William Dudley (4 March 1947 – 31 May 2025) was a British theatre designer.
Contents
Background
Dudley was the son of William Stuart Dudley and his wife Dorothy Irene (née Stacey). He attended Highbury Grammar School.
He was educated at Saint Martin's School of Art and the Slade School of Art. He was a member of the Society of British Theatre Designers. He was married to the theatre director Lucy Bailey.
National Life Stories conducted an oral history interview (C1173/27) with Dudley in 2007–2008 for its An Oral History of Theatre Design collection held by the British Library.
Dudley died from complications of dementia on 31 May 2025, at the age of 78.
Career
Dudley designed his first production in October 1970, Hamlet for Nottingham Playhouse. Since then, he has designed the following productions:
The Duchess of Malfi (Royal Court) – 1971
Man Is Man, Bertolt Brecht (Royal Court) – 1971
Anarchist (Royal Court Upstairs) – 1971
Tyger (co-designed for the National Theatre) – July 1971
Cato Street (Young Vic) – 1971
The Good Natur'd Man (National) – 1971
Live Like Pigs (Royal Court Upstairs) – 1972
I Claudius (Queen's Theatre) – 1972
The Baker, the Baker's Wife and the Baker's Boy (Newcastle) – 1972
Rooted (Hampstead Theatre) – March 1973
Magnificence; Sweet Talk and The Merry-Go-Round (Royal Court) – 1973
Ashes (Open Space) – January 1974
The Corn is Green (Watford Palace) – 1974
Twelfth Night, director Peter Gill (RSC Stratford) – August 1974
Harding's Luck (Greenwich Theatre) – December 1974
Fish in the Sea (Half Moon Theatre) – February 1975
As You Like It (Nottingham Playhouse) – 1975
The Fool (Royal Court) – 1975
The Norman Conquests (Berlin) – 1976
Small Change, Peter Gill (Royal Court) – July 1976
As You Like It (opening of Riverside Studios) – May 1976
Ivanov, director David Jones (RSC Aldwych Theatre) – September 1976
The Cherry Orchard, director Peter Gill, (Riverside Studios) – January 1978
That Good Between Us (RSC Donmar Warehouse) – July 1977
Lavender Blue (National, Cottesloe) – November 1977
Touched (Nottingham Playhouse at the Old Vic) – September 1977
The World Turned Upside Down (National, Cottesloe) – 2 November 1978
Has 'Washington' Legs? (National, Cottesloe) – 29 November 1978
Billy Budd (The Metropolitan Opera House, New York) – 1978
Dispatches (National, Cottesloe) – 6 June 1979
Undiscovered Country (National, Olivier) – 20 June 1979
Lark Rise to Candleford (National, Cottesloe) – 1979
The Tales of Hoffman by Offenbach (dir. John Schlesinger) Royal Opera House – 1980
Don Quixote (National, Olivier) – 1982
Schweyk in the Second World War, Bertolt Brecht (National, Olivier) – 1982
Small Change (National, Cottesloe) – 1983
Cinderella, Pantomime (National, Lyttelton) – December 1983
The Ring Cycle by Richard Wagner (dir. Peter Hall con. Georg Solti) Bayreuth Festival – 1983
The Mysteries: Doomsday/The Nativity/The Passion, designed and lit (National, Cottesloe; Lyceum Theatre) – 1985
The Party (RSC The Pit) – 1985
Richard III (RSC Barbican Theatre) – 1985
Today (RSC The Pit) – 1985
Mutiny, David Essex musical (Piccadilly Theatre) – 1985
The Critic/The Real Inspector Hound (National, Olivier) – 1985
Edmond, David Mamet (Royal Court) – 1985
The Merry Wives of Windsor (RSC Barbican Theatre) – 1986 and 1987
Futurists (National, Cottesloe) – 1986
Prairie du Chien/The Shawl (Royal Court Upstairs) – 1986
Kafka's Dick (Royal Court) – 1986
Country Dancing (RSC The Pit) – 1987
Richard II (RSC Barbican Theatre) – 1987
Entertaining Strangers (National, Cottesloe) – 1987
Girlfriends, Howard Goodall musical (Playhouse Theatre) – 1987
Waiting for Godot (National, Lyttelton) – 1987
Cat on a Hot Tin Roof (National, Lyttelton) – 1988
The Shaughran (National, Olivier) – 1988 and 1989
The Changeling (National, Lyttelton) – 1988
The Father, August Strindberg (National, Cottesloe) – 1988
The Voysey Inheritance (National, Cottesloe) – 1989
Cat on a Hot Tin Roof (dir Howard Davies) New York – 1990
Cunning Little Vixen by Janáček (dir. Bill Bryden) Royal Opera House - June 1990
The Ship (dir. Bill Bryden) Harland and Wolf Shipyard, Glasgow – 1990
Lucia di Lammermoor by Donizetti (dir. Andrei Serban) Lyric Opera, Chicago – November 1990
Pygmailion by George Bernard Shaw (dir.Howard Davies) NT Olivier – April 1992
Heartbreak House by George Bernard Shaw (dir. Trevor Nunn) Haymarket, London – June 1992
The Rise and Fall of Little Voice by Jim Cartright (dir. Sam Mendes) NT Cottesloe – 1992
The Big Picnic (dir. Bill Bryden) Harland and Wolf Shipyard, Glasgow – 1994
My Night with Reg by Kevin Elyot (dir. Roger Michell) Royal Court, London – 1994
Persuasion by Jane Austen (Film) (dir. Roger Michell) BBC – 1995 (BAFTA for design)
Some Sunny Day by Martin Sherman (dir. Roger Michell) Hampstead Theatre – 1996
Mary Stuart by Friedrich von Schiller (dir Howard Davies) National Lyttelton – March 1996
The Alchemist by Ben Johnson (dir. Bill Alexander) Birmingham Rep/NT Olivier – October 1996
The Homecoming by Harold Pinter (dir. Roger Michell) National Theatre, Lyttelton – Jan 1997
Dance of the Vampires (dir. Roman Polanski) Raimund Theatre, Vienna – October 1997
The London Cuckolds by Edward Ravenscroft (dir Terry Johnson) National Lyttelton – February 1998
Cleo, Camping, Emmanuel and Dick by Terry Johnson (dir Terry Johnson) National Lyttelton – September 1998
Lenny (dir Peter Hall) Queens Theatre – July 1999
Amadeus (dir Peter Hall) Old Vic – October 1998; New York – 1999
Rose Theatre Interactive Exhibition Bankside, London – 1999
The Silver Tassie – Sean O'Casey – Mark Anthony Turnage (dir. Bill Bryden) ENO – February 2000
Blue/Orange by Joe Penhall (dir Roger Michell), National Cottesloe – April 2000; Duchess Theatre – April 2001
All My Sons by Arthur Miller (dir Howard Davies) National Lyttelton – July 2000; National Lyttelton – August 2001
Entertaining Mr Sloane (dir Terry Johnson ) Arts Theatre – January 2001
The York Realist (written and dir Peter Gill) Royal Court – January 2002; Strand Theatre – March 2002
The Coast of Utopia: Voyage/Shipwreck/Salvage, trilogy by Tom Stoppard (dir Trevor Nunn) National – August 2002
The Breath of Life by David Hare (dir Howard Davies) Theatre Royal Haymarket – October 2002
Honour by Joanna Murray-Smith (dir Roger Michell) National Cottesloe – 2003
Hitchcock Blonde (written and dir Terry Johnson) Royal Court and Lyric Theatre – 2003
The Permanent Way by David Hare (dir Max Stafford Clark) National Cottesloe – January 2004 [1]
Cyrano de Bergerac (dir Howard Davies) National Olivier – April 2004
Old Times by Harold Pinter (dir Roger Michell) Donmar Warehouse – July 2004
The Woman in White musical by Andrew Lloyd Webber (dir Trevor Nunn) Palace Theatre – September 2004; New York – 2005
Titus Andronicus (dir Lucy Bailey) Shakespeare's Globe – 2006
Giant By Anthony Sher - Hampstead Theatre, London – 2007
The Last Confession by Roger Crane (dir. David Jones) Chichester Festival Theatre – 2007
Peter Pan 360 (dir. Ben Harrison) Kensington Gardens, London – 2009
End of the Rainbow by Peter Quilter (dir.Terry Johnson) Trafalgar Studios, London – 2010
The Beggar's Opera (dir Lucy Bailey) Open Air Theatre, Regent's Park – 2011
Fortune's Fool (dir Lucy Bailey) The Old Vic – 2013.
Fings Ain't Wot They Used T'be' by Frank Norman/Lionel Bart (dir.Terry Johnson) Theatre Royal, Stratford East – 2014
Sunday in the Park with George, (dir. Lee Blakeley) Théâtre du Châtelet, Paris – April 2013
Gaslight by Patrick Hamilton (dir. Lucy Bailey) Royal and Derngate, Northampton – 2015
The Rehearsal by Jean Anouilh (dir. Jeremy Sams) CFT, Minerva – May 2015
Ross by Terence Rattigan (dir. Adrian Noble) Chichester Festival Theatre – June 2016
Comus by John Milton (dir. Lucy Bailey) Sam Wanamaker Playhouse – October 2016
For Services Rendered by W Somerset Maugham (dir. Howard Davies) CFT, Minerva – August 2015
Witness for the Prosecution by Agatha Christie (dir. Lucy Bailey) London County Hall – 2017
Switzerland by Joanna Murray-Smith (dir. Lucy Bailey) Ustinov Studio, Bath – August 2018
Honours and awards
Awards include:
Olivier Awards 1979, Designer of the Year for Undiscovered Country
Olivier Awards 1985, Designer of the Year for The Mysteries and The Critics
Olivier Awards 1986, Designer of the Year for The Futurists, Kafka's Dick and Merry Wives of Windsor
Olivier Awards 1993, Olivier Award for Best Costume Design for Heartbreak House & The Rise and Fall of Little Voice
BAFTA 1995 – Best Production Design for Persuasion
Royal Television Society 1995 - Best Production Design for Persuasion
Olivier Awards 1999, Olivier Award for Best Costume Design for Amadeus & The London Cuckolds
Olivier Awards 2001, Olivier Award for Best Set Design for All My Sons
Critics' Circle Theatre Awards 2002, Best Designer for The Coast of Utopia Trilogy
Olivier Awards 2004, Olivier Award for Best Set Design for Hitchcock Blonde
Dudley was appointed Officer of the Order of the British Empire (OBE) in the 2021 New Year Honours for services to stage design.