.
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Love and Pain is an 1895 painting by Edvard Munch; it has also been called Vampire, though not by Munch. The painting depicts a man and woman embracing, with the woman kissing the man on his neck. Munch painted six different versions of the same subject between 1893 and 1895. Three versions are in the collection of the Munch Museum in Oslo, one is held by the Gothenburg Museum of Art, one is owned by a private collector, and the final work is unaccounted for. Munch painted several additional versions and derivatives of the work later in his career.
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