In folklore, a will-o'-the-wisp, or will-o'-wisp (Latin: ignis fatuus, "foolish flame"), is an atmospheric ghost light seen by travellers at night, especially over bogs, swamps, or marshes.
In folklore, will-o'-the-wisps are typically attributed as ghosts, fairies or elemental spirits meant to reveal (or conceal) a path or direction. These wisps are portrayed as dancing or flowing in a static form, until noticed or followed, in which case they visually fade or disappear. Modern science explains the light aspect as natural phenomena such as bioluminescence or chemiluminescence, caused by the oxidation of phosphine (PH3), diphosphane (P2H4) and methane (CH4), produced by organic decay.
Contents
Nomenclature
Etymology
The term will-o'-the-wisp comes from wisp, a bundle of sticks or paper sometimes used as a torch and the name 'Will', thus meaning 'Will of the torch'. The term jack-o'-lantern ('Jack of the lantern') originally referred to a will-o'-the-wisp. In the United States, they are often called spook-lights, ghost-lights, or orbs by folklorists.
The phenomenon is known in the United Kingdom by a variety of names, including jack-o'-lantern, friar's lantern, and hinkypunk, and is said to mislead and/or guide travellers by resembling a flickering lamp or lantern. Equivalents of the will-o'-the-wisps appear in European folklore by various names, e.g., ignis fatuus in Latin, feu follet in French, Irrlicht or Irrwisch in Germany, dwaallicht in The Netherlands and fuoco fatuo in Italy. Equivalents occur in traditions of cultures worldwide (cf. § Global terms); e.g., the Naga fireballs on the Mekong in Thailand. In North America the phenomenon is known as the Paulding Light in Upper Peninsula of Michigan, the Spooklight in Southwestern Missouri and Northeastern Oklahoma, and St. Louis Light in Saskatchewan.
The Latin name ignis fatuus is composed of ignis, meaning 'fire' and fatuus, an adjective meaning 'foolish', 'silly' or 'simple'; it can thus be literally translated into English as 'foolish fire' or more idiomatically as 'giddy flame'. Despite its Latin origins, the term ignis fatuus is not attested in antiquity, and the name for the will-o'-the-wisp used by the ancient Romans is uncertain. The term is not attested in the Middle Ages either. Instead, the Latin ignis fatuus is documented no earlier than the 16th century in Germany, where it was coined by a German humanist, and appears to be a free translation of the long-existing German name Irrlicht ('wandering light' or 'deceiving light') conceived of in German folklore as a mischievous spirit of nature; the Latin translation was made to lend the German name intellectual credibility.
Beside Irrlicht, the will-o'-the-wisp has also been called in German Irrwisch (where Wisch translates to 'wisp'), as found in e.g. Martin Luther's writings of the same 16th century.
In Irish, it is called tine ghealáin ('flashing fire') or Seán na Gealaí ('Jack of the Moon'), a name linked to the legend of Stingy Jack and the jack o' lantern.
Synonyms
The names will-o'-the-wisp and jack-o'-lantern are used in etiological folk-tales, recorded in many variant forms in Ireland, Scotland, England, Wales, Appalachia, and Newfoundland.
Folk belief attributes the phenomenon explicitly in the term hob lantern or hobby lantern (var. 'Hob and his Lantern', 'hob-and-lanthorns"). In her book A Dictionary of Fairies, K. M. Briggs provides an extensive list of other names for the same phenomenon, though the place where they are observed (graveyard, bogs, etc.) influences the naming considerably. When observed in graveyards, it is known as a ghost candle or corpse candle.
Folklore
Americas
Mexico has equivalents. Folklore explains the phenomenon to be witches who transformed into these lights. Another explanation refers to the lights as indicators to places where gold or hidden treasures are buried which can be found only with the help of children. In this one, they are called luces del dinero (money lights) or luces del tesoro (treasure lights).
The swampy area of Massachusetts known as the Bridgewater Triangle has folklore of ghostly orbs of light, and there have been modern observations of these ghost-lights in this area as well.
The fifollet (or feu-follet) of Louisiana derives from the French. The legend says that the fifollet is a soul sent back from the dead to do God's penance, but instead attacks people for vengeance. While it mostly takes part in harmless mischievous acts, the fifollet sometimes sucked the blood of children. Some legends say that it was the soul of a child who died before baptism.
Boi-tatá (Portuguese pronunciation: [bojtaˈta]) is the Brazilian equivalent of the will-o'-the-wisp. Regionally it is called Boitatá, Baitatá, Batatá, Bitatá, Batatão, Biatatá, M'boiguaçu, Mboitatá and Mbaê-Tata. The name comes from the Old Tupi language and means "fiery serpent" (mboî tatá). Its great fiery eyes leave it almost blind by day, but by night, it can see everything. According to legend, Boi-tatá was a big serpent which survived a great deluge. A "boiguaçu" (cave anaconda) left its cave after the deluge and, in the dark, went through the fields preying on the animals and corpses, eating exclusively its favourite morsel, the eyes. The collected light from the eaten eyes gave "Boitatá" its fiery gaze. Not really a dragon but a giant snake (in the native language, boa or mboi or mboa).
In Argentina and Uruguay, the will-o'-the-wisp phenomenon is known as luz mala (evil light) and is one of the most important myths in both countries' folklore. This phenomenon is quite feared and is mostly seen in rural areas. It consists of an extremely shiny ball of light floating a few inches from the ground.
In Paraguay, will-o'-the-wisps are interpreted in popular tradition as indicators of the so-called plata yvyguy, referring to goods buried underground that are believed to have been hidden both by the Jesuits after their expulsion in 1767 and during the Paraguayan War (1864–1870). According to popular belief, the nocturnal appearance of a brief, moving flame, which travels from one place to another and extinguishes at a specific point, marks the exact location where such a treasure is buried
Asia
Aleya (or marsh ghost-light) is the name given to a strange light phenomenon occurring over the marshes as observed by Bengalis, especially the fishermen of Bangladesh and West Bengal. This marsh light is attributed to some kind of marsh gas apparitions that confuse fishermen, make them lose their bearings, and may even lead to drowning if one decided to follow them moving over the marshes. Local communities in the region believe that these strange hovering marsh-lights are in fact ghost-lights representing the ghosts of fisherman who died fishing. Sometimes they confuse the fishermen, and sometimes they help them avoid future dangers. Chir batti (ghost-light), also spelled "chhir batti" or "cheer batti", is a dancing light phenomenon occurring on dark nights reported from the Banni grasslands, its seasonal marshy wetlands and the adjoining desert of the marshy salt flats of the Rann of Kutch Other varieties (and sources) of ghost-lights appear in folklore across India, including the Kollivay Pey of Tamil Nadu, the Kolli Devva of Karnataka, the Kuliyande Choote of Kerala, and many variants from different tribes in Northeast India. In Kashmir, the Bramrachokh carries a pot of fire on its head.
Similar phenomena are described in Japanese folklore, including hitodama (人魂; literally "Human Soul" as a ball of energy), hi no tama ("ball of flame"), aburagae, koemonbi (小右衛門火), ushionibi, etc. All these phenomena are described as associated with graveyards. Kitsune, mythical yokai demons, are also associated with will 'o the wisp, with the marriage of two kitsune producing kitsune-bi (狐火), literally meaning 'fox-fire'. These phenomena are described in Shigeru Mizuki's 1985 book Graphic World of Japanese Phantoms (妖怪伝 in Japanese).
In Korea the lights are associated with rice paddies, old trees, mountains or even in some houses and were called 'dokkebi bul' (도깨비 불), meaning goblin fire (or goblin light). They were deemed malevolent and impish, as they confused and lured passersby to lose their way or fall into pits at night.
The earliest Chinese reference to a will-o'-the-wisp appears to be the Chinese character 粦 lín, attested as far back as the Shang dynasty oracle bones, depicting a human-like figure surrounded by dots presumably representing the glowing lights of the will-o'-the-wisp, to which feet such as those under 舞 wǔ, 'to dance' were added in bronze script. Before the Han dynasty the top had evolved or been corrupted to represent fire (later further corrupted to resemble 米 mǐ, rice), as the small seal script graph in a dictionary Shuowen Jiezi, compiled in the Han dynasty, shows. The dictionary explained that it was "ghost fire" coming from dead men, horses and cattle during wars and their blood turned into this kind of fire after many years. Although no longer in use alone, 粦 lín is in the character 磷 lín phosphorus, an element involved in scientific explanations of the will-o'-the-wisp phenomenon, and is also a phonetic component in other common characters with the same pronunciation.
Europe
In European folklore the lights are often believed to be the spirits of un-baptised or stillborn children, flitting between heaven and hell (purgatory).
In Germany there was a belief that an Irrlicht was the soul of an unbaptised child, but that it could be redeemed if the remains are first buried near the eaves of the church, so that at the moment rainwater splashes onto this grave, the churchman could pronounce the baptismal formula to sanctify the child.
In Sweden also, the will-o'-the-wisp represents the soul of an unbaptised person "trying to lead travellers to water in the hope of being baptized".
Danes, Finns, Swedes, Estonians, Latvians, Lithuanians, and Irish people and other groups believed that a will-o'-the-wisp also marked the location of a treasure deep in ground or water, which could be taken only when the fire was there. Sometimes magical procedures, and even a dead man's hand, were required as well, to uncover the treasure. In Finland and several other northern countries, it was believed that early autumn was the best time to search for will-o'-the-wisps and treasures below them. It was believed that when someone hid treasure in the ground, he made the treasure available only at the summer solstice (Midsummer, or Saint John's Day), and set a will-o'-the-wisp to mark the exact place and time so that he could reclaim the treasure.
The Aarnivalkea (also known as virvatuli, aarretuli and aarreliekki), in Finnish mythology, are spots where an eternal flame associated with will-o'-the-wisps burns. They are claimed to mark the places where faerie gold is buried. They are protected by a glamour that would prevent anyone finding them by pure chance. However, if one finds a fern seed from a mythical flowering fern, the magical properties of that seed will lead the fortunate person to these treasures, in addition to providing one with a glamour of invisibility. Since in reality the fern produces no flower and reproduces via spores under the leaves, the myth specifies that it blooms only extremely rarely.
In the original British tales, protagonists named either Will or Jack are doomed to haunt the marshes with a light for some misdeed. One version from Shropshire is recounted by Briggs in A Dictionary of Fairies and refers to Will the Smith. Will is a wicked blacksmith who is given a second chance by Saint Peter at the gates of heaven, but leads such a bad life that he ends up being doomed to wander the earth. The Devil provides him with a single burning coal with which to warm himself, which he then uses to lure foolish travellers into the marshes.
Oceania
The Australian equivalent, known as the Min Min light is reportedly seen in parts of the outback after dark. The majority of sightings are reported to have occurred in the Channel Country region.
Stories about the lights can be found in aboriginal myth pre-dating western settlement of the region and have since become part of wider Australian folklore. Indigenous Australians hold that the number of sightings has increased alongside the increasing ingression of Europeans into the region. According to folklore, the lights sometimes followed or approached people and have disappeared when fired upon, only to reappear later on.
Scientific explanations
Scientists propose that will-o'-the-wisp phenomena (ignis fatuus) are caused by the oxidation of phosphine (PH3), diphosphane (P2H4), and methane (CH4). These compounds, produced by organic decay, can cause photon emissions. Since phosphine and diphosphane mixtures spontaneously ignite on contact with the oxygen in air, only small quantities of it would be needed to ignite the much more abundant methane to create ephemeral fires. Furthermore, phosphine produces phosphorus pentoxide as a by-product, which forms phosphoric acid upon contact with water vapor, which can explain "viscous moisture" sometimes described as accompanying ignis fatuus.
Historical explanations
The idea of the will-o'-the-wisp phenomena being caused by natural gases can be found as early as 1596, as mentioned in the works of Ludwig Lavater. In 1776 Alessandro Volta first proposed that natural electrical phenomena (like lightning) interacting with methane marsh gas may be the cause of ignis fatuus. This was supported by the British polymath Joseph Priestley in his series of works Experiments and Observations on Different Kinds of Air (1772–1790); and by the French physicist Pierre Bertholon de Saint-Lazare in De l'électricité des météores (1787).
Early critics of the marsh gas hypothesis often dismissed it on various grounds including the unlikeliness of spontaneous combustion, the absence of warmth in some observed ignis fatuus, the odd behavior of ignis fatuus receding upon being approached, and the differing accounts of ball lightning (which was also classified as a kind of ignis fatuus). An example of such criticism is found in Folk-Lore from Buffalo Valley (1891) by the American anthropologist John G. Owens.
The apparent retreat of ignis fatuus upon being approached might be explained simply by the agitation of the air by nearby moving objects, causing the gases to disperse. This was observed in the very detailed accounts of several close interactions with ignis fatuus published earlier in 1832 by Major Louis Blesson after a series of experiments in various localities where they were known to occur. Of note is his first encounter with ignis fatuus in a marshland between a deep valley in the forest of Gorbitz, Newmark, Germany. Blesson observed that the water was covered by an iridescent film, and during day-time, bubbles could be observed rising abundantly from certain areas. At night, Blesson observed bluish-purple flames in the same areas and concluded that it was connected to the rising gas. He spent several days investigating the phenomenon, finding to his dismay that the flames retreated every time he tried to approach them. He eventually succeeded and was able to confirm that the lights were indeed caused by ignited gas. The British scientist Charles Tomlinson in On Certain Low-Lying Meteors (1893) described Blesson's experiments.
Blesson also observed differences in the colour and heat of the flames in different marshes. The ignis fatuus in Malapane, Upper Silesia (now Ozimek, Poland) could be ignited and extinguished, but were unable to burn pieces of paper or wood shavings. Similarly, the ignis fatuus in another forest in Poland coated pieces of paper and wood shavings with an oily viscous fluid instead of burning them. Blesson also accidentally created ignis fatuus in the marshes of Porta Westfalica, Germany, while launching fireworks.
Literature and popular culture
Two will-o'-the-wisps feature as characters in Goethe's short story "The Green Snake and the Beautiful Lily."
In Jules Verne's The Child of the Cavern (1877), mysterious lights known as the "Fire-Maidens" appear throughout the novel, particularly in the chapter of the same name. Some characters believe them to be supernatural beings from Scottish folklore, while others insist that the lights have a natural, scientific explanation, contrasting folklore with rational inquiry.
A character based on will-o'-the-wisps features in Animal Crossing: New Horizons.




