Yves Mirande

Yves Mirande (Bagneux (Maine-et-Loire), May 8, 1876 – Paris, March 17, 1957) was a French screenwriter, director, actor, and producer. Career Yves Mirande began his acting career in the theater, transitioning to movies in the silent era. Filmography She Wolves, directed by Maurice Elvey (Silent, 1925, based on the play Un homme en habit) Evening Clothes, directed by Luther Reed (Silent, 1927, based on the play Un homme en habit) The Porter from Maxim's, directed by Roger Lion and Nicolas Rimsky (Silent, 1927, based on the play Le Chasseur de chez Maxim's) , directed by Robert Boudrioz (Silent, 1929, based on the operetta Trois jeunes filles nues) Kiss Me, directed by Robert Péguy (Silent, 1929, based on the play Embrassez-moi) The Wonderful Day, directed by René Barberis (Silent, 1929, based on the play La Merveilleuse Journée) L'Arpète, directed by Émile-Bernard Donatien (Silent, 1929, based on the play L'Arpète) A Hole in the Wall, directed by René Barberis (French, 1930, based on the play Le Trou dans le mur) ** , directed by Edvin Adolphson (Swedish, 1930, based on the play Le Trou dans le mur) ** A Lucky Man, directed by Benito Perojo (Spanish, 1930, based on the play Le Trou dans le mur) The Matrimonial Bed, directed by Michael Curtiz (English, 1930, based on the play Au premier de ces messieurs) The Man in Evening Clothes, directed by René Guissart (French, 1931, based on the play Un homme en habit) ** A Gentleman in Tails, directed by Roger Capellani and Carlos San Martín (Spanish, 1931, based on the play Un homme en habit) Pour vivre heureux, directed by Claudio de la Torre (French, 1932, based on the play Pour vivre heureux) Simone est comme ça, directed by Karl Anton (French, 1932, based on the play Simone est comme ça) Kiss Me, directed by Léon Mathot (French, 1932, based on the play Embrassez-moi) Mon cœur balance, directed by René Guissart (French, 1932, based on the play Une femme dans un lit) The Wonderful Day, directed by Yves Mirande and Robert Wyler (French, 1932, based on the play La Merveilleuse Journée) The Porter from Maxim's, directed by Karl Anton (French, 1933, based on the play Le Chasseur de chez Maxim's) , directed by René Guissart (French, 1933, based on the play La Femme de mon ami)