X-Men

Background and creation

In 1963, following the success of the Fantastic Four, co-creator Stan Lee wanted to create another group of superheroes. Unlike Lee's earlier creations such as Spider-Man, who acquired their powers through different scientific means, Lee decided that this new group of heroes were "mutants", born with latent powers as he had grown weary of creating separate origins for each superhero.

In a 1987 interview, Kirby said:

The X-Men, I did the natural thing there. What would you do with mutants who were just plain boys and girls and certainly not dangerous? You school them. You develop their skills. So I gave them a teacher, Professor X. Of course, it was the natural thing to do, instead of disorienting or alienating people who were different from us, I made the X-Men part of the human race, which they were. Possibly, radiation, if it is beneficial, may create mutants that'll save us instead of doing us harm. I felt that if we train the mutants our way, they'll help us – and not only help us, but achieve a measure of growth in their own sense. And so, we could all live together.

Lee's initial name was "the Mutants," but Marvel publisher Martin Goodman rejected this on the grounds that readers would not know what a "mutant" was.

While the X-Men are often assumed to have been named after Professor X, the original explanation for the name, provided by Xavier in The X-Men #1 (1963), is that mutants "possess an extra power ... one which ordinary humans do not!! That is why I call my students ... X-Men, for EX-tra power!"

Publication history

1960s

The first issue, cover-dated September 1963, introduces the original team, with Marvel Girl presented as a new pupil at Charles Xavier's school, apparently the first female student, and meeting Cyclops, Beast, Angel, and Iceman. Cyclops, whose eyes shoot powerful beams unless they are controlled by a visor, is the central protagonist. Beast is apelike in appearance but speaks in sophisticated diction; Iceman is hedonistic and energetic; Angel comes from a wealthy background and has wings protruding from his back; and Marvel Girl is hyperfeminine. The masculine characters often express their attraction to Marvel Girl. The first issue also introduces the team's archenemy, Magneto. Magneto appears frequently throughout the series.

The X-Men issues #4 and #5 introduce Magneto's Brotherhood of Evil Mutants, featuring Mastermind and Toad. Quicksilver and Scarlet Witch were initially introduced in issue #4 as members of the Brotherhood, but later reformed and joined the Avengers. The comic focused on a common human theme of good versus evil; issue #8 first introduces the theme of prejudice against mutants, which eventually comes to function as an allegory for racism or other forms of bigotry. Issue #12 introduces Cain Marko, the Juggernaut, Professor Xavier's stepbrother, and implies that Marko was responsible for the accident that paralyzed Xavier. Issues #14 to #16 (November 1965 - January 1966) introduce the Sentinels, mutant-hunting robots designed by Bolivar Trask. The title lagged in sales behind Marvel's other comic franchises. Writer Roy Thomas and Werner Roth replaced Lee and Kirby by issue #20 (May 1966). Issue #28 introduces Banshee; initially an antagonist, Banshee will go on to become a member of the X-Men.

In 1969, Thomas and illustrator Neal Adams briefly rejuvenated the comic book. They gave regular roles to two recently introduced characters: Alex Summers (Cyclops' brother, later known as Havok, who had been introduced by Roy Thomas before Adams began work on the comic) and Lorna Dane, later called Polaris (created by Arnold Drake and Jim Steranko). Issue #64 introduced Sunfire, a Japanese mutant. However, these later X-Men issues failed to attract sales and Marvel stopped producing new stories with issue #66 (March 1970), later reprinting a number of the older comics as issues #67–93.

1970s

In Giant-Size X-Men #1 (1975), writer Len Wein and artist Dave Cockrum introduced a new team; the new characters then featured in a reboot of the ongoing X-Men series, which Chris Claremont began writing with issue #94, with Cockrum continuing as illustrator. Cyclops was the only original member who remained; differing from the original, the group became "an international cadre of mutants with diverse and often traumatic personal histories". Unlike in the early issues of the original series, the new team was not made up of teenagers. Marvel's corporate owners, Cadence Industries, had suggested the new team should be international, feeling it needed characters with "foreign appeal". So each character was from a different country with varying cultural and philosophical beliefs, and all were already well-versed in using their mutant powers, several being experienced in combat.

The "all-new, all-different X-Men" were led by Cyclops, and consisted of the newly created Colossus (from the Soviet Union/Russia), Nightcrawler (from Germany), Storm (from Kenya), and Thunderbird (a Native American of Apache descent), and three previously introduced characters: Banshee (from Ireland), Sunfire (from Japan), and Wolverine (from Canada). Wolverine had been previously introduced as an antagonist of the Hulk. However, this team would not remain whole for long; Sunfire quit shortly after their first mission, and Thunderbird died on the next. Filling in the vacancy, a revamped Jean Grey soon rejoined the X-Men. Claremont emphasized the character development of Grey, whose powers increased dramatically as she adopted a new name, Phoenix, in issue #101 (October 1976). Angel, Beast, Iceman, Havok, and Polaris also made significant guest appearances. Claremont introduced a significant non-mutant supporting character, Moira MacTaggert, in issue #96; MacTaggert operates a genetic research facility on Muir Island. Claremont became known for his strong female characters, sometimes called "Claremont Women." The series presents Storm and Phoenix as close friends, in a manner that scholar Ramzi Fawaz views as allegorical for alliances between liberal feminists and emerging Black feminism. 1977 presented a new space opera story line, "The Phoenix Saga", that particularly emphasizes the alliance of these two characters; Fawaz calls it "arguably the most canonical story line in The X-Men's publishing history." The story includes the Shi'ar Empire, Lilandra Neramani, and the Starjammers.

Beginning with issue #108 (December 1977), John Byrne replaced Cockrum as the primary artist. Claremont and Byrne had previously collaborated on the Iron Fist and Luke Cage series. Their run met with critical acclaim, and produced such landmark storylines as the introduction of Alpha Flight and the Proteus saga.

1980s

The 1980s began with the comic's best-known story arc, the "Dark Phoenix Saga", which saw Phoenix manipulated by Mastermind, now a member of the Hellfire Club, and becoming corrupted with an overwhelming lust for power and destruction as the evil Dark Phoenix. The Hellfire Club also included the telepathic femme fatale Emma Frost, who became an increasingly significant character. The story results in the death of Jean Grey. The disco singer mutant, Dazzler, previously introduced in her own miniseries, also appeared in the story and eventually joined the X-Men. This story arc also introduces a new character, the exuberant young girl Kitty Pryde. Thirteen years old, Pryde is Marvel's first canonically Jewish superhero. Immediately after, Claremont and Byrne created "Days of Future Past", in which Wolverine and Kitty Pryde experience a dystopian future for mutants. Mystique first encounters the X-Men in this story, becoming a recurring antagonist. Byrne left the series shortly after its completion. The Morlocks, deformed mutants who live underground, first appear in The Uncanny X-Men #169 (May 1983). In 1983, Cyclops meets Madelyne Pryor, eventually revealed as a clone of Jean Grey. Other important storylines include the saga of Deathbird and the Brood, the invasion of the Dire Wraiths and The Trial of Magneto!, as well as X-Men: God Loves, Man Kills, the partial inspiration for 20th Century Fox's film X2: X-Men United (2003). In this period, Claremont and Byrne particularly emphasized the theme that mutants are oppressed by human bigotry.

By the early 1980s, X-Men was Marvel's top-selling comic title. Its sales were such that distributors and retailers began using an "X-Men index", rating each comic book publication by how many orders it garnered compared to that month's issue of X-Men. The growing popularity of Uncanny X-Men led to the introduction of a number of ongoing spin-off series, such as the ongoing New Mutants, about a younger adjunct team, which began in 1982. As Fawaz puts it, "Unlike the X-Men, the New Mutants were brought together not for the purposes of an egalitarian peace-keeping mission but to learn the proper use of their powers, which they experienced as monstrous physical burdens threatening their own safety and that of their loved ones." He describes them as presenting the "most diverse cast of any mainstream superhero comic," including Karma (Vietnamese), Danielle Moonstar (Cheyenne), Sunspot (Brazil), Cannonball (southern U.S.), and Wolfsbane (Scotland), and Magik (Russia). In 1984, Claremont collaborated with Bill Sienkiewicz for the New Mutants' "Demon Bear Saga", which was critically acclaimed.

Spin-off miniseries included the first four-issue Wolverine solo miniseries (September–December 1982), by Claremont and Frank Miller, as well as the following six-issue Kitty Pryde and Wolverine by Claremont and Al Milgrom (Nov. 1984 – April 1985). Other miniseries included Storm and Illyana: Magik (1983) and X-Men and the Micronauts. In 1983, Alpha Flight, a group of Canadian superheroes created by Byrne as Wolverine's original team, received their own ongoing series.

1990s

Gambit first appeared Uncanny X-Men #266 (Aug. 1990) and became one of the most popular X-Men of the decade, also pursuing a romance with Rogue. The "X-Tinction Agenda" crossover took place in 1990, featuring artists Jim Lee, Rob Liefeld, and Jon Bogdanove. In August 1991, the New Mutants title was cancelled and replaced by X-Force, a best-selling title written and illustrated by Liefeld. In this series, the New Mutants join a more militant team led by a mysterious cyborg, Cable.

In October 1991, Marvel revised the entire lineup of X-Men comic book titles, centered on the launch of a second X-Men series, simply titled X-Men. Initially written by Claremont and illustrated by Jim Lee, the first issue of this series is the highest selling comic book issue in history, selling more than eight million copies. Retailers pre-ordered over 8.1 million copies of issue #1, generating and selling nearly $7 million (though retailers probably sold closer to 3 million copies), making it, according to Guinness Book of World Records, the best-selling comic book of all time. Guinness presented honors to Claremont at the 2010 San Diego Comic-Con.

With the return of Xavier and the original X-Men to the team, the roster was split into two strike forces: Cyclops's "Blue Team" (chronicled in X-Men) and Storm's "Gold Team" (in The Uncanny X-Men). A new character, Bishop, a soldier from another dystopian future, soon joined the Gold Team.

Internal friction soon split the X-books' creative teams. In a controversial move, X-Men editor Bob Harras sided with Lee (and Uncanny X-Men artist Whilce Portacio) over Claremont in a dispute over plotting. Claremont left after only three issues of X-Men, ending his 16-year run as X-Men writer. At the time of his departure, he was the longest-running author of the series. Marvel replaced Claremont briefly with John Byrne, who scripted both books for a few issues. Byrne was then replaced by Fabian Nicieza and Scott Lobdell, who would take over the majority of writing duties for the X-Men until Lee's own departure months later when he and several other popular artists (including former X-title artists Liefeld, Portacio, and Marc Silvestri) would leave Marvel to form Image Comics. Jim Lee's designs would be the basis for much of X-Men: The Animated Series.

Lobdell and Nicieza, along with Peter David, wrote a new crossover series with artists such as Brandon Peterson, Jae Lee, Andy Kubert, and Greg Capullo, centered on battles with Cable's clone, Stryfe. The story revealed that Cable is actually the son of Cyclops and Madelyne Pryor, who grew to adulthood in an alternate future and returned to the present by means of time travel. The "Fatal Attractions" crossover in late 1993 concerned the return of Magneto, who ripped out Wolverine's adamantium skeleton, leading to his taking a leave of absence from the team. Gambit also appeared in his own miniseries, beginning in November 1993. Cyclops and Jean Grey got married in X-Men #30 (March 1994). In November 1994, a next generation of students began with Generation X, featuring Jubilee and other teenage mutants led and schooled by Banshee and ex-villainess Emma Frost at her Massachusetts Academy. Rogue also starred in her own miniseries, beginning in January 1995.

2000s

Sales for the comics had declined at the turn of the century, at the same time that the film series had rekindled interest in the X-Men. Ultimate X-Men, written by Mark Millar and illustrated by Andy Kubert and Adam Kubert began in February 2001. The series took place in an alternate version of the Marvel Universe, co-existing with Ultimate Spider-Man. The reboot imagined many of the primary characters as teenagers.

In July of the same year, X-Men had its title changed to New X-Men and writer Grant Morrison took over. Morrison made drastic changes, beginning with "E Is For Extinction", where a new villain, Cassandra Nova, destroys Genosha, killing sixteen million mutants. Morrison also brought reformed ex-villain Emma Frost into the primary X-Men team, and opened the doors of the school by having Xavier "out" himself to the public about being a mutant. Jean Grey was again killed off. The bright spandex costumes that had become iconic over the previous decades were replaced by black leather street clothes reminiscent of the uniforms of the X-Men films. Morrison also introduced Xorn, who would figure prominently in the climax of his run. In the same month, X-Force was revamped under indie comics writers Peter Milligan and Mike Allred; the series was absurdist, darkly comic, and critically acclaimed, but met with a mixed reaction from fans. The entire line-up of the group was replaced, with Doop the most notable new character. In September, the series changed its name to X-Statix. Another series, Exiles, also began in July. The Cable title also changed its name, to Soldier X.

Chuck Austen began his controversial run on Uncanny X-Men. In 2000, Claremont returned to Marvel and was put back on the primary X-Men titles during the Revolution revamp. He was later removed from the titles in 2001 and created his spin-off series, X-Treme X-Men. Several short-lived spin-offs and miniseries started featuring several X-Men in solo series, such as Emma Frost, Mystique, Cyclops, Iceman, Blink, Chamber, Mekanix (featuring Kitty Pryde), and Nightcrawler. Notable additions to the X-Men in the early '00s were Emma Frost, Danielle Moonstar, Husk and Northstar while former villain Juggernaut became member of the X-Men. Notable story arcs of this era are "E Is For Extinction" (2001), "Planet X" and "Here Comes Tomorrow".

In July 2004, Joss Whedon, creator of the hit television show Buffy the Vampire Slayer, became the writer of the new title Astonishing X-Men, with John Cassaday as artist. The series returned the characters to their traditional superhero costumes.

2010s

In 2010, "Second Coming" concluded the plot threads on Messiah Complex and Messiah War. Nightcrawler died in X-Force #26 (June 2010). In 2011, the aftermath of the "X-Men: Schism" storyline led to the fallout between Wolverine and Cyclops. During the "Regenesis" storyline, Wolverine's team was featured in a new flagship series titled Wolverine and the X-Men, Wolverine rebuilt the original X-Mansion and named it the Jean Grey School for Higher Learning. Meanwhile, Uncanny X-Men relaunched for the first time ever and served as the flagship title for Cyclops' Team. In 2012 "Avengers vs. X-Men" served as a closure to the "House of M" and "Decimation" storylines. It featured the death of Professor X and the reappearance of new mutants after the return of the Phoenix Force. Several short-lived miniseries started featuring several X-Men in solo series, such as Storm, Gambit and Magneto: Not a Hero (featuring Magneto and Joseph). Notable additions to the X-Men were Warbird and Blink.

In 2012, as part of the Marvel NOW! relaunch, all X-Men titles (except Astonishing X-Men & Wolverine and the X-Men) were canceled, including Uncanny X-Men, X-Men: Legacy, X-Men and New Mutants. New flagship title All-New X-Men was launched which featured the original five X-Men members who were brought to the present day by Beast and were made a separate team led eventually by Kitty. The relaunched Uncanny X-Men featured Cyclops, his team and the new mutants, taking up residency in the Weapon X facility, which they have rebuilt into a school — the New Charles Xavier School for Mutants. An all female book titled simply X-Men was also launched. During All-New Marvel Now!, Astonishing X-Men was cancelled and in its place another flagship title Amazing X-Men was launched which featured the return of Nightcrawler and became the flagship title of Wolverine's team. Also, Wolverine and the X-Men was relaunched and turned into mutants-in-training book. In 2013, for the 50th anniversary of the X-Men, "Battle of the Atom" was published which involved members of both X-Men schools trying to decide what to do about the time-displaced original X-Men, culminating in a confrontation with a version of the Brotherhood and the X-Men from an unspecified future date. In 2014, Wolverine was killed off in the "Death of Wolverine" story arc, as the conclusion of a storyline that saw him lose his healing factor after he was infected by an intelligent virus.

In 2015, as part of "All-New, All-Different Marvel", three team books were launched: the second volume of All-New X-Men, the fourth volume of Uncanny X-Men and Extraordinary X-Men.

2020s

On May 14, 2019, Marvel announced they would cancel all the X-Men titles and relaunch the entire lineup. Jonathan Hickman would have full creative control; this began with two rotating bi-weekly six-issue limited series called House of X and Powers of X. After the 12 issues are released, Hickman penned the flagship title and several new and traditional titles were released. It was subsequently announced in July 2019 at San Diego Comic-Con that there would be six new X-titles as part of Marvel's Dawn of X campaign. Following the end of the X of Swords crossover, the sequel relaunch Reign of X will encompass a new era in the X-titles. Destiny of X featured the Second Krakoan Age of X-Men after the events of Inferno and X Lives of Wolverine/X Deaths of Wolverine. Mutantkind's unparalleled growth and prosperity on the island nation Krakoa was threatened during the Fall of X by the human supremicist organization Orchis. Marvel teased the X-Men's final battle for Krakoa's future in the two interconnected titles Fall of the House of X and Rise of the Powers of X.

During the panel at SXSW 2024, a new era of mutant mythos is announced with the X-Men scattered across the planet as they attempt to rebuild themselves following the Krakoan Age, called From the Ashes. It introduced flagship titles for X-Men, Uncanny X-Men and Exceptional X-Men, new volumes for X-Force, NYX, X-Factor and Weapon X-Men, solo series for Jean Grey, Wolverine (Logan), Storm, Dazzler, Mystique, Psylocke, Wolverine (Laura Kinney) and Magik, and a new series for Sentinels.

Notable additions to the X-Men have been Kid Omega, Temper, and Animalia. Notable story arc of this era are "Raid on Graymalkin" (2024), "X-Manhunt" (2025), "Giant-Size X-Men" (2025), and "Age of Revelation" (2025). The X-Men were also involved in the "Blood Hunt" and "One World Under Doom" storylines.

Announced during NYCC 2025, the relaunch of the X-Men line of comic books will see the team united in the aftermath of Age of Revelation. The announcement confirmed continuation of the series X-Men, Uncanny X-Men, and Wolverine, new ongoing series Inglorious X-Force, Generation X-23, and Wade Wilson: Deadpool, and new limited series Storm: Earth's Mightiest Mutant, Cyclops, Rogue, and Magik & Colossus. A later announcement was made for a new ongoing series X-Men United featuring Emma Frost founding the Graymatter Lane and limited series for Moonstar, Bishop, Jean Grey and Fugitive X-Force.

Enemies

The X-Men have a rogues gallery of enemies they fight on a regular basis, the most well-known being Magneto, the mutant Master of Magnetism and Professor X's former friend. Other popular enemies include the shapeshifting Mystique, the ancient mutant Apocalypse, the mad scientist Mister Sinister, the mutant-hunting Sentinel robots, villain teams such as the Brotherhood of Evil Mutants and the Hellfire Club, and the constant species-ism and discrimination from humans.

Themes and motifs

Many recurring plot devices and motifs have been used for the various story arcs over the years which have become commonplace within the X-Men canon.

Social issues

Characters in the X-Men franchise espouse a variety of political ideologies, and these differences are a frequent catalyst for conflict. The most prominent ideological clash in the X-Men franchise is that between Xavier and Magneto; Byrne argues that Lee originally modelled the two on Franklin D. Roosevelt and Adolf Hitler, respectively, despite later interpretations of the two as analogues for Martin Luther King Jr. and Malcolm X that Lee endorsed. Writer Chris Claremont (who originated Magneto's backstory and history with Xavier) saw them as more comparable to David Ben-Gurion and Menachem Begin. Xavier's ideology has drawn comparisons to assimilationism and model minority politics, while Magneto, originally depicted as a mutant supremacist, is later portrayed as a liberationist advocating self-determination through mutually assured destruction. Callisto is a separatist, who seeks to protect the Morlocks through isolationism. Emma Frost is portrayed as rejecting social movements, opting to use the capitalist system for her personal benefit, or for that of individual mutants in her care. Apocalypse is characterized as a social darwinist who believes that mutants can only survive through the rule of might. The Mutant Liberation Front commits acts of terrorism to liberate mutants wrongly incarcerated by the government. Even when individual characters expressing conflicting ideologies are portrayed as either misguided or villainous, their motives and beliefs are often treated by the X-Men with nuance, sympathy, and respect; for example, during Secret Wars, when the Avengers take issue with Magneto's placement among the heroic team by The Beyonder, the X-Men defend him as an ally, despite disagreeing with his methods; although eventually they come to accept him as an ally. Captain America even speaks in his defense on some occasions. Pulitzer-winning national security journalist Spencer Ackerman has stated on the Cerebro podcast that "the importance of the X-Men as a universe of stories, as a mythos, is that we should always be debating who is right."

The conflict between mutants and normal humans is often compared to real-world conflicts experienced by minority groups in America such as religious groups, ethnic and racial minorities, autistic individuals, and the LGBTQ community. It has been remarked that attitudes towards mutants do not make sense in the context of the Marvel Universe, since non-mutants with similar powers are rarely regarded with fear; X-Men editor Ann Nocenti remarked that "I think that's literary, really – because there is no difference between Colossus and the Torch. If a guy comes into my office in flames, or a guy comes into my office and turns to steel, I'm going to have the same reaction. It doesn't really matter that I know their origins. ... as a book, The X-Men has always represented something different – their powers arrive at puberty, making them analogous to the changes you go through at adolescence – whether they're special, or out of control, or setting you apart – the misfit identity theme."

Time travel

Many of the X-Men's stories delve into time travel either in the sense of the team traveling through time on a mission, villains traveling through time to alter history, or certain characters traveling from the past or future to join the present team. Story arcs and spin-offs that are notable for using this plot device include Days of Future Past, Messiah Complex, All-New X-Men, Messiah War, and Battle of the Atom. Characters who are related to time travel include: Apocalypse, Bishop, Cable, Old Man Logan, Prestige, Hope Summers, Tempus, and Stryfe. A major notable period in the X-Men's history began in 2012s All-New X-Men when Beast used time-travel to bring the original five 1960s X-Men into the present. These time-displaced characters subsequently starred in their own title X-Men Blue before returning to their original timeline in 2018's Extermination event.

Death and resurrection

One of the most recurring plot devices used in the X-Men franchise is death and resurrection, mostly in the sense of Jean Grey and her bond with the Phoenix. Though not as iconic as Jean and the Phoenix, many other X-Men characters have died and come back to life on occasion. Death and resurrection has become such a common occurrence in the X-books that the characters have mentioned on numerous occasions that they are not strangers to death or have made comments that death does not always have a lasting effect on them (for example, "In mutant heaven, there are no pearly gates, only revolving doors"). John Byrne even commented, "Oh my God, we've trained fans to expect that no death is actually permanent, even in the real world!" X-Necrosha is a particular story arc that sees Selene temporarily reanimate many of the X-Men's dead allies and enemies in order for her to achieve godhood. In the Krakoan era, the characters invent a method of resurrecting mutants who have died; becoming a significant story element across the various X-Men books.

Space travel

Space travel has been a common staple in the X-Men books beginning with the Phoenix and Dark Phoenix sagas. Since then space has been involved in many stories involving the X-Men's allies and occasional rivals the Shi'ar along with stories involving the Phoenix Force. Space has been the setting for many stories involving the likes of The Brood, such as the story arc where the villainous species was first introduced. Through space noteworthy characters like The Starjammers and Vulcan (lost brother of Cyclops and Havok) were introduced. Space travel played a major role in Joss Whedon's run on Astonishing X-Men via the introduction of S.W.O.R.D. and especially in one of the final story arcs under his authorship called "Unstoppable". Other notable story arcs involving space included "X-Men: The End", "Rise and Fall of the Shi'ar Empire", "X-Men: Kingbreaker", "War of Kings", and "The Black Vortex".

Media and popular culture

The character of Mojo, an extraterrestrial being and media mogul from the Mojoverse, satirizes the pervasive influence of media on society. Created by Nocenti and Art Adams, Mojo's grotesque appearance and obsession with television ratings comment on the exploitative nature of entertainment media. The character was influenced by Nocenti's readings of media critics such as Marshall McLuhan, Noam Chomsky, and Walter Lippmann. The X-Men's resistance against Mojo's tyranny is symbolic of the struggle against the monopolization of media and the fight for a free and independent press.

Cultural impact and legacy

The franchise has generated over $8 billion in income over the course of its history.

The insecurity and anxieties in Marvel's early 1960s comic books such as The Fantastic Four, The Amazing Spider-Man, The Incredible Hulk, and X-Men ushered in a new type of superhero, very different from the certain and incredibly powerful superheroes before them, and changed the public's perception of superheroes.

The superhero team has been described as an allegory to real-life struggles experienced by people rejected by society.

Ramzi Fawaz argues that X-Men presents a feminist revision of the idea of a superhero team: "As a corollary to its critique of normative identity, The X-Men shifted the traditional locus of affective and political identification in mainstream superhero comics from white male heroes to powerful and racially diverse female superheroes whose emotional strength anchored mutant kinships and whose superpowers granted them unprecedented ability to reshape the material world."

In 2022, British-American publisher Penguin Random House released a Penguin Classics edition of the early X-Men comics as part of a line of Penguin Classics editions of various Marvel comics.

Other versions

Age of Apocalypse – In a world where Professor X is killed by his son David/Legion before he can form the X-Men, Magneto leads the X-Men in a dystopian world ruled by Apocalypse. Created and reverted via time travel.

Days of Future Past – Sentinels have either killed or placed into concentration camps almost all mutants. Prevented by the time-traveling Kate Pryde/Widget (the adult Kitty Pryde/Shadowcat).

House of M – Reality is altered by Scarlet Witch, with her father Magneto as the ruler of Genosha and in which mutants are the dominant group with humans as second-class citizens. 2005's crossover event, it concludes with a reversion to the normal Marvel Universe, albeit with most mutants depowered.

Marvel 1602 – Mutants are known as the "Witchbreed" in this alternate reality set during the time of The Inquisition. Carlos Javier creates a "school for the children of gentlefolk" to serve as a safe haven and training ground for which he calls mutantur (or changing ones) and normal humans (the mondani). The roster consists of the original 5 members and analogues of Sunspot, Pietro and Wanda Maximoff.

Marvel 2099 – Set in a dystopian world with new characters looking to the original X-Men as history, becoming X-Men 2099 and X-Nation 2099.

Marvel Noir – The X-Men of this reality are a group of delinquent teenagers led by Charles Xavier who believes that sociopathy is the next step in human evolution. Set in the 1930s, with the X-Men as a mysterious criminal gang and the Brotherhood as a secret society of corrupt cops.

Time-displaced X-Men – The time-displaced team was introduced as such in All-New X-Men vol. 1 #1, by Brian Michael Bendis and Stuart Immonen, and brought to the present with time travel. They were kept as regular characters, as Bendis intended to explore their reactions to the fate of their adult selves. The team was the main focus of the Battle of the Atom crossover, some months later. Bendis also used them for crossovers with the Guardians of the Galaxy and Miles Morales, that he also wrote. This was one of the few crossovers between the Marvel Universe and the Ultimate Marvel universe; Bendis preferred to write them sparingly. All-New X-Men has a vol. 2 in 2015, by Dennis Hopeless and Mark Bagley. The comic was cancelled after the end of the Inhumans vs. X-Men crossover, and the team was now published in the X-Men Blue comic. The teenager Jean also got a solo series after the end of ResurrXion, by Hopeless and Victor Ibanez, that explored her relation with the Phoenix Force. The teenager Cyclops joins the Champions, a comic book focused on teenager heroes but unrelated to the X-Men mythos. They guest-starred in the Venom comic, in the "Poison-X" arc. The story took the villains from the Venomverse arc and led to the Venomized crossover. The team were featured in the Extermination crossover, where they went back to their original timeline.

In other media

The X-Men team has featured in multiple forms of media including the 20th Century Fox live-action film series, multiple animated shows, live-action shows, multiple video games, numerous novels, motion comics, soundtracks, action figures, and clothing.