The Range
In 1984, Hornsby formed Bruce Hornsby and the Range, who were signed to RCA Records in 1985. Besides Hornsby, Range members were David Mansfield (guitar, mandolin, violin), George Marinelli (guitars and backing vocals), former Ambrosia member Joe Puerta (bass guitar and backing vocals), and John Molo (drums).
Hornsby's recording career started with the biggest hit he has had to date, "The Way It Is". It reached number one on the Billboard Hot 100 in December 1986. The song described aspects of homelessness, the American civil rights movement and institutional racism. It has since been sampled by at least six rap artists, including Tupac Shakur, E-40, and Mase.
With the success of the single, the album The Way It Is received the RIAA certification of multi-platinum. It included "Mandolin Rain" (co-written, as many of Hornsby's early songs were, with his brother John), another top-five hit. "Every Little Kiss" peaked at number 14 on the Billboard Hot 100 in July 1987. Other tracks on the album helped establish what some labeled the "Virginia sound", a mixture of rock, jazz, and bluegrass. Bruce Hornsby and the Range won the Grammy Award for Best New Artist in 1987, defeating Glass Tiger, Nu Shooz, Simply Red, and Timbuk3.
Hornsby and the Range's sound was distinctive for its use of syncopation in Hornsby's piano solos, a bright piano sound and an extensive use of synthesizers as background for Hornsby's solos, and on all the hits, a Linn drum machine and Oberheim OB-X for bass. They are typical double-time beats, which allowed Hornsby and the rest of the band to do more with their solos.
Hornsby and the Range's second album, Scenes from the Southside (on which Peter Harris replaced Mansfield), was released in 1988. It included "Look Out Any Window" and "The Valley Road" which many critics noted for their "more spacious" musical arrangements, allowing for "more expressive" piano solos from Hornsby. It also included "Jacob's Ladder", which the Hornsby brothers wrote for musician friend Huey Lewis; Lewis's version became a number one hit from his album Fore!. Scenes offered further slices of "Americana" and "small-town nostalgia", but it was the band's last album to perform well in the singles market.
During the late 1980s and early 1990s, Hornsby worked extensively as a producer and sideman, producing a comeback album Anything Can Happen for Leon Russell. In 1987, Hornsby collaborated with Irish group Clannad, playing and lending vocals to their single "Something to Believe In". Hornsby also appears on the official music video release for the track. In 1989, Hornsby co-wrote and played piano on Don Henley's hit "The End of the Innocence". In 1991, he played piano on Bonnie Raitt's hit "I Can't Make You Love Me". He also appeared on albums by Bob Dylan, Robbie Robertson, Crosby Stills and Nash, Stevie Nicks and Squeeze.
Hornsby slowly began to introduce jazz and bluegrass elements into his music, first in live performance settings and later on studio work. In 1989, he first performed at the Telluride Bluegrass Festival. He also reworked his hit "The Valley Road" with the Nitty Gritty Dirt Band for their album Will the Circle Be Unbroken: Volume Two. In February 1990, the song won Best Bluegrass Recording at the 32nd Annual Grammy Awards.
In May 1990, Hornsby released A Night on the Town, on which he teamed up with jazz musicians Wayne Shorter (tenor saxophone) and Charlie Haden (double bass) as well as bluegrass pioneer Bela Fleck (banjo). A change in style became apparent as the album was much more rock and guitar driven, making use of Jerry Garcia's guitar work on several tracks, including prominently on the single "Across the River". In concert, Hornsby and the Range began to stretch out their songs, incorporating more and more "freewheeling musical exchanges". Critics praised the album for its production, its political relevance, and Hornsby's gestures toward expanding out of a strictly pop sound by incorporating jazz and bluegrass. Ultimately, though, the core "rock band" sound of the Range limited Hornsby's aspirations, and after a final three-week tour in 1991, Hornsby disbanded the Range to enter a new phase of his career. Drummer John Molo continued to perform regularly with Hornsby for another few years, although other members pursued separate musical endeavors. Following Hornsby's and Molo's involvement with the Other Ones, Molo left Hornsby to become the primary drummer with bass guitarist Phil Lesh and Friends.
