Paintings and drawings
Waleria was a miniaturist, painting portraits and religious subjects. She often signed her works "V. T.", and depicted miniatures on ivory, usually with watercolour, sometimes with gouache and watercolour or only gouache. Her paintings are often miniature copies of paintings by other painters, and portraits of family members.
Madonna w białym welonie (Madonna in white veil; She may be the artist of the copy of a lost painting by Giovanni Battista Salvi zw. the Sassoferrato)
Madonna w błękitnej chuście (Madonna in blue scarf)
Aleksandra z Tarnowskich Stroynowska (Waleria’s mother)
Jan Bohdan Tarnowski (Waleria's son in children's age)
Ks. Julian Antonowicz (father Antonowicz was Waleria’s husband's tutor and friend of both)
Marianna z Tarnowskich hr. Scipio del Campo
Rozalia Tarnowska (1803-1804, Waleria’s daughter)
Portret Anny z Rakowskich hr. Bystry (c. 1805)
Portret Joanny Grudzińskiej (portrait of wife of Grand Duke Konstantin Pavlovich)
Portret Jana Feliksa Tarnowskiego (several miniatures with husband's effigy)
Portret Waleryana Stroynowskiego (Waleria’s father portrait)
Portret kobiety z książką (The woman's portrait with book (the copy of painting by painter from Netherlandic school in collection of Dzików Castle in Tarnobrzeg)
Król Stefan Batory (King Stefan Batory)
Konstanty Iwanowicz ks. Ostrogski (father-in-law of Zofia, daughter of hetman Jan Tarnowski)
Napoleon I (as consul, miniature from 1804, on basis of the portrait by J. B. Isabey, lent by Letycja Buonaparte, which so pleased miniature, that she gave to medallion with her son's curl)
Józefina de Beauhernais (Napoleon's wife)
Magdalena pokutująca (Suffering Magdalene with skull and parchment)
Maria Magdalena (with book and dish on balm)
Zofia z Czartoryskich Zamoyska
Izabela z Flemingów ks. Czartoryska
Portret Jana Tarnowskiego (Hetman's portrait)
Antonina Anna Krasińska (Zygmunt Krasiński grandmother)
Portret Kryglerowej po hiszpańsku (Portrait Kryglerowej in Spanish)
Józefa Czarnecka
Czystość Józefa (Joseph's cleanness, the copy of painting by Carlo Cagnacci)
Rysunek Proroka (Prophet, drawing)
Stanisław Żółkiewski (drawing in yew frame)
Święty Bernard (Saint Bernard)
Chrystus (Christ, Salvator Mundi, the copy of painting by Guido Reni)
Psyche i kupido (Psyche and cupid)
Projekt monumentu zwieńczonego hełmem (The project of monument topped with helmet, 1824)
Before World War II, Waleria's miniatures, paintings and drawings were in family collections in Dzików Castle, Chorzelów, Rudnik nad Sanem, and Wiśniowa (the residence of the Mycielski family). Post-war, her work can be found in collections at the Polish Museum, Rapperswil, the National Museum in Warsaw and Cracow, the Castle Museum in Pszczyna and the Jagiellonian Library (drawings).
